Just Andersen, Denmark Pair of Five-Branch Art Deco Candelabra, c. 1925 More Information
Just Andersen, Denmark Pair of Five-Branch Art Deco Candelabra c.1925
Just Andersen (1884-1943), Denmark.
Pair of five-branch Art Deco candelabra, circa 1925.
Cast and wrought bronze with original rich brown and green patina.
Marks: Denmark just in a triangular cartouche, No. B180.
For more information see: “Just Andersen: Manden og Vaerket” by Svend Rindholt in Samleren: Tidskrift for Kunst og Kunstindustri (Attende Aargang, 1941) pp. 171-194; Dansk Biografisk Leksikon. Første Bind (Copenhagen: Gyldendal, 1979) p. 199. The Design Encyclopedia. Mel Byars (New York: John Wiley & Sons, Inc., 1994) p. 23.
H: 17 5/16″ x W: 17 1/2″
By repute this pair of candelabra were exhibited in the Danish section at the Paris 1925 Exposition.
Just Andersen was a designer and craftsman for Georg Jensen until 1918 when he left to open his own studio. These candelabra are exquisite and remarkable examples of Danish Art Deco design and a testament to the artist’s consummate craftsmanship. Andersen’s bronzes are characterized by rich, deep patination and superlative casting quality and surfaces.
Wilhelm Kage / Gustavsberg “Nude” Farsta Studio Bowl c. 1940
WILHELM KÅGE (1889-1960) Sweden
GUSTAVSBERG Gustavsberg, Sweden
“Nude” Farsta bowl c. 1940
Glazed stoneware with hand inscribed sgraffito decoration of a nude
Marks: Kage, Studio Gustavsberg; FARSTA
Dia: 8″
Originally a painter, Wilhelm Kåge was employed by Gustavsberg as an art director to rejuvenate the pottery´s production. He was faithful to the company for 32 years. In 1942 he started the legendary Gustavsberg Studio with the mission to create unique artistic pieces. His lively imagination brought forth a great variety of forms. Kåge was an artist of contradictions. In the 1940´s and 50´s he designed several geometrical, almost cubist, vessels in the “Surrea” series which stands in striking contrast to his soft formed, organic shaped tableware from the same period. Kåge designed more than 30 different dinner services, of particular importance was the inexpensive “workers” service, intended for a wider audience. Kåge´s pride, however, was the Farsta series of unique vessels made of heavy stoneware with carved surfaces and earth coloured decorative glazes. The clay for which was taken from the Farsta bay area very near the Gustavsberg pottery. He began experimenting with the Farsta line of studio ceramics already in the 1920´s. Art historians and collectors today consider the Farsta pieces the culmination of Wilhelm Kåge´s artistic production.
@hd_jewels