Product Description
S O G A T A New York, NY “Harlem: Concert” Watercolor and pencil on paper 1931
*This SOGATA New York Watercolor and pencil on paper has been gifted to The Wolfsonian – FIU, Miami Beach, FL.
S O G A T A New York, NY
“Harlem: Concert” 1931
Watercolor and pencil on paper
Signed: SOGATA · HARLEM 1931 (in pencil, lower left corner of image); HARLEM: CONCERT. (in pencil beneath image on left)
For contextual history and similar art see: Rhapsodies in black : art of the Harlem Renaissance, (Berkeley: University of California Press, 1997); Harlem Renaissance Artists. Jordan, Denise (Chicago: Heinemann Library, 2003).
Paper H: 14 7/8″ x W: 10 7/8″
Image H: 11″ x W: 7 1/2″
Frame H: 19 1/4” x W: 16”
*This SOGATA New York Watercolor and pencil on paper has been gifted to The Wolfsonian – FIU, Miami Beach, FL.
S O G A T A New York, NY “Harlem: Concert” Watercolor and pencil on paper 1931
*This SOGATA New York Watercolor and pencil on paper has been gifted to The Wolfsonian – FIU, Miami Beach, FL.
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CHARLES MARTIN (1884-1934) France
Bal Masque 1927
Pencil, ink, gouache and watercolor on paper.
Signed: Martin (lower right corner); A l’Ami Koval, l’Ami Martin, Bien Amicalement (upper left corner)
H: 8” x W: 11 7/16”
Price: $12,500
Charles Martin was a notable French illustrator, graphic artist, posterist, fashion and costume designer. His drawings are charming, amusing and sophisticated. The artist studied at the Montpelier Ecole des Beaux Arts, Academie Julian and Ecole Des Beaux Arts, Paris. Throughout his career, Martin was also a contributor to the French fashion journals Gazette du Bon Ton, Modes et Manieres d’Aujourd’hui, Journal Des Dames et Des Modes, and Vogue. His illustrated books include the hat catalogue “Les Modes en 1912,” the erotic “Mascarades et Amusettes” 1920, and “Sports et Divertissements” 1919, written in collaboration with composer Erik Satie.
STEPHEN LONGSTREET (1907-2002) New York, NY
“Bunk Johnson and horn” c. 1970’s
Paper cut-out, mixed media and paper collage
Signed: Longstreet (top left), titled “Bunk Johnson and horn”
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