Product Description
Gorham T.B. Starr Important Sterling “Macy” Renaissance Revival Pitcher 1893

GORHAM MFG. CO SILVERSMITHS Providence, RI
THEODORE B. STARR Retailer
Renaissance Revival pitcher 1893
A highly important Gorham sterling pitcher chased with mythological faces, putti and various scrolling foliate patterns, the handle in the form of Pan with four sphinx figures supporting the base, all with elaborate and exquisite hand chasing and repousse throughout. Extremely fine original condition with original gilded interior.
Marks: Lion, Anchor, G (Gorham silver touch marks), EX. (Exhibition), Theodore B. Starr, 6 pint, Sterling, 1805, double circle touch mark (date mark for 1893)
Provenance: Private Collection, New York; Private Collection Florida from 1984 to 2009; directly descended in the family of Thomas H. Macy (founder of Nantucket) prior to 1984
Weight: 74 troy oz.
H: 13″ x W: 10″ x D: 7″
Gorham T.B. Starr Important Sterling “Macy” Renaissance Revival Pitcher 1893
AZTEC AD 1325-1475 Mexico.
Important stone carved sculpture of a coiled serpent, AD 1325-1475 Mexico.
***Two scientific authentication reports are available with this sculpture.
H: 10″ x D: 8″
The serpent played a very important role in Aztec religion and was represented in a variety of forms. The majority of the serpents represented in Aztec sculpture are rattlesnakes.
Mexican mythology indicates the snake is a symbol of veneration, worship and honor. Often a symbol of great power, resurrection and rebirth, the snake continues to be a powerful emblem of renewal and transition.
Further, the snake is recognized as a symbol of humanity as a whole. Interestingly, the Mexican perspective provides hope for mankind to aspire to great heights as it correlates the shedding of the serpent’s skin to man’s ability to change his own circumstances and overcome adversity.
The Aztecs build an impressive empire in the valley of Mexico. This thriving area, known as Tenochitlan, was the cultural, religious and trading center of Mesoamerica. Aztecs were the Native American people who dominated northern Mexico at the time of the Spanish conquest led by Hernan Cortez in the early 16th century. According to their own legends, they originated from a place called Aztlan, somewhere in north or northwest Mexico. At that time the Aztecs (who referred to themselves as the Mexica, or Tenochca) were a small, nomadic, Nahuatl-speaking aggregation of tribal peoples living on the margins of civilized Mesoamerica. Sometime in the 12th century they embarked on a period of wandering and in the 13th century settled in the central basin of México. Continually dislodged by the small city-states that fought one another in shifting alliances, the Aztecs finally found refuge on small islands in Lake Texcoco where, in 1325, they founded the town of Tenochtitlan (modern-day Mexico City). The term Aztec, originally associated with the migrant Mexica, is today a collective term, applied to all the peoples linked by trade, custom, religion, and language to these founders. Warriors and pragmatic builders, the Aztecs created an empire during the 15th century that was surpassed in size in the Americas only by that of the Incas in Peru. As early texts and modern archaeology continue to reveal, beyond their conquests and many of their religious practices, the Aztecs had many positive achievements: the formation of a highly specialized and stratified society and an imperial administration, the expansion of a trading network as well as a tribute system, the development and maintenance of a sophisticated agricultural economy (which was carefully adjusted to the land) and the cultivation of an intellectual and religious outlook that held society to be an integral part of the cosmos.
ANTONIO PIÑEDA (1919-2009) Taxco, Mexico
Exhibition Pitcher c.1959-60
Handwrought sterling silver in an overall triangular form with a diamond opening and a double splayed form and contoured handle, 30 troy ounces total weight
Marks: Antonio Taxco (large crown mark) Sterling Silver, 930, Mexican Eagle silver standard mark
Exhibited at the Triennale di Milano, Italy, 1960
Provenance: Antonio Pineda, 1990
Illustrated: Triennale di Milano, Argentería di Antonio Pineda,
Exhibition Catalogue (Milan, 1960).
H: 6 5/8” x L: 9 ½” x D: 5 ¾”
ARCHIBALD KNOX (1864-1933) UK
LIBERTY & CO. London
Extremely rare and important grand clock by Archibald Knox for Liberty & Co. This is the largest of all of the Tudric models designed and is inset with abalone shell on the sides, the front corners and on the hands of the clock.
Marks: TUDRIC, 098
Illustrated: The Designs of Archibald Knox for Liberty & Co., A..J. Tilbrook (London: Ornament Press Ltd., 1976) pg. 88; The Liberty Style, (Japan: Hida Takayama Museum of Arts, 1999) fig. 168, p 114; Archibald Knox, ed. by Stephen A. Martin (London: Academy Editions, 1995) p. 88.
H: 15″ x W: 7″ x D: 5″
***This is the largest clock designed by Archibald Knox for
Liberty & Co. and one of only three models known.