Marks: stamped in black: E. Gallé, nancy depose, E G with cross of Lorraine
Designs for other Egyptian decoration illustrated: Les dessins de Gallé, Philippe Thiébaut (Paris: Réunion des musées nationaux, 1993) p. 98-99
Related forms and designs illustrated: La Ceramique de Gallé (Nancy: Musée de l’Ecole de Nancy, 1984) p. 119; Egyptomania: Egypt in Western Art, 1730-1930 (Paris: Éditions de la Réunion des Musées Nationaux and Ottawa: National Gallery of Canada, 1994), pp. 472=74.
Thomas Jekyll (attr.) Aesthetic Movement Iron Umbrella or Cane Stand c.1885
THOMAS JEKYLL (attr.) (1827–1881)
BRITISH AESTHETIC MOVEMENT
Umbrella stand c. 1885
Black nickelled and patinated cast and wrought iron,
sunburst detail and decorative fretwork
H: 25 1/4” x W: 13” x D: 9 1/2”
Base W: 9 1/2”
Although he was a successful architect, Jeckyll is best known today for his “epoch-making” designs in metalwork. His architectural practice routinely included the design of gates, railings, and metal fittings for domestic commissions and of coronas, candelabra, and altar rails for ecclesiastical ones. But it was his exhibition pieces for the ironworks firm of Barnard, Bishop & Barnards of Norwich that brought him his greatest renown. His “Norwich Gates” for the 1862 London International Exhibition set in motion the 19th-century wrought iron revival in Great Britain. Subsequent creations, including his “Four Seasons Gates,” exhibited in Paris in 1867 and Vienna in 1873, and his cast iron pavilion for the 1876 Philadelphia Centennial Exhibition, received substantial praise, in particular for their creative use of Asian principles and motifs. His innovative Anglo-Japanese designs for stoves, stove fronts, fenders, fire irons, and other domestic metalwork were also produced and sold in large numbers. As these designs were both artistic and affordable, they allowed the incorporation of objects of beauty into middle-class homes. He was one of the few figures in the design reform movement in Britain who managed to unite beauty and utility.
A very intricately worked late Victorian or Aesthetic Movement wrought and cast iron tall stand for umbrellas or canes with delicately riveted cross hatch fretwork and curling details and handle motif along with an attached iron base with a sunburst design all in the original black nickel finish.
Gorham T.B. Starr Important Sterling “Macy” Renaissance Revival Pitcher 1893
GORHAM MFG. CO SILVERSMITHS Providence, RI
THEODORE B. STARR Retailer
Renaissance Revival pitcher 1893
A highly important Gorham sterling pitcher chased with mythological faces, putti and various scrolling foliate patterns, the handle in the form of Pan with four sphinx figures supporting the base, all with elaborate and exquisite hand chasing and repousse throughout. Extremely fine original condition with original gilded interior.
Marks: Lion, Anchor, G (Gorham silver touch marks), EX. (Exhibition), Theodore B. Starr, 6 pint, Sterling, 1805, double circle touch mark (date mark for 1893)
Provenance: Private Collection, New York; Private Collection Florida from 1984 to 2009; directly descended in the family of Thomas H. Macy (founder of Nantucket) prior to 1984
Whiting / Late 19th Century Sterling dish with pomegranate motif c. 1890
WHITING MANUFACTURING CO. No. Attleboro, MA
Footed dish with pomegranate motif c. 1890
Sterling silver with a hand hammered honey comb surface, applied pomegranate and pomegranate blossom motif
Marks: Whiting logo (lion with W in oval (manufacturer’s insignia)), STERLING, 757, C
L: 5″ x D: 4″
In 1840 Albert Tifft and William Whiting started their business in No. Attleboro MA as a jewelry manufacturing company and then in 1866 created the Whiting Mfg. Co. and expanded production into small hollowware as well. The Gorham Company bought Whiting in 1926 and all operations were then moved to Providence, R.I.
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