Product Description
Robert Phillips (attr.) “Etruscan Revival” Fibula brooch in 18K gold with granulation and twisted rope gold details and two large lapis balls, c. 1880
Robert Phillips (attr.) “Etruscan Revival” Fibula brooch in 18K gold with granulation and twisted rope gold details and two large lapis balls, c. 1880
MADONNA (1958-)
“Sex” 1992
Spiral-bound aluminum hardcover, CD included
Photography by Steven Meisel Studio & Fabien Baron
Edited by Glenn O’Brien
Published by Warner Books, Div. of Time Warner, 1992
Dimensions:
Book: H: 13 7/8” x W: 11”
Custom leather box: H: 15 ¾” x W: 12 5/8” x D: 2 ¼”
Custom silk slipcase: H: 16 1/6” x W: 13 3/16” x D: 2 5/8”
FLAVIO POLI (1900-1984) Italy
SEGUSO VETRI D’ARTE Italy
Vase c. 1950’s
Asymmetric vase in a dark brown Murano glass cased inside with a layer of pale green and clear glass
H: 10 1/2″ x W: 5 1/2″ x D: 2 3/4″
Price: $4,000
Designer, businessman, ceramic artist. Born in Chioggia, he attended the Istituto d’Arte di Venezia and began work as a designer in ceramics. in 1929 he switched to glass and for Libero Vitali’s I.V.A.M. he designed animals, splendid Novecento-style nude figures in massiccio glass, as well as bowls and urns with figures resting on the inside, on lids or as handles. He subsequently collaborated with the Compagnia di Venezia e Murano, with the furnace of Mario and Lino Nason and with the engraver Gino Francesconi. in 1934 he accepted the artistic direction of Barovier, Seguso & Ferro, later to become Seguso Vetri d’Arte, and became partner three years later. Together with the master of the principal team Archimede Seguso, Poli was the author of grandiose lighting installations, of corroded vessels, of sculptures in bulicante glass, of animals in massiccio glass shaped while hot, productions which represented a milestone in the development of Murano glass. At the height of his artistic maturity, in the years between 1950 and 1960 he designed a series of sommerso glass pieces in a Nordic style, essential forms and sharp cold colors, which were awarded prestigious prizes (Compasso d’Oro). After leaving Seguso in 1963, between 1964 and 1966 he organized the artistic glass division at the Societˆ Veneziana di Conterie e Cristallerie.