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  Sevard / French Art Deco Dinanderie vase with fish fins c. 1925

  SEVARD  France (active 1920’s/1930’s)

  Dinanderie vase  with fish fins c. 1925

  Hand wrought and hand hammered copper with a rich chocolate-brown
  patination and bronze fin-like handles, gilt detailing

  Marks:  Sevard (inscribed signature), “France”

  H:  7 7/8”  x  W:  8 3/4”

   

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  Details

  Archibald Knox / Liberty & Co. Clutha bowl on tri-leg Tudric stand c. 1902

  ARCHIBALD KNOX  (1864-1933)  UK
  LIBERTY & CO.  London
  JAMES COUPER & SONS  Glasgow

  Clutha bowl on tri-leg stand  c. 1902

  Clutha glass with inclusions of aventurine streaks and bubbles, polished tri-leg Tudric pewter stand.

  Marks: Tudric, 0276

  Illustrated: Liberty’s 1875-1975, An Exhibition to mark the Firm’s Centenary (London: Victoria & Albert Museum, 1975), p. 89, number D 250 A; The Designs of Archibald Knox for Liberty & Co., A.J. Tilbrook (London:  Ornament Press Ltd., 1976), p. 114; Liberty Style, The Classic Years: 1898-1910, Mervyn Levy (New York: Rizzoli, 1986), p. 31; Archibald Knox, ed. by Stephen A. Martin (London: Academy Editions, 1995), p. 96.

  H: 6 3/4″ x Dia: 7 3/4″

   

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  Details

  Wilhelm Wagenfeld for WMF, German Art Deco Crystal and Silver footed box c.1935

  WILHELM WAGENFELD (1900-1990) Germany

  WMF  [Württembergische Metallwarenfabrik]  Geislingen, Germany

  Tazza  c. 1935

  Hexagonal green-tinted lead crystal covered dish / tazza with lid in a stepped jewel-like form mounted with a silver lid and footed base silver

  Marks:  WMF logo, moon, crown, 800

  For more information see: Wilhelm Wagenfeld und die Moderne Glasindustrie,Walter Scheiffele (Stuttgart: Verlag Gerd Hatje, 1994); WMF Ikora Metall / Metalwork, Carlo Burschel and Heinz Scheiffele (Stuttgart, Germany: ARNOLDSCHE, 2006).

  H: 5 1/4″ x D: 7″ x W: 7″

  Price: $3,500

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  Details

  Wilhelm Kage / Gustavsberg “Nude” Farsta Studio Bowl c. 1940

  WILHELM KÅGE (1889-1960) Sweden

  GUSTAVSBERG Gustavsberg, Sweden

  “Nude” Farsta bowl c. 1940

  Glazed stoneware with hand inscribed sgraffito decoration of a nude

  Marks: Kage, Studio Gustavsberg; FARSTA

  Dia: 8″

  Originally a painter, Wilhelm Kåge was employed by Gustavsberg as an art director to rejuvenate the pottery´s production. He was faithful to the company for 32 years. In 1942 he started the legendary Gustavsberg Studio with the mission to create unique artistic pieces. His lively imagination brought forth a great variety of forms. Kåge was an artist of contradictions. In the 1940´s and 50´s he designed several geometrical, almost cubist, vessels in the “Surrea” series which stands in striking contrast to his soft formed, organic shaped tableware from the same period. Kåge designed more than 30 different dinner services, of particular importance was the inexpensive “workers” service, intended for a wider audience. Kåge´s pride, however, was the Farsta series of unique vessels made of heavy stoneware with carved surfaces and earth coloured decorative glazes. The clay for which was taken from the Farsta bay area very near the Gustavsberg pottery. He began experimenting with the Farsta line of studio ceramics already in the 1920´s. Art historians and collectors today consider the Farsta pieces the culmination of Wilhelm Kåge´s artistic production.