Product Description
Marion Faller & Hollis Frampton, Apple Advancing, Gelatin silver print, 1975

MARION FALLER USA
HOLLIS FRAMPTON USA
Apple Advancing 1975
Signed: 782. Apple advancing [var. “Northern Spy”] from “Sixteen Studies from Vegetable Locomotion,” 1975 by Marion Faller & Hollis Frampton) on back of photograph; Marion Faller Hollis Frampton (in script on the bottom of the back of the photograph)
H: 10 7/8” x W: 13 7/8” (unframed)
H: 15 3/16 “ x W: 20 15/16” (framed)
Marion Faller & Hollis Frampton, Apple Advancing, Gelatin silver print, 1975
TIM LIDDY
“Oy Vey” (1979) The game where you become a JEWISH MOTHER! Get your sons to become doctors—Get your daughters married to doctors! If not, OY VEY! 2008
Oil and enamel on copper, plywood back
Signed in script: Tim Liddy, red circular ring, “circa 1979”, 2008
Provenance: William Shearburn Gallery, St. Louis, MO
H: 10 ¼” x W: 20 ½” x D: 1 ¾”
With his recent paintings, Liddy has both reasserted the construct of hyperrealist painting and developed a thoroughly unique advancement of that mode by extending the cultural reality of the indexed original. Based on the illustrated box lids of vintage board games, Liddy has recontextualized a subject, which evokes the underlying rules of life. Painted on copper or steel in the precise dimensions of the original, the metal is then manipulated to demonstrate the exact rips and tears from years of usage and includes trompe-l’oeil renditions of the scotch tape that might be holding the cardboard box together, the assorted stains, or the various graffiti of time. Liddy leaves no possibility of ambivalence, these works speak to a concurrent understanding of their original object identity and to themselves as works of art engaged in historical and psychological dialogue.
ARRIGO VARETTONI DE MOLIN (1902-1985)
Passaic Rooftops 1932
Oil on canvas
Signed: A V de Molin ’32
Listed: Who’s Who in America, Series II, no. 11 (November 1, 1941) p. 6.
Exhibited: New Jersey State Annual, Montclair Art Museum, 1934
Canvas: H: 39” x W: 35”