Product Description
Jan et Joel Martel / Primavera French Art Deco Courting Fantail Pigeon Sculptures c.1930

JAN ET JOËL MARTEL (1896-1966) France
PRIMAVERA Paris
Pair of courting Faintail Pigeon Sculptures c.1925-30
Black glazed earthenware with silver / platinum decorative dot motif.
Marks: PRIMAVERA FRANCE, 12684
For related model: The Art Deco Style in Household Objects, Architecture, Scupture, Graphics, Jewelry, Theodore Menten (New York: Dover, 1972), p. 179.
For more information see: Joël et Jan Martel: sculpteurs 1896-1966, Christophe Vital, et al. (Paris: Gallimard / Electa, 1996), pp. 127-9
H: 8 1/16” x L: 9” x D at tail: 5 1/4”
H: 7 1/8” x L: 10” x D at tail: 5 1/4”
Jan & Joël Martel (the Martel Brothers/Twins, born in Nantes on 5 April 1896, both died in 1966)
The twin Martel sculptors were among the founding members of Union des Artistes Modernes, and their original works include ornamental sculptures, statues, monuments and fountains displaying characteristics typical of the Art Déco and Cubist periods. The brothers took part in a number of Paris exhibitions including the Salon des Indépendants, Salon d’Automne, Salon des Tuileries and the Exposition des Arts Décoratifs in 1925. In 1932, they created the Claude Debussy monument which sits on the boulevard Lannes in Paris. Between 1924-1926, Robert Mallet-Stevens designed a studio for the Martel twins at 10 Rue Mallet-Stevens in Paris’ 16th Arrondissement.
Jan et Joel Martel / Primavera French Art Deco Courting Fantail Pigeon Sculptures c.1930
FRANÇOIS-EMILE DECORCHEMENT (1880-1971) France
“Bleu” pâte-de-crystal vase c. 1926
Cobalt blue pâte-de-crystal (lost wax cast crystal) with mauve inclusions, two low-relief friezes of varying abstract vine motifs
Impressed: DECORCHEMENT in a lunette seal, numbered A 865
For more information on Decorchement see: Art Deco, Victor Arwas (New York: Harry N. Abrams,1980) pp. 268-69, 298.
H: 4 1/2″ x Dia: 4 3/4″
Decorchement, Francois Emile. (1880-1970) He set up a glass house in Conches in 1902 producing exquisite pate-de-verre, statuettes, bowls and vases. He extended this range to encompass a rougher hewn surface with motifs of flowers and sometimes insects. His designs became increasingly abstract during the 1930s toward the outbreak of the Second World War; these were often executed in pate-de-cristal. Later the production continued although in a more restrained manner with softer semi-opaque and translucent colors.
REED & BARTON (active 1824 – present) Taunton, MA
Candlesticks 1928
Sterling silver with Hoffmann-like fluted base and bobêches with undulating stem and palm leaf like terminating detail.
Marks: eagle R (in a shield) lion, Sterling, 1000, cement reinforced, eagle (date mark for 1928).
Model illustrated: Vanity Fair (Dec. 1928, Vol. 31), p. 120., Reed & Barton Vintage Catalog, p. 10, plate number 1000.
For more information on Reed & Barton see: Encyclopedia of American Silver Manufacturers, Dorothy T. Rainwater (West Chester, PA: Schiffer Publishing Ltd., 1986), p. 156-160.
These candlesticks retailed for $19 in 1928.
H: 10″ x Dia: 4 1/2″
CARL F. CARLMAN (1855-1955) Sweden
Set of four covered silver boxes c. 1930
Hand wrought and hand hammered silver with a wood lined interior, square shaped finial
Marks: Triple Star with S (Swedish silver mark), G8, JJS (in a rectangle), oval cartouche, CARLMAN
H: 1″ x W: 2 1/2″ x D: 2 1/2″ (each box)
Carl F. Carlman was a silversmith to the Swedish Royal Family.
INGEGERD TORHAMN (1898-1994) Sweden
Modernist rug c. 1930
Hand-knotted wool
Signed: it (Ingegerd Torhamn) lower left
Exhibited: Stockholm Exhibition 1930, Stockholmsutställningen 1930, Villa 42; V.I.P. in Swedish Design, Kalmar Konstmuseum 1996.
Illustrated: Katalog Över Bostadsavdelningen: Stockholms Utställningen 1930 (illustrated in situ) Stockholm Exhibition1930 (Stockholm: Tryckt Hos Bröderna Lagerström, Boktryckare, 1930) p. 149
Drawing illustrated: V.I.P. in Swedish Design: Axel Larsso, Ingegerd Torhamn, Inga Linden & Paula Sokolow, Arkiv for Svensk Formgivning, Kalmar Konstmuseum
For more information see: Svenska Textilier 1930, Stockholm 1930, Nils G. Wollin, plate nr. 50
Dimensions: 7’2” square
One of the ten rugs of her designs (including this rug as part of the music room) exhibited at the important Stockholm Exhibition of 1930 is now in the permanent collection of the Nationalmuseum in Stockholm.