Sydney Pitcher "St. Martin's Cross Iona" Arts & Crafts photograph c. 1900
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Sydney Pitcher “St. Martin’s Cross Iona” Arts & Crafts photograph c. 1900
SYDNEY PITCHER F.R.P.S. (d. 1950) England
ARTHUR H. PITCHER (Framer)
“St. Martin’s Cross Iona” c.1900
Carbon process photograph, hand carved oak frame with beautiful wood grain detail.
Marks: S MARTINS CROSS IONA (carved incised mark)
Art Nouveau paper label (on back): Framed by Arthur H. Pitcher, College Court, Gloucester, Moulding No…..
Photograph: H: 9 1/2″ x W: 5″
Frame: H: 16 3/4″ x W: 8 5/8″ D: 5/8″
Sydney A. Pitcher FRPS (active 1904-1939) was a photographer with an interest in monument and church architecture. He is listed in the 1927 Kelly’s Directory of the County of Gloucester as a commercial photographer, publisher and picture frame maker, operating from 5 & 7 College Court, Gloucester. Pitcher was involved primarily in the photography of Gloucestershire churches, but also took pictures of churches and cathedrals in neighbouring counties, and of medieval sculptures at Winchester College. He collaborated on the publication of Rushforth’s series of volumes The stained glass of Great Malvern Priory Church , Gloucester, 1916-1927.
He joined the Royal Photographic Society in 1904, was admitted as an Associate member in 1925, and became a Fellow in 1928.
Louis Majorelle French Art Nouveau “Fiddleback Fern” bowl c. 1900
LOUIS MAJORELLE (1859-1926) France
MOUGIN FRÈRES Nancy, France
Fiddleback Fern trefoil bowl c. 1900
A rare stoneware example of Majorelle and the L’Ecole de Nancy with a mauve and sea-green glaze, crystalline formations in interior in a trefoil loped form with fiddleback ferns at each interval.
Marks: Majorelle. de (impressed facsimile signature) MOUGIN NANCY, 10.K , L
Illustrated: Majorelle: Une Aventure Moderne, Roselyne Bouvier (Paris:
La Bibliothèque des Arts/Editions Serpenoise, 1991) p. 34, illus. 32.
Henry van de Velde Silver mounted Eugene Baudin French Art Nouveau vase c. 1900
HENRY VAN DE VELDE (1863-1957) Belgium (design mount)
for “LA MAISON MODERNE” Paris, France
ALPHONSE-EDOUARD DEBAIN France (execution mount)
EUGÈNE BAUDIN (1853-1918) France (pottery)
Vase c. 1900
Matte-glazed pottery, cranberry bright turquoise and white highlights, elaborate Art Nouveau whiplash silver mount.
Marks: E Baudin, AD (silversmith monogram), French 950 silver assay mark
For more information on van de Velde ceramics see: Ceramics of the 20th Century, Tamara Préaud and Serge Gauthier (New York: Rizzoli, 1982) illus. no. 67, p.42; Art Nouveau and Art Deco Silver, Annelies Krekel-Aalberse (New York: Harry N. Abrams, Inc.,1989), pp. 63, 90, 264.
For other A-E. Debain designs see: The Paris Salons 1895-1914, Vol. V: Objets d’Art & Metalware, Alastair Duncan (Woodbridge, Suffolk: Antique Collectors’ Club, 1999), p. 208.
For related Van de Velde mount designs see: Jugendstil, Irmela Franzke (Munich: Battenberg Verlag, 1987), illus. 169, p. 87.
H: 8 1/4” x W: 4”
Japanese Meiji Period “Koi” Cloisonné enamel box. c. 1900
JAPANESE MEIJI PERIOD (1868-1912) Japan
“Koi” covered box c.1900
Cloisonné with silver wire and wireless orange enamel with silver foil backing and cobalt blue enameled background with silver foil and enameled underside, red woven silk interior.
Original wood hinged box with padded cotton interior, attached paper label of an unidentified artist cipher (see box cover).
Dimensions of wood box:
H: 3 5/8″ x W: 5 3/4″ x D: 4 3/4″
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