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  Joseph Raskin, Seaside scene, Oil on Canvas c. 1920 -1925

  JOSEPH RASKIN   (1897-1981) USA

  Seaside scene  c. 1920 -1925

  Oil on canvas, gold leaf frame

  Signed:  Jos. Raskin  (lower left)

  For more information see: Who Was Who in American Art,
  (Madison, Conn.: Sound View Press, 1985), p. 505

  Canvas: 25 1/4” x 21 1/4”
  Frame: 31 1/4” x 26 3/4”

  Price: $35,000

  Born in Nogaisk, Russia, Joseph Raskin made a name for himself as a painter in New York City, where he was also recognized as an etcher, teacher and writer.  He studied at the National Academy of Design and, in 1921, received a fellowship from the Louis Comfort Tiffany Foundation.  A member of the American Artists Congress, Raskin’s work was exhibited at the Schervee Gallery (Boston) in 1927, Tricker Gallery in 1939, the Schneider-Gabriel Gallery in 1941, Steinway Hall in 1942, and the American Artists Association in 1945.  Raskin’s work may be found in several museum collections including the Carnegie Institute in Pittsburgh, the Pennsylvania Academy of Fine Arts in Philadelphia, the Virginia Museum of Fine Arts in Richmond, and the Corcoran Gallery of Art  and National Academy of Design, both in Washington, D.C.

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  Walter Paul Suter, American Art Deco glazed pottery sculpture 1929

  WALTER PAUL SUTER USA

  AMERICAN ENCAUSTING TILING CO. New York, NY

  Art Deco Seated Female Figure with Draped Skirt and Holding an Art Deco Vase 1929

  Hand-modeled and molded cream glazed earthenware figure with gold and silver details on a separate, but matching black glazed earthenware base.

  Signed: SUTER ‘29 (under glaze on back right hand corner)

  H: 13″ x D: 7 1/2″ x W: 9″

  Price: $14,500

  Walter Paul Suter was born in Basel, Switzerland in 1902 and studied there at the School of Fine and Applied Arts. He moved to the United States in 1924 and settled in New York. He was a member of the American Ceramic Society, as well as the Society of Swiss Painters, Sculptors & Architects. In 1932 Suter won first prize in the Robineau Member Exhibition in Syracuse.   He was a member of the American Encaustic Tiling Company in NYC.

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  Gerrit V. Sinclair “Third Ward Milwaukee”, Oil on board, lemon gold frame c. 1940

  GERRIT V. SINCLAIR   (1890-1955) USA

  Third Ward Milwaukee c. 1940

  Oil on board, lemon gold frame

  Signed: GV Sinclair (lower right corner on front of painting)

  For more information see: Who Was Who in American Art (Madison, Conn.: Sound View Press, 1985) p. 571.

  Painting H: 15” x W: 20”

  Framed H: 20 7/16” x W: 25 7/16”

  Price: $27,500

  Gerrit V. Sinclair was born in Grand Haven, Michigan in 1890.  He studied art at the School of the Art Institute of Chicago from 1910 to 1915.  His most well known teachers at the Art Institute were John Vanderpoel and John Norton.  In 1917 the artist enlisted in the Army Ambulance Corps and served in northern Italy and Austria.  Scenes from his experience abroad are recorded in his works of the early 1920s.  Following the war, Sinclair settled in Milwaukee, Wisconsin, where he became a member of the faculty of the Layton School of Art upon the school’s founding in 1920.  He continued to teach at the Layton School and at the Oxbow Summer School of Art in Saugatuck, Michigan until his retirement in 1954.  Sinclair is recognized both as an important artist and teacher from the Great Lakes region.  During his lifetime Sinclair’s paintings were exhibited at the Salon d’Automne in Paris, the Salon Printemps in Paris, the Pennsylvania Academy of Fine Arts, the National Academy of Design, the Whitney Museum in New York, the New York Watercolor Club, the Brooklyn Museum, the Corcoran Gallery of Art in Washington D.C., the Carnegie Institute in Pittsburgh, the Art Institute of Chicago and in many other museums and galleries.  He received numerous prizes and commissions for his work including a W.P.A. mural commission for the Federal Building in Wassau, Wisconsin.  Sinclair was a member of Wisconsin Painters & Sculptors, Wisconsin Federation of the Arts and the Wisconsin Painting Museum. His style is a blend of realism and Impressionism but is clearly modern in its abstract concern for composition and color.  Sinclair is best known for his regionalist paintings of rural and urban Wisconsin.  His farm scene entitled ”Spring in Wisconsin” was exhibited at the 1939 World’s Fair in New York.  Gerrit V. Sinclair died in Milwaukee, Wisconsin in 1955.

   

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  Roger Georges Andre Duval, “La Chambré” Oil on canvas 1924

  ROGER GEORGES ANDRÈ DUVAL (1901-?) Meudon (Seine-et-Oise), France

  La Chambré 1924

  Oil on canvas

  Signed and dated: ROGER DUVAL XXIV(lower left)

  Exhbited: Paris, Salon des Indépendants, 1926, no. 1122

  For more information see: Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, Vol. 4, E. Bénézit (Paris: Librairie Gründ, 1976).

  Painting: H: 23 2/3” x W: 36 1/5”

  Framed: H: 35” x 47 5/8”

  Roger Duval painted in a modernist figurative style and beginning in 1920 regularly exhibited at the Salon d’Automne and the Salon des Indépendants in Paris. In 1925 he was awarded a prize by Paul Poiret for a painting entitled Conversation and again in 1926 for another painting entitled Bal Musette. Also in 1926, La Chambrée (1924) was exhibited in Paris at the Salon des Indépendants. By 1928 Duval’s technique had evolved into a moderninst/cubist style and a group of his paintings were featured in an Exposition of Painting and Sculpture in Boston, MA.

   It is interesting to note Duval’s shared vision with Picasso in their depiction of peasant figures in repose. Their full-bodied, voluptuous and sensual forms illustrate both artists’ sculptural approach to painting in the early 1920s. However by the mid-1920s Duval and Picasso’s painting styles evolved from these softer, rounded shapes into more angular, abstracted forms.