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  Nile Behncke “Oshkosh, Wisconsin” Watercolor and pencil on paper c. 1935

  NILE BEHNCKE (1894-1954) USA

  Oshkosh, Wisconsin  c. 1935

  Watercolor and pencil on paper

  Painting: H: 20 ¼” x W: 24 ¾”

  Framed: H: 33” x W: 37 1/2”

  Nile Juergen Behncke was a well-known Wisconsin watercolorist and the first director of the Oshkosh Public Museum, from 1924-1954.

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  Wes Wilson, Grateful Dead, Big Mama Mae Thornton at the Fillmore, December 9-11, 1966, 1st edition

  WES WILSON USA

  Grateful Dead, Big Mama Mae Thornton at the Fillmore   December 9-11, 1966

  Marked: © 1966 Wes Wilson 41, printing by West Coast Lithograph Co. SF

  H: 21 7/8” x W: 14”

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  Alexander Liberman / Meyer Schapiro Portfolio Untitled 1973

  ALEXANDER LIBERMAN (1912-1999) USA

  MEYER SCHAPIRO PORTFOLIO 1974

  Untitled 1973

  Silkscreen, patinated bronze frame
  Signed: A. Liberman 1973, Artist’s proof, 2RC (embossed on paper)

  Canvas: H: 33” x W: 25 1/2”

  Frame: H: 42 1/2” x W 33 1/2”

  Portfolio of 12 works, Edition of 100

  Price: $

  Alexander Liberman’s family left the Soviet Union for London as exiles in 1921.  Liberman studied there briefly before moving to Paris where he undertook philosophy and mathematics at the Sorbonne and architecture at the École des Beaux-Arts. In the 1930s Liberman designed stage sets, and worked on the staff of Vu, the first magazine illustrated with photographs.  Although Liberman quickly earned the title of managing director, he left the magazine in 1936, and devoted himself to painting and writing.  In 1941, he left Paris for New York. Again, he became involved in publishing after gaining employment at Vogue magazine. Twenty years later, in 1962, he became Editorial Director of all Condé Nast Publications, a position he held until he retired in 1994. During his time at Vogue, Liberman introduced 20th-century art to readers by using it as a backdrop for fashion shoots, as well as by profiling living artists in the magazine.  As a painter, Liberman exhibited geometric circle paintings in galleries and museums around New York in the 1950s.  Liberman also had an interest in sculpture, and began welding steel into public works in the late 1950s.  These monochrome geometric sculptures are featured in over 40 cities worldwide.

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  S O G A T A New York, NY “Harlem: Five Aces” Watercolor and pencil on paper 1931

  S O G A T A New York, NY

  “Harlem: Five Aces” 1931

  Watercolor and pencil on paper

  Signed: SOGATA, HARLEM 1931 (painted, lower right corner of image); HARLEM: FIVE ACES. (in pencil beneath image on left)

  For contextual history and similar art see: Rhapsodies in black : art of the Harlem Renaissance, (Berkeley: University of California Press, 1997); Harlem Renaissance Artists. Jordan, Denise (Chicago: Heinemann Library, 2003).

  Paper H: 14 7/8″ x W: 10 7/8 ”

  Image H: 11″ x W: 7 1/2″

  Frame H: 19” x W: 15 1/4”

  *This SOGATA New York Watercolor and pencil on paper has been gifted to The Wolfsonian – FIU, Miami Beach, FL.