Product Description
Henri Lapparra Art Deco “Mikado” covered sugar bowl c. 1930

Silver lidded bowl with ebony finial and rectangular ebony handles, decorated with enamel in fan shapped tiers of three shades of blue and black
Marks: French Touchmarks (Head of Minerva) 2x, Lapparra diamond shape silver touch mark, Red Lacquer Cranbrook Museum Accession No. 1930.77
Exhibited: Third International Exposition of Contemporary Industrial Arts, 1930-1931 The American Federation of Arts 1930-1931, The Museum of Fine Arts Boston, October 15 – November 10, 1930, The Metropolitan Museum of Art New York, December 1 – December 28, 1930, The Art Institute of Chicago, January 19 – February 15, 1931, The Cleveland Museum of Art Cleveland, March 11 – April 5, 1931; Art Deco, 1971 (Minneapolis: Minneapolis Institute of Arts)
Model illustrated: Art Deco, A Guide for Collectors, Katherine Morrison McClinton (New York: Clarkson N. Potter, Inc., 1972) p. 162; Art Deco, Judith Applegate (New York: Finch College Museum of Art, 1970) illustr. 392; The Cranbrook Collections, Sotheby, Parke-Bernet, New York, 1972, illustr. 31, pp. 7 & 9, Third International Exposition of Contemporary Industrial Arts, 1930 (New York: Finch College Museum of Art) No. 392; Art Deco, 1971 (Minneapolis: Minneapolis Institute of Arts) No. 164; International Exhibition of Metalwork and Cotton Textiles exhibition catalogue (The American Federation of Arts, 1930) No. 169
H: 4” x W: 4 ½” x D: 4”
Henri Lapparra Art Deco “Mikado” covered sugar bowl c. 1930
ANE CHRISTENSEN (b.1972) born in Copenhagen, Denmark/ based in London, UK
Bowl 1999
Sterling silver
Marks: AKC, 925, Z, British hallmarks
H: 2 ½” x L: 12”
Price: $5,950
The starting point for all of metalworker Ane Christensen’s tableware is a single sheet of metal. Her aim is to develop a three dimensional object from a flat sheet without adding or removing any elements. Japanese paper packaging influences Ane’s work, but a more important influence is the half finished or half demolished structures of building sites that she says can hold unexpected sculptural qualities.
Ane graduated from the Royal College of Art and has since been involved in exhibitions in London, Denmark and Copenhagen, including more recently at Collect, V&A.
Ane makes pieces in a variety of metals including silver, stainless steel and powder coated copper.
WHITING MANUFACTURING CO. North Attleboro, MA
“Koi” serving bowl with matching servers c. 1880
Sterling silver serving bowl and matching servers with applications of Koi fish behind nets, gilt interior
Marks: on base: lion with W in oval (manufacturer’s insignia), STERLING, 2124A, J.E. CALDWELL & CO. (retailer)
H: 4 3/8″ x Dia: 9 3/4″
In 1840 Albert Tifft and William Whiting started their business in North Attleboro, MA as a jewelry manufacturing company and then in 1866 created the Whiting Mfg. Co. and expanded production into small holloware as well. The Gorham Company bought Whiting in 1926 and all operations were then moved to Providence, R.I.
SEVARD France (active 1920’s/1930’s)
Dinanderie vase with fish fins c. 1925
Hand wrought and hand hammered copper with a rich chocolate-brown
patination and bronze fin-like handles, gilt detailing
Marks: Sevard (inscribed signature), “France”
H: 7 7/8” x W: 8 3/4”
ROBERT BLOCH France
BOURDOIS & BLOCH Paris, France
“Ribbon” bowl c. 1939
Porcelain with gilt and matte black polychrome decoration
Marks: crossed swords (company logo) MADE IN FRANCE
Paper label: Exposition de New York 1939 Robert Bloch Porcelaine de Paris
H: 2 3/4” x D: 9 3/4”