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  Roger Georges Andre Duval, “La Chambré” Oil on canvas 1924

  ROGER GEORGES ANDRÈ DUVAL (1901-?) Meudon (Seine-et-Oise), France

  La Chambré 1924

  Oil on canvas

  Signed and dated: ROGER DUVAL XXIV(lower left)

  Exhbited: Paris, Salon des Indépendants, 1926, no. 1122

  For more information see: Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, Vol. 4, E. Bénézit (Paris: Librairie Gründ, 1976).

  Painting: H: 23 2/3” x W: 36 1/5”

  Framed: H: 35” x 47 5/8”

  Roger Duval painted in a modernist figurative style and beginning in 1920 regularly exhibited at the Salon d’Automne and the Salon des Indépendants in Paris. In 1925 he was awarded a prize by Paul Poiret for a painting entitled Conversation and again in 1926 for another painting entitled Bal Musette. Also in 1926, La Chambrée (1924) was exhibited in Paris at the Salon des Indépendants. By 1928 Duval’s technique had evolved into a moderninst/cubist style and a group of his paintings were featured in an Exposition of Painting and Sculpture in Boston, MA.

   It is interesting to note Duval’s shared vision with Picasso in their depiction of peasant figures in repose. Their full-bodied, voluptuous and sensual forms illustrate both artists’ sculptural approach to painting in the early 1920s. However by the mid-1920s Duval and Picasso’s painting styles evolved from these softer, rounded shapes into more angular, abstracted forms.

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  Jean Marion Gates Hall, “Napa Valley” Oil on canvas 1940

  JEAN MARION GATES HALL (1911-2001) USA

  Napa Valley 1940

  Oil on canvas, original wood frame

  Signed: with her monogram initials JGH (lower right)
  Marked on back: Jean Gates Hall, June 18, 1940, Napa Valley

  Canvas: H: 14″ x W: 17 1/4″
  Framed: H: 17 1/2″ x W: 20 1/2″

  Price: $4,250

  Born in Memphis, TN on May 19, 1911.  Jean Gates studied at the Cummings School of Art in Des Moines.  At age 14 she moved to Los Angeles with her family.  There she continued at the Chouinard Art School while working for Warner Bros, Walt Disney, and Mintz Studios.  Upon moving to San Francisco, she married writer James D. Hall in 1938.  Her illustrations were used in her husband’s children’s books.  She established a studio in the “Monkey Block” (now the Transamerica Pyramid) and was active in the local art scene.  She later earned her B.A. degree at San Jose State University (1955) and M.A. degree at UC Davis (1966).   Working in oil and watercolor, her painting style and subject matter evolved with the years from descriptive realism to linear pictures, and finally an entirely new medium called Magpage.  Mrs. Hall was a resident of Oakland in the 1980s and died in Cedar Ridge, CA on June 23, 2001.

  Exhibitions:  Iowa State Fair, 1926; California State Fair, 1937; GGIE, 1939;  Paul Elder Gallery (SF), 1939 (solo); NMAA, 1941; SFMA, 1942 (solo); De Young Museum, 1944 (solo); California WC Society, 1945-53; UC Davis, 1946, 1965 (solos); Kingsley Art Club (Sacramento), 1965.

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  Walter Paul Suter, American Art Deco glazed pottery sculpture 1929

  WALTER PAUL SUTER USA

  AMERICAN ENCAUSTING TILING CO. New York, NY

  Art Deco Seated Female Figure with Draped Skirt and Holding an Art Deco Vase 1929

  Hand-modeled and molded cream glazed earthenware figure with gold and silver details on a separate, but matching black glazed earthenware base.

  Signed: SUTER ‘29 (under glaze on back right hand corner)

  H: 13″ x D: 7 1/2″ x W: 9″

  Price: $14,500

  Walter Paul Suter was born in Basel, Switzerland in 1902 and studied there at the School of Fine and Applied Arts. He moved to the United States in 1924 and settled in New York. He was a member of the American Ceramic Society, as well as the Society of Swiss Painters, Sculptors & Architects. In 1932 Suter won first prize in the Robineau Member Exhibition in Syracuse.   He was a member of the American Encaustic Tiling Company in NYC.

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  Gertrude Burgess Murphy American Modern Post-War Reclining nude sculpture c. 1950

  GERTRUDE BURGESS MURPHY (b. 1899) USA

  Reclining nude sculpture c. 1950

  Fired and glazed earthenware on a wooden base

  Marks: original paper exhibition label (San Francisco Museum of Art, Rental Gallery); tape with the name of the artist

  For more information on Murphy see: Who Was Who in American Art, ed. Peter Hastings Falk (Madison, Conn.: Sound View Press, 1985), p. 439.

  H: 5 7/8” x L: 10 5/8” x D: 5”

  Price: $11,500