Raymond Subes / French Art Deco Wrought Iron Coffee Table c. 1935
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Raymond Subes / French Art Deco Wrought Iron Coffee Table c. 1935
Raymond Subes (1893-1970), France.
Coffee table, circa 1935.
Wrought iron, beige, ecru, and dark brown Afghanistan jasper top.
Related work illustrated: R. Subes, Ferronnerie Moderne (Paris: Editions Vincent, Fréal et Cie., n.d. [c. 1937]).
For more information see: Art Deco, Victor Arwas, (New York: Harry N. Abrams, Inc., 1980) p. 305; Encyclopedia of Art Deco, ed. Alastair Duncan, (New York: E.P. Dutton, 1988.) p. 152, 167.
H: 19 1/3” x D: 35 1/2”
Price: $38,000
During the 1930s, Raymond Subes became one of the foremost designers of wrought iron in his native Paris. Subes studied at the Ecole Boulle and the Ecole des Arts Décoratifs before going to work for Emile Robert, a leading ironwork designer. He later became the artistic director of Borderel et Robert. At this venerable firm he created iron grills and doors for architectural commissions, many of which may still be seen all over Paris. His work was exhibited at the Paris 1925 Exhibition of Decorative Arts and he designed the wrought ironwork for the ill-fated ocean liner the Normandie. Subes’ early work was ornate and naturalistic, but gradually became more geometric and linear. This Art Deco table is a particularly lyrical example of his mature style, with its gracefully scrolling iron legs.
Marcus & Co. Art Nouveau brooch, “Tibula” shaped 18k yellow gold brooch set with three natural pearls, the natural center button pearl approx. 10 mm in diameter (G.I.A. certificate, 3 natural freshwater pearls, weight 24.90 grams, measurement range from 5.46 to 12.26mm), 16 sugarloaf cabochon sapphires, the two large and high dome middle sapphires with a purple hue, 20 pave set round diamonds all surrounded with clear plique-a-jour further trapped with platinum flakes, signed c. 1897
Hubert Schmalix “Mount Washington” Oil on Canvas 2005/2006
HUBERT SCHMALIX (1952-) Austria
Mount Washington 2005/06
Oil on canvas
Signed and dated on back: Schmalix 05 06
Provenance: Hubert Schmalix Vienna
For related works by Hubert Schmalix see: Hubert Schmalix, Lóránd Hegyi exhibition catalog (Museum moderner Kunst Stiftung Ludwig Wien) November 19, 1994 – January 1995.
H: 69” x W: 51”
Hubert Schmalix was born in Graz, Austria, on December 17, 1952 and studied at the Vienna Art Academy from 1971 to 1976. By 1979 Schmalix was showing work at the forward-looking exhibition ‘Europa 79 – Kunst der 80er Jahre’ in Stuttgart. In 1983 the London Tate Gallery invited Schmalix to present work at ‘New Art’, an important survey of contemporary art. Schmalix has become well-known world-wide as an exponent of ‘New Art’, working with a retrospective glance at both classical art history and modern art. Schmalix focuses on the world of things and the human figure. Although the expressive gesture was the dominant feature of his 1980s work, it yielded early in the 1990s to stringent tectonic composition. In 1984 Hubert Schmalix went to the Philippines and on to the US, moving to Los Angeles in 1987. In 1986-87 Schmalix taught at the Academy for the Decorative and Applied Arts in Vienna and from 1997 he has been a professor at the Vienna Art Academy. Schmalix is a visiting professor at the University of California Los Angeles (UCLA). In 1993 his work was featured at the Venice Biennale and in 1998 he was awarded the Fine Art Prize of the City of Vienna. Schmalix has done several large fresco cycles in Salzburg and his work has been shown extensively at numerous international solo and group shows and most recently at Art Basel 2006.
Edmund F. Ward “The Swimming Hole” Oil on canvas c. 1930
EDMUND F. WARD (b. 1892 – 1991) USA
“The Swimming Hole” c. 1930
Oil on canvas
Marks: signed Edm. F. Ward (lower right); partial labels verso:Westchester Arts and Crafts Guild; 4 Edmund F. Ward
For more information on the artist see: Who Was Who in American Art,Peter Hastings Falk, ed. (Madison, Conn.: Sound View Press, 1985), p. 658.
Canvas H: 18” x W: 24”
Framed H: 27 9/16” x W: 33 9/16”
Price: $14,000
Ward studied at the Arts Student’s League with Edward Dufner, George Bridgeman, and Thomas Fogarty. He was an illustrator for several national magazines and books. In 1925, Ward exhibited an award winning work at the Art Institute of Chicago. He is perhaps best known for his WPA mural in the Federal Building, White Plains, New York.
Peter Canty received his BA in art from the Chouniard Art Institute, Los Angeles (now California Institute of the Arts) and an MA from the University of California, Santa Cruz in 1969. Heavily influenced by the Post-Impressionist masters Van Gogh, Gauguin and Cezanne, in his own he words he describes his interest in landscapes, believing they are, “the best vehicle for motion, force, and color dynamics.” Although his work reference realistic subjects, Canty’s imagery is drawn strictly from his own imagination.
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