Related Products

• 

  Details

  Nile Behncke “Oshkosh, Wisconsin” Watercolor and pencil on paper c. 1935

  NILE BEHNCKE (1894-1954) USA

  Oshkosh, Wisconsin  c. 1935

  Watercolor and pencil on paper

  Painting: H: 20 ¼” x W: 24 ¾”

  Framed: H: 33” x W: 37 1/2”

  Nile Juergen Behncke was a well-known Wisconsin watercolorist and the first director of the Oshkosh Public Museum, from 1924-1954.

• 

  Details

  Giovanni Battista Filosa, In the Garden, Watercolor, 1884

  GIOVANNI BATTISTA FILOSA (1850-1935) Naples, Italy

  “In the Garden” 1884

  Watercolor, gilt frame and filet with silk mount.

  Signed: G Filosa '84

  ***Filosa exhibited at the Esposizione Internazionale d'Arte della Città di Venezia 1895 – La Biennale di Venezia, Venice

  An extremely fine and exquisitely painted watercolor “In the Garden” by the Italian artist Giovanni Battista Filosa (1850-1935). It is a radiant painting with a wonderful subtle coloration and very charming late 19th century “en plein-air” imagery. Filosa's technique is similar in quality to the work of the 19th Century Pre-Raphaelite watercolorist, Albert Moore. Gilt frame and filet with silk mount. Signed: G Filosa '84 Filosa exhibited at the Esposizione Internazionale d'Arte della Città di Venezia 1895 – La Biennale di Venezia, Venice

  Watercolor: H: 7 1/2″ x W: 5 1/4″
  Framed: H: 14 1/2″ x W: 12″

  Price: $11,500

• 

  Details

  Joyce Francis “Banana Land Flowers” Bright Orange Box 2008

  JOYCE FRANCIS New York, NY

  “Banana Land Flowers” box 2008

  Cast and carved bright orange Lucite acrylic deeply incised and carved with three dimensional images of a monkey, a butterfly, a dragonfly and exotic flowers and foliage.

  The top cover dimension is 1 3/4″ thick and the four sides of the box are 1 1/4″ thick.

  Marks: Joyce Francis 08

  H: 6″ x W: 4 3/4″ x D: 4 3/4″

  Price: $3,750

  Joyce Francis is a native Manhattanite artist who specializes in sculptured acrylic jewelry, purses, sculpture, tables and coveted collection of exciting, passionately carved decorative boxes. All pieces have been painstakingly hand carved, hand dyed, illuminated and sometimes hand painted as well. There are no embedded objects. Her purses are part of the permanent collections of the New York Metropolitan Costume Institute (New York), The Victoria and Albert Museum (London), The Fashion Institute of Technology (New York) and the Rock and Roll Hall of Fame (Cleveland).

  Her work is in the collections of a number of stars and celebrities, including Hillary Swank, Phoebe Cates Kline, Emma Thompson, Cicely Tyson and Meryl Streep. Examples of her boxes and lamps are also owned by Paul Simon, Paul McCartney, Steve Martin and Tom Hanks.

• 

  Details

  Alexander Liberman / Meyer Schapiro Portfolio Untitled 1973

  ALEXANDER LIBERMAN (1912-1999) USA

  MEYER SCHAPIRO PORTFOLIO 1974

  Untitled 1973

  Silkscreen, patinated bronze frame
  Signed: A. Liberman 1973, Artist’s proof, 2RC (embossed on paper)

  Canvas: H: 33” x W: 25 1/2”

  Frame: H: 42 1/2” x W 33 1/2”

  Portfolio of 12 works, Edition of 100

  Price: $

  Alexander Liberman’s family left the Soviet Union for London as exiles in 1921.  Liberman studied there briefly before moving to Paris where he undertook philosophy and mathematics at the Sorbonne and architecture at the École des Beaux-Arts. In the 1930s Liberman designed stage sets, and worked on the staff of Vu, the first magazine illustrated with photographs.  Although Liberman quickly earned the title of managing director, he left the magazine in 1936, and devoted himself to painting and writing.  In 1941, he left Paris for New York. Again, he became involved in publishing after gaining employment at Vogue magazine. Twenty years later, in 1962, he became Editorial Director of all Condé Nast Publications, a position he held until he retired in 1994. During his time at Vogue, Liberman introduced 20th-century art to readers by using it as a backdrop for fashion shoots, as well as by profiling living artists in the magazine.  As a painter, Liberman exhibited geometric circle paintings in galleries and museums around New York in the 1950s.  Liberman also had an interest in sculpture, and began welding steel into public works in the late 1950s.  These monochrome geometric sculptures are featured in over 40 cities worldwide.