Sara Sax / Rookwood Pottery Arts & Crafts Art Nouveau "Poppy" pitcher 1906
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Sara Sax / Rookwood Pottery Arts & Crafts Art Nouveau “Poppy” pitcher 1906
SARA SAX (1870-1949)
ROOKWOOD POTTERY Cincinnati, OH
“Poppy” pitcher 1906
High fire ceramic with “Iris” glaze depicting five salmon pink poppies in various stages of blooming all on a rare handled pitcher form.
Marks: RP insignia, VI (1906), SAX (intertwined for Sara Sax), 772
For more information on Rookwood see: The Book of Rookwood Pottery, Herbert Peck (New York: Bonanza, 1968) pp. 60, 63, 64, 112, 140, 146, & 156 ; American Ceramics: The Collection of Everson Museum of Art, ed. Barbara Perry (New York: Rizzoli International Publications, Inc., 1989) p.108.
Josef Hoffmann / Wiener Werkstätte Brass Candleholder and Match Safe 1906
JOSEF HOFFMANN (1870-1956) Austria
WIENER WERKSTÄTTE (1903-1932) Vienna
Candlestick holder and match safe 1906
Hand wrought brass with beading around the perimeter of the edges
Marks: JH monogram, WIENER/WERK/STÄTTE, rosemark
Model illustrated: Österreichische Werkkultur, Max Eisler (Vienna: Österreichischer Werkbund, 1916). (slipcovered); Wiener Werkstätte G. M. B. H. catalog (December 1923), p. 114
Italian Futurist 1950’s “Auntie Mame” Handwrought Pewter Pitcher c.1950
1950’s ITALIAN DESIGN
Futurist pitcher c. 1950
Handwrought and hand hammered pewter in an overall footed ovoid form with a traingle form spout body and an elongated arching contoured handle
Marked: PELTRO with lion, MADE ITALIA
H: 15″ x W: 9″ x D: 4″
Price: $6,000
The 1958 classic film, Auntie Mame, starring Rosalind Russell, features this sculptural pitcher on the coffee table in the surrealist interior of Mame Dennis’ penthouse on Beekman Place #3, New York City.
Edward Spencer/Artificers’ Guild (attr.) British Arts & Crafts wrought iron candlesticks c. 1910
Edward Spencer attr. (1872-1938) UK
Artificer’s Guild (1901-42) UK
Pair of candlesticks circa 1910.
Handwrought iron with a squared central support terminating in a attenuated vine like wrap.
H: 10 1/2″ x Dia: 5 1/2″
The Artificers’ Guild Ltd was founded in 1901 by the metalwork and enameler Nelson Dawson (1859-1942). It was one of the few guilds inspired by the Arts and Crafts movement to enjoy real commercial success, and remained in operation until 1938. It was bought out in 1903 by the Birmingham entrepreneur Montague Fordham and established on a more commercial footing, producing domestic metalwork, church plate and furnishings, presentation plate and jewelry.
Fordham promoted Edward Spencer (1873-1938), previously Dawson’s principal designer, to be Director of the Guild’s workshop in Hammersmith. The Guild also had a showroom originally located just off Regent Street. Spencer died in 1938, shortly after the firm was wound up. During its existence, the Guild operated as a substantial business, employing over 40 staff at its peak, including a large number of skilled craftsmen, many of whom would have been trained in the Guild’s workshop. Although unacknowledged for much of the 20th century, the Guild is now recognized as an important producer of high quality metalwork and jewelry during this period.
Albert Edward Jones British Arts & Crafts Copper and Lapis Lazuli Box c.1905
Albert Edward Jones (1879-1954) Birmingham, UK
British Arts & Crafts Movement
Footed box with hinged lid and hasp 1905
Hand wrought and patinated copper with riveted strap work and hasp, inset with 4 cabochons of lapis lazuli, brown leather and wood interior.
This box is a particularly handsome example of British arts & crafts metalwork by the famous designer / craftsman A.E. Jones. It retains its original deep, rich chocolate brown patina with the contrasting cobalt blue large round bezel-set cabochons of lapis lazuli.
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