Moshe Oved (1883-1958) “Marabou Stork” ring, hand tooled lost wax 18K gold casting in full dimension as a complete biomorphic form of the bird and set with sapphire eyes, c.1940
Charles Gordon (reg. London 1828) “Medieval Revival” signet ring, 18K gold with stylized arrow motifs on either side and bezel set with an ancient agate Intaglio carved with the head of a knight and Latin or Greek letters, signed: C.G. for Charles Gordon in a rectangular cartouche, c.1850
Van Cleef & Arpels, Paris “Elephant Hair” ring, 18k gold tied loop detail and clasp with multiple strands of elephant hair forming the ring, signed: VCA (copyright mark), 750 (gold standard mark), 72 (1972), no.125043, French Eagle’s head mark for 18k gold (2x), VCA maker’s touchmark in a diamond (2x), 1972
Stylized “Grape Cluster” brooch with platinum grapes set with 20 round cut diamonds (approx. 3.50 carats TW) and highly textured and detailed 18k gold leaves and vines, c.1980’s
Neil Lane “Egyptian Motif” ring, step-cut emerald shaped Peridot (approx. 18+ carats TW, G.I.A. certificate, 18.55 x 14.85 x7.90mm) 18K gold with pave set diamonds, signed, c. 2008
Neil Lane Couture, large rectangular step-cut natural gem Peridot (18.12 carats, dimensions 18.55mm x 14.85mm x 7.90mm, GIA certificate) in an elaborate 18k gold “Egyptian” motif mounting set with 158 full, round-cut small diamonds (approx. 1.58 carats TW) and signed by Neil Lane, c. 2008
Italian long chain with 18k gold hammered links and set with 9 count gem quality naturally tumbled turquoise beads, marked: 20 (maker’s assigned number, VR for Verona, 750 for 18k gold, c. 1970’s
Length: 50 inches Width of the turquoise beads: 3/8 of an inch
Marchesini, Rome (attr.) Etruscan Revival mid-19th Century elaborate jeweled “Maltese Cross” 18k gold ring set with four rectangular step-cut sapphires and one round-cut sapphire and eight pearls in a highly detailed setting with granulation and twisted gold wire designs, c.1860
Van Cleef & Arpels, New York, Art Deco “Heraldic” ring in 18k gold with stylized geometric flanges on either side of the platinum rectangular plaque with an intaglio carved Coat of Arms, signed Van Cleef & Arpels, NY, 9398, c.1930
European Art Deco “Chevron” design ring, 18K gold set with 24 square cut invisibly set rubies (approx. 6 carats TW) in a pyramid form, marked, c. 1940’s
Franco Cannilla / Mario Masenza, Roma “Scarab” ring in an 18k gold expressionistic openwork mounting set with an ancient glazed pottery scarab, signed, c.1950’s
Cartier Paris “Heart” ring, 18K gold set with 45 round diamonds (approx. 2.5 carats TW), signed: Cartier Paris, 291746, 750, 49 (ring size), French eagle’s head mark for 18K gold, c. 1980’s
American Arts & Crafts ring (most likely Boston School) set with a large rectangular shaped pink tourmaline cabochon (approx. 54 carats) set in an elaborate 18k gold handwrought mounting with a garland surround of leaves and scrolling structural ring shank support, c. 1915
1940’s jeweled necklace, 18k gold textured ring links and elaborate bezel set 19 large cabochon fire opals (approx. 260 carats TW, ranging in sizes from 4 carats to 32 carats each) and further set with two oval cut citrines and three round cut citrines (approx. 145 carats TW, ranging in sizes from 22 carats to 36 carats each) c.1940
European Art Deco whimsical “Dachshund” brooch in 18k gold, green champlevé enamel sweater and eye and set with 18 round-cut diamonds, signed: maker’s touchmark, 750 c. 1930’s
Robert Phillips, London (1810-1881) Archaeological Revival round “Button” brooch in 18k gold set with a large cabochon salmon coral jewel (15mm in depth x 19mm round) and light sky-blue enamel background with a finely detailed twisted gold wire and beaded applied convex round gold border, original leather and green silk velvet and satin presentation box signed: Phillips, 23 Cockspur Street, London, c.1875
Bulgari, Carlo Luca della Quercia Illario (maker) Large flattened “Tubogas” necklace or double bracelet all in 18K gold signed: BULGARI, 750 (for 18K gold), Italian touchmark of a Star, no.2337, A1 (all in a rectangle), SB in a rectangle, 750, circle with a cross through it and a Q (Birmingham Assay and Import marks), original blue leather and suede signed presentation box, c.1970’s
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