Product Description
Nile Behncke “Oshkosh, Wisconsin” Watercolor and pencil on paper c. 1935

NILE BEHNCKE (1894-1954) USA
Oshkosh, Wisconsin c. 1935
Watercolor and pencil on paper
Painting: H: 20 ¼” x W: 24 ¾”
Framed: H: 33” x W: 37 1/2”
Nile Juergen Behncke was a well-known Wisconsin watercolorist and the first director of the Oshkosh Public Museum, from 1924-1954.
Nile Behncke “Oshkosh, Wisconsin” Watercolor and pencil on paper c. 1935
WES WILSON USA
Howlin’ Wolf, Big Brother and the Holding Company, Harbinger Complex at the Fillmore April 21-23, 1967
Marked: Wes Wilson #60 Creative Lithograph Co. ©1967 Bill Graham
H: 23 ¾” x W: 14”
Mayo Martin Johnson (b. 1904) USA
“Summit Conference” 1960
Patinated bronze with a verdigris patina in the recessed areas and natural bronze highlights, original wooden plinth / base.
Marks: Red painted museum accession marks
For more information see: American Art, ed. Peter Hastings Falk (Madison, Conn.: Sound View Press, 1985) p. 317.
H: 10 ¼” on plinth
Price: $6,000
FORREST (FROSTY) MYERS (1941- ) USA
Orange cube 2008
Orange anodized and contoured aluminum wire manipulated into a cube form
Signed: Orange Cube, 08, Forrest Myers (on plaque)
For more information see: Who Was Who in American Art (Madison, Conn.: Sound View Press, 2003-2004 25th Edition), Dictionary of American Sculptors: 18th Century to the Present, Glen Opitz (Poughkeepsie, NY: Apollo, 1984).
Dimension: 10 1/2″ cube
Price: $15,000
A sculptor and art teacher born in Long Beach, California, Forrest Myers settled in Brooklyn, New York. Myers studied at the San Francisco Art Institute. His teaching venues include the San Francisco Art Institute, School of Visual Arts in New York, Kent State University, and the Parsons School of Design. His studio is in Brooklyn.
In the early 1980s, Forrest Myers was applying Buckminster Fuller's principles of tensegrity and repeated tetrahedrons into his designs for furniture. This exploration culminated in the use of aluminum wire that becomes structural when bent and pressed into a dense tangle.
WES WILSON USA
Grateful Dead, Big Mama Mae Thornton at the Fillmore December 9-11, 1966
Marked: © 1966 Wes Wilson 41, printing by West Coast Lithograph Co. SF
H: 21 7/8” x W: 14”