Product Description
Guebelin Switzerland “Half moon” ring in 18K white brushed gold set with a large cabochon oval moonstone, two crescent moon shaped inset lapis lazuli stones and two tapered baguette diamonds, signed, c. 1950’s
Guebelin Switzerland “Half moon” ring in 18K white brushed gold set with a large cabochon oval moonstone, two crescent moon shaped inset lapis lazuli stones and two tapered baguette diamonds, signed, c. 1950’s
MARGARET POSTGATE (1879-1953) USA
WAYLANDE GREGORY (1905-1971) USA
ARTHUR BAGGS (1886-1947) (glaze development) USA
COWAN POTTERY STUDIO USA
Cubist Elephant bookends 1929
Ceramic bookends with a black gunmetal glaze
Signed: Cowan studio mark (under glaze) Cowan bookend numbers 840 and 841
For more information and illustration see: Cowan Pottery and the Cleveland School, by Mark Bassett and Victoria Naumann (Atglen, PA: Schiffer, 1997).
H: 4 1/2″ x W: 5 1/2” x D: 3 3/4”
Margaret J. Postgate was born in Chicago, IL on September 29, 1879 and died at a hospital in the Bronx, NY in 1953. Her family moved to Manhattan around 1910 and then Brooklyn around 1925 and she remained a Brooklyn resident right up until her death. Her parents were both born in England: John W. Postgate and Margaret Postgate nee Derry. She had siblings, a brother George and one or two sisters, Mary and/or Mae. Margaret studied at the Art Institute of Chicago and Cooper Union School of Art in New York. In 1925, 1925, and 1926 she participated in soap sculpture carving competitions, some sponsored by Procter & Gamble Corporation in Cincinnati, Ohio. Pamphlets exist as well as exhibition brochures and others on “how-to” carving penned by Postgate. Margaret Postgate designed for Cowan from 1929-1930 where she adapted a few of the designs she had rendered in soap for ceramic sculptures for the Cowan Pottery. She also executed a few pieces of sculpture that were cast in bronze for the bronze division of the Gorham Manufacturing Company.
LUC LANEL (1893-1965) France
ORFÈVRERIE CHRISTOFLE Paris
Ovoid form with a foot and flared lip design with a polished copper body with an overall stepped rectangular and square motif geometric design
Marks: CHRISTOFLE (large script with wave lines below), B 173, G
For more information see: Mobilier et Décoration d’Interieur ( 1924-25), p. 10; Les Arts Décoratifs Modernes (France), Gaston Quènioux (Paris: Librairie Larousse, 1925), p. 176; 150 Ans d’Ofèvrerie Christofle, Henri Bouilhet ([Paris]: Chêne/Hachette: 1981), pp. 241 and 230.
H: 8 5/8″ x Dia: 5″