Otto Heintz / Heintz Art Metal Shop Grand verdigris “Silver Crest” vase c. 1925-30
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Otto Heintz / Heintz Art Metal Shop Grand verdigris “Silver Crest” vase c. 1925-30
OTTO HEINTZ, New York
HEINTZ ART METAL SHOP Buffalo, New York
Grand verdigris “Silver Crest” vase c. 1925-30
Bronze with a rich green patina; sterling silver collar and foot
Made by the Heintz Art Metal Shop, Buffalo, NY
Marks: Silver Crest logo with STERLING DECORATED BRONZE, conjoined H A M S in diamond shape, 1080
For further information see: The Arts & Crafts Movement in New York State: 1890s-1920s. Coy L. Ludwig (Hamilton, NY: Gallery Assoc. of NY State, 1983) p. 90.
H: 14 3/4”
The Heinz shop used sterling silver applied as floral ornamentation to bronze. The objects were distinguished by a variety of patinas and machine-shaped bases-very different from the hammered look of most Arts and Crafts metal works. Despite the death of its founder Otto Heinz in 1918 at the age of 41, the company continued and produced a more modern line entitled Silver Crest.
Roycroft / American Arts & Crafts Pair of Candlesticks c. 1915
ROYCROFT COPPER SHOP East Aurora, N.Y.
Pair of candlesticks c. 1915.
Hand wrought and textured copper, silver-plated.
Marks: impressed R, in orb with cross, ROYCROFT
For more information see: The American Arts & Crafts Movement in Western New York 1900-1928, Bruce A. Austin (Rochester Institute of Technology, 1992); Arts & Crafts Movement in New York State 1890’s – 1920’s, Coy Ludwig (Hamilton, N.Y.: Gallery Association of New York, 1983).
Tim Liddy Who Can Beat Nixon (1970) Presidential Sweepstakes 2006 Oil and enamel on copper, plywood back
TIM LIDDY
“Who Can Beat Nixon” (1970) Presidential Sweepstakes 2006
Oil and enamel on copper, plywood back
Signed in script: Tim Liddy “circa 1970” 2006, red circular ring
Provenance: William Shearburn Gallery (St. Louis, MO)
H: 11 ¾” x W: 9” x D: 2”
With his recent paintings, Liddy has both reasserted the construct of hyperrealist painting and developed a thoroughly unique advancement of that mode by extending the cultural reality of the indexed original. Based on the illustrated box lids of vintage board games, Liddy has recontextualized a subject, which evokes the underlying rules of life. Painted on copper or steel in the precise dimensions of the original, the metal is then manipulated to demonstrate the exact rips and tears from years of usage and includes trompe-l’oeil renditions of the scotch tape that might be holding the cardboard box together, the assorted stains, or the various graffiti of time. Liddy leaves no possibility of ambivalence, these works speak to a concurrent understanding of their original object identity and to themselves as works of art engaged in historical and psychological dialogue.
Signed: Leontyne Price as Bes, Porgy & Bess, XVII KK 20, May 19, 53 (in ink on back); PHOTOGRAPH BY CARL VAN VECHTEN, 101 CENTRAL PARK WEST, CANNOT BE REPRODUCED WITHOUT PERMISSION (ink stamp on back)
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