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  Joyce Francis “Banana Land Flowers” Bright Orange Box 2008

  JOYCE FRANCIS New York, NY

  “Banana Land Flowers” box 2008

  Cast and carved bright orange Lucite acrylic deeply incised and carved with three dimensional images of a monkey, a butterfly, a dragonfly and exotic flowers and foliage.

  The top cover dimension is 1 3/4″ thick and the four sides of the box are 1 1/4″ thick.

  Marks: Joyce Francis 08

  H: 6″ x W: 4 3/4″ x D: 4 3/4″

  Price: $3,750

  Joyce Francis is a native Manhattanite artist who specializes in sculptured acrylic jewelry, purses, sculpture, tables and coveted collection of exciting, passionately carved decorative boxes. All pieces have been painstakingly hand carved, hand dyed, illuminated and sometimes hand painted as well. There are no embedded objects. Her purses are part of the permanent collections of the New York Metropolitan Costume Institute (New York), The Victoria and Albert Museum (London), The Fashion Institute of Technology (New York) and the Rock and Roll Hall of Fame (Cleveland).

  Her work is in the collections of a number of stars and celebrities, including Hillary Swank, Phoebe Cates Kline, Emma Thompson, Cicely Tyson and Meryl Streep. Examples of her boxes and lamps are also owned by Paul Simon, Paul McCartney, Steve Martin and Tom Hanks.

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  GALERIE CARREFOUR 141 Boulevard Raspail, Paris Vérité Collection Wood block print poster, ARTS PRIMITIFS, CARREFOUR, 141 BD RASPAIL, DAN 5803 c. 1948

  GALERIE CARREFOUR 141Boulevard Raspail, Paris
  Vérité Collection Wood block print poster “ARTS PRIMITIFS, CARREFOUR, 141 BD RASPAIL, DAN 5803″ c. 1948

  Float mounted in a finely contoured oak frame.

  Inscribed to: A Monsieur E Mme Breton, Vérité Image dimension:

  H: 19 1/2″ x W: 12 3/4″
  Framed dimension: H: 26 3/4″ x W: 19 3/4”

  Price: $9,000

  The Vérité Collection of primitive arts started after World War 1 in 1920. Pierre Vérité, a young artist started buying primitive art before anyone else. Vérité opened a small store selling exclusively tribal art in 1931 in conjunction with the Paris Colonial Exposition. Pierre Vérité regarded “primitive arts” as art, and it is the raw power of these primitive pieces that changed the history of 20th-century European culture. In 1936, he opened the Galerie Carrefour on the Boulevard Raspail, which was a hangout for artists and collectors such as Pablo Picasso, Helena Rubenstein, Nancy Cunard and Andre Breton. Tribal art was one of the key influences on Pablo Picasso and he often dropped into Pierre Vérité’s Galerie Carrefour in Paris to buy masks and carvings from Africa and Oceania. Henri Matisse was also a regular visitor, as were other artists such as Fernand Léger and Maurice de Vlaminck, while Vérité used to browse Parisian flea markets with André Breton, Surrealism’s chief theorist. In the decades that followed the opening of the gallery, the Vérité family’s client list grew to include Hollywood stars and leading museum curators, as well as some of the greatest names in 20th-century art. Vérité very quickly became the most important art dealer for primitive arts. In the 1948, Pierre’s son Claude became increasingly involved in the gallery. He went on African expeditions, collecting objects and information, and took photographs to document his travels, while his wife Jeannine was running the gallery operations. With Claude and Jeannine joining the gallery, Galerie Carrefour showed at all “Art Primitifs” exhibitions in Europe and the United States. The gallery established itself as the most important player in tribal arts in the world and exhibited until the 1990’s.

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  Giovanni Battista Filosa, In the Garden, Watercolor, 1884

  GIOVANNI BATTISTA FILOSA (1850-1935) Naples, Italy

  “In the Garden” 1884

  Watercolor, gilt frame and filet with silk mount.

  Signed: G Filosa '84

  ***Filosa exhibited at the Esposizione Internazionale d'Arte della Città di Venezia 1895 – La Biennale di Venezia, Venice

  An extremely fine and exquisitely painted watercolor “In the Garden” by the Italian artist Giovanni Battista Filosa (1850-1935). It is a radiant painting with a wonderful subtle coloration and very charming late 19th century “en plein-air” imagery. Filosa's technique is similar in quality to the work of the 19th Century Pre-Raphaelite watercolorist, Albert Moore. Gilt frame and filet with silk mount. Signed: G Filosa '84 Filosa exhibited at the Esposizione Internazionale d'Arte della Città di Venezia 1895 – La Biennale di Venezia, Venice

  Watercolor: H: 7 1/2″ x W: 5 1/4″
  Framed: H: 14 1/2″ x W: 12″

  Price: $11,500

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  Mayo Martin Johnson / American Post-War bronze sculpture 1960

  Mayo Martin Johnson (b. 1904) USA

  “Summit Conference”   1960

  Patinated bronze with a verdigris patina in the recessed areas and natural bronze highlights, original wooden plinth / base.

  Marks: Red painted museum accession marks

  For more information see: American Art, ed. Peter Hastings Falk (Madison, Conn.: Sound View Press, 1985) p. 317.

  H:  10 ¼” on plinth

  Price: $6,000