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  Michael Powolny / Lötz Witwe Glaswerks Jugendstil Set of Three “Tango” Glass Vases c. 1920

  PROF.  MICHAEL POWOLNY  (1871-1954)  Austria
  LÖTZ WITWE GLASWERKS   Klostermuhle

  Set of three “Tango” glass vases  c. 1920

  Blown tall yellow glass with applied black  handles, blown orange glass with applied cobalt blue handles, blown red glass with applied black handle-form feet

  Marks: Cecho. Slovakia (acid etched in an oval) (red vase)

  Yellow and black vase              H: 6 1/2” x Dia: 6″
  Orange and cobalt blue vase   H: 5 1/2” x Dia: 6″
  Red and black vase                  H: 3 1/2” x Dia: 6″

  For more information see: Lötz: Böhmisches Glas 1880-1940, Band 1, Helmut Ricke and Ernst Ploil, (Munich: Prestel-Verlag, 1989) ; Glass of the Avant-Garde, From Vienna Secession to Bauhaus, The Torsten  Bröhan Collection from the Museo Nacional de Artes Decorativas, Madrid, Torsten Bröhan, Martin Eidelberg (Munich, London, New York: Prestel Verlag, 2001).

  Other Powolny works: Jugendstil Art Nouveau: floral und functional forms, Siegfried  Wichmann (New York / Boston: Graphic Society, Little, Brown and Co., 1984), p. 226; Vienna 1900-1930: Art in the Home, Historical Design exhibition catalogue (New York: Historical Design, Inc., 1996), p. 45; Modernism:Modernist Design 1880-1940, The Norwest Collection, Norwest Corporation, Minneapolis, Alastair Duncan (Woodbridge, Suffolk, England:  The Antique Collector’s Club, 1998).

  SOLD

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  Lawrence Hunter Hand Wrought Brass and Walnut Punch Set c.1965

  LAWRENCE HUNTER, San Diego, California

  Punch Bowl set c.1965

  Hand hammered and hand wrought large asymmetric punch bowl with matching ladle, turned walnut pedestal platter and twenty four hand wrought brass and walnut pedestal shape goblets

  Marks: HUNTER spelled out within a large outline of an H (name logo and monogram mark on all pieces)

  Punchbowl H: 13 ½” x Dia: 16”
  Cups: H: 5” x Dia: 3 ½”
  Serving tray: H: 2 ¾” x Dia: 17 ¾”

  Price: $11,500

  By repute, this elaborate punch set was a custom commissioned work for a West Coast collector and likewise was purchased directly from Larry Hunter in the mid-1960’s for $2,500.

  Lawrence “Larry” Hunter grew up in San Diego and received a BA from San Diego State College in the late 1950s. As an undergraduate, Hunter studied with John Dirks, who founded the furniture design program at San Diego State College, and Ilse Ruocco. While completing an MA at University of California, Los Angeles, Hunter worked in clay and was a teaching assistant for Laura Andreson. Hunter was hired to teach general crafts and design classes at San Diego State in 1962, and later inherited the furniture design program from Dirks.
  Hunter was a member of the Allied Craftsmen of San Diego and exhibited furniture regularly in the California Design series at the Pasadena Art Museum and the California Crafts series at the Crocker Art Gallery in Sacramento. Hunter led the San Diego State furniture design program until the late 1980s, helping the furniture program to become a vital part of the community. Featured artists will include Toza and Ruth Radakovich, Rhoda Lopez, Jack Hopkins, Arline Fisch, Ellamarie and Jackson Woolley, Larry Hunter, Kay Whitcomb, Ilse Ruocco, and James Hubbell. It was at this same time that Constantine’s, a New York fine wood merchant, offered plans for clocks with wooden works; that John Gaughan made a skeletal grandfather’s clock with wooden works; and that Larry Hunter, who taught at San Diego State, used the clock form to explore kinetic sculpture within a functional format. Hunter eschewed the older traditional adornment of the case and focused upon visible works so that people could watch time actually move.

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  Antonio Pineda “Repeat Triangles” earrings, sterling set with obsidian, signed c. 1950

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  Antonio Pineda “Studs” cuff / bracelet, sterling set with onyx, signed c. 1950’s