Josef Hoffmann / Wiener Werkstaette Fluted serving tray c. 1928
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Josef Hoffmann / Wiener Werkstaette Fluted serving tray c. 1928
JOSEF HOFFMANN (1870-1956) Austria
WIENER WERKSTÄTTE (1903-1932) Vienna
Fluted serving tray c. 1928
Handwrought silver plated brass, gilt interior, hand hammered swirled fluting, scalloped edge
Marks: MADE IN AUSTRIA (in a square), JH monogram, WIENER WERK STÄTTE (in a square)
Model illustrated: Josef Hoffmann: Ornament zwischen Hoffnung und Verbrechen (Wien: Herausgeber, 1987) p. 185.
Related models illustrated: Wiener Werkstätte Design in Vienna 1903-1932, Werner J. Schweiger (New York,1984) pp. 62,66; Josef Hoffmann Designs, ed. Peter Noever, MAK and Prestel-Verlag: Munich, 1992) pp. 172, 174, 189.
Archibald Knox / Liberty & Co. Tudric charger / tray c. 1902-05
ARCHIBALD KNOX (1864-1933) UK
LIBERTY & CO. London
Tudric charger c. 1902-05
Pewter with abstract Celtic design in bas-relief
Marks: TUDRIC, 0163, Made in England
Illustrated: Archibald Knox, ed. Stephen A. Martin (London: Artmedia Press, 2001) p 203
Drawing illustrated: Archibald Knox, ed. by Stephen A. Martin (London: Academy Editions, 1995) p 137;
D: 9 9/10”
This British avant-garde charger demonstrates the profound influence of Celtic ornament upon Knox and his highly individual and sophisticated use of these ancient graphic devices of interlocking loops and tendrils.
Archibald Knox / Liberty & Co. Crumb tray c. 1902-05
ARCHIBALD KNOX (1864-1933) UK
LIBERTY & CO. London
Crumb tray c. 1902-05
Pewter with abstract Celtic design in bas-relief
Marks: 3, ENGLISH PEWTER 0532
Illustrated: Archibald Knox, ed. by Stephen A. Martin (London: Academy Editions, 1995) ; Liberty Design 1874-1914, Barbara Morris (London: Pyramid Books, 1989) p. ; The Designs of Archibald Knox for Liberty & Co., A.J. Tilbrook (London: Ornament Press Ltd., 1976)
Mitzi Otten-Friedmann / Wiener Werkstaette reverse painted glass and silver brooch, signed c. 1915
MITZI OTTEN-FRIEDMANN (1884-1955) Austria
WIENER WERKSTÄTTE (1903-1932)
Brooch c. 1915
Reverse-painted glass depicting a couple set in a silver frame / back
Marks: M. OTTEN-FRIEDMANN on the front (right), the reverse stamped: WW, Vienna assay mark for 900 silver
D: 2 3/8”
Rosalia Marie Friedmann-Otten (“Mitzi”) * November 28, 1884 Vienna, † May 5, 1955 New York, NY
Student at the School of Applied Arts in Vienna (with Oskar Strnad), Friedmann-Otten participated in numerous exhibitions (including art shows in 1908, 1920; Neukunstgruppe 1909; German Women’s Art in 1925; Werkbundausstellung 1930). Member of the Austrian Werkbund, the Wiener Werkstätte and the Neukunstgruppe. One of the most versatile artists (commercial art, metalwork, jewelry, fashion, starting from 1920 mainly enamel works, including large-scale email pictures), Friedmann-Otten had to flee in 1938 to the United States.
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