Grant Mudford, Long Beach, Gelatin Silver Print 1979 More Information
Grant Mudford, Long Beach, Gelatin Silver Print 1979
GRANT MUDFORD (1944- ) Australia
Long Beach 1979
Gelatin silver print
Signed: Long Beach 1979, LB-24/2 (in pencil on back); Grant Mudford 1980 (script in ink)
Framed size: H: 28 ¼” x W: 32 7/16”
Price: $29,000
“Since he moved to Los Angeles from Australia in the late 1970s, Grant Mudford has composed photographs that crisply examine the streamlined geometries of West Coast architecture and landscape. Mudford has zeroed in on the abstract formal relationships lurking within the designs of gas stations, strip malls and apartment buildings. The geometrical arrangements highlighted in his photographs of the masterful modernist structures of Rudolf Schindler and Craig Ellwood have disclosed a link between their midcentury architecture and the contemporaneous hard-edge abstractions of L.A. painters John McLaughlin and Lorser Feitelson.” – Art in America, “Grand Mudford at Rosamund Felsen, September 2003
Tim Gidal, Self Portrait, Gelatin Silver Print 1930
TIM GIDAL (Ignaz Nachum Gidalewitsch) (1909-1996) USA
Self-portrait 1930
Signed: Tim Gidal, self portrait 1930, photograph printed by photographer TG (script in ink on back)
H: 17 7/8” x W: 12 1/16” (framed)
German-born Israeli photojournalist and writer. Gidal studied law, history and art history in Munich and Berlin, and started photography as a Zionist student. His first published pictures appeared in theMünchener illustrierte Pressein 1929. After emigrating in 1933 he lived in Switzerland (where he wrote a doctoral dissertation on photojournalism), the Middle East, and India, contributing to numerous publications. Between 1938 and 1940 he worked for Picture Post, and 1942-5 for the British army magazine Parade. After moving to the USA in 1947 he was an editorial consultant for Life. He later held academic posts in America and Israel. His many books include Modern Photojournalism: Origin and Evolution 1910-1933 (1973).
Signed: 12-40. Edward Weston 1935 (pencil below photo)
Framed H: 17” x W: 14 9/16”
Edward Henry Weston was an American photographer, and co-founder of Group f/64. Most of his work was done using an 8 by 10 inch view camera. Weston was renowned as one of the masters of 20th century photography. His legacy includes several thousand carefully composed, superbly printed photographs that have influenced photographers around the world for 60 years. Photographing natural landscapes and forms such as artichoke, shells, and rocks, using large-format cameras and available light. The subtle use of tones and the sculptural formal design of his works have become the standards by which much later photographic practice has been judged.
Ansel Adams has written: “Weston is, in the real sense, one of the few creative artists of today. He has recreated the matter-forms and forces of nature; he has made these forms eloquent of the fundamental unity of the world. His work illuminates man’s inner journey toward perfection of the spirit.”
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