Product Description
Paul Follot for La Maison Moderne, Art Nouveau waist clasp, silver and chrysoprase, signed c. 1900
PAUL FOLLOT Paris, France
LA MAISON MODERNE Paris, France
Art Nouveau waist clasp c.1900
Gilt silver with chased whiplash design set with 19 cabochons of chrysoprase.
Marks: P. FOLLOT, French swan mark (silver standard mark for small objects)
Illustrated: Documents sur l’Art Industriel au XXe Siecle (Paris: Edition de la Moderne) p. 20, plate 5, n. 53-11
PAUL FOLLOT (1877-1941) French
In the Late 1890’s, Follot studied under graphic designer Eugène Grasset at the Ecole Normale d’Enseignement du Dessin in Paris and later succeeded Grasset in that post. From 1901 to 1904, he designed metalwork, jewelry and textiles for La Maison Moderne, art critic Julius Meier-Graefe’s gallery in Paris. He became director of the interior design studio Pomone of the Paris department store Le Bon Marché in 1923, introducing the Art Deco style into many middle-class home.
Paul Follot for La Maison Moderne, Art Nouveau waist clasp, silver and chrysoprase, signed c. 1900
You must be logged in to post a comment.
W. P. HARTGRING
ROZENBURG POTTERY The Hague, The Netherlands
Blackbird mantle clock 1904
Handpainted earthenware with exotic foliage and a bird, porcelain face, gilt bronze surround, original clock mechanism.
Marks: H (artist’s monogram) 534, Rozenburg den Haag trademark, date mark symbol for 1904
For more information see: Art et Décoration, vol. 8 (1900) 193, illus. p. 189 (A. Sandier, La ceramique à l’Exposition); Kunst und Kunsthandwerk, vol. 3. (1900) 395, illus. p. 392; Art et Décoration, vol. 9 (1901) 56 Abb. S. 54 (A. Sandier, La Ceramique à l’Exposition II); Der Moderne Stil, Julius Hoffmann, Vol. 3, (1901) Taf. 53.; La Kunstgewerbeblatt Neue Folge, Vol. 12. (1901) p. 95, Abb. S. 82,89; “The International Exhibition of Modern Decorative Art at Turin – The Dutch Section,” Enrico Thovez in The Studio, vol. 26 (1902), pp. 204-6; Kunst und Kunsthandwerk, Vol. 7 (1904), p. 568, Abb. S. 574-5, (K. Ruge, Kunst und Kunstgewerbe auf der Weltausstellung zu St. Louis); Art et Décoration, vol. 17 (1905) p.86 Abb. S. 77, 88 (G. Mourey, L’Art Decoratif Hollandais); Sprechsaal, Vol. 38, (1905) p. 517 (W.H. Zimmer, Die Weltausstellung in St. Louis; Rozenburg, Monographie einer Manufaktur 1883-1917, Marjan Boot et al. (Munich: Verlag Künst & Antiquitäten, 1984); Sammlung Bröhan: Kunsthandwerk 1-Jugendstil, Werkbund, Art Deco, Glas, Holz, Keramik, (Berlin: Karl H. Brohan, 1976) p. 367-380.
H: 15″ x W: 10″ x D: 5 1/8″
Reviews
There are no reviews yet, would you like to submit yours?