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  Hector Guimard for Maison Coilliot / Art Nouveau glazed lava tile 1898

  HECTOR GUIMARD  (1867-1942) France
  MAISON COILLIOT Lille, France

  Tile c. 1898

  Fired and glazed lava with abstract whiplash motifs in various tones of aqua blue on the obverse and a partial graphic on the reverse with polychrome floral and linear details.

  Marks: 16 (on top of tile)

  French architect Hector Guimard (1867-1942) realized the decorative possibilities of glazed lava, a substance made from mixing pulverized lava with clay when he built a villa for Louis Coillot, (1898-1900) a ceramics manufacturer in Lille who monopolized the distribution of the material. Guimard sided the entire facade of Maison Coilliot in lava stone.

  ***A related glazed lava tile from the Castel Henriette is in the Collection of the Musee d’Orsay.

  The Maison Coilliot is an Art Nouveau house located on 14, rue de Fleurus in Lille, France. Louis Coilliot, a French ceramic entrepreneur, was fond of enameled lava and wanted to popularize the technique. To do so, Coilliot commissioned Hector Guimard, an architect he’d met at the 1897 fair La Céramique et tous les arts du feu, (“Ceramic Arts & Glass Making”), to apply the technique to his house’s façade. Coilliot’s factory and warehouse were located to the rear of his house, and therefore the façade held a double
  purpose, both decorating the front of his home and advertising his business.

  For more information see: Hector Guimard, 1867-1942: Architektur in Paris um 1900 (Munich: Museum Villa Stuck, 1975)

  H: 25 1/2″ x W: 14″ x D: 9/16″

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  Edmond Lachenal French Art Nouveau Green glazed pitcher / vase form c. 1900

  EDMOND LACHENAL (1855-1930) Paris, France

  Green glazed pitcher / vase form c. 1900

  Marks: E LACHENAL (impressed and glazed in a rectangle on base)

  For information on Edmond Lachenal see:”Edmond Lachenal”, Fritz Minkus, Kunst und Kunsthandwerk, IV (1901) pp.390-98; La Céramique Art Nouveau, Edgar Pelichet and Michèle Duperrex (Lausanne: Les Éditions du Grand-Pont, Switzerland, 1976) pp. 66,71,74,78,83,112,115; “l’Atelier Lachenal à la galerie Georges Petit “ in Les Echoes d’Art” (1933), p. Vll; Art Nouveau: Belgium & France, exh. cat. Yvonne Brunhammer et al. (Houston, TX: Institute for the the Arts, Rice University, 1976), p. 48; Le Japonisme (Paris: Éditions de la Réunion des Musées Nationaux, 1988) cat no. 377, p. 321; Japonisme: the Japanese influence on western art in the 19th and 20th Centuries, Siegfried Wichmann (Parklane: New York, 1980) pp. 339, 349; cat. no. 920.

  H: 9″ x W: 6 3/4″

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  Sèvres / Genevieve Rault Rare French Art Nouveau grand vase 1907

  MLLE GENEVIÈVE RAULT (décor  1907)  France
  MANUFACTURE NATIONALE DE SÈVRES  France

  Andromeda branches grand vase   1907

  Glazed porcelain with pâte-sur-pâte applications. The multicolored “Andromeda” foliage and branches in shades of pink, salmon, green and taupe on a cream background.

  Marks: underglaze green S and 1907 (in triangular cipher), MANUFACTURE RF NATIONALE surrounding DÉCORÉ A SÈVRES 1907, underglaze blue GR (conjoined monogram).

  H: 16″ x Dia: 7 1/2″

  This example from the Sèvres Manufacture is a tour-de-force of early 20th century porcelain. The graphic Art Nouveau design of the pastel foliage and white blossoms of the Andromeda vase is brought to life thanks to the fine detailing of every individual blossom made with hand-applied pâte-sur-pâte or paste porcelain.

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  Tiffany & Co. / Art Nouveau “Frog on a lily pad” covered snuff box 1880

  TIFFANY & CO. New York, NY

  “Frog on a lily pad” cigarette case 1880

  Hand wrought sterling silver with repoussé and chased gold design of a frog sitting on a lily pad with a dragonfly in it’s mouth, “lap over edge” and hand hammered details, gilt interior and spring action to the hinge when the sides are pressed

  Tiffany Archive Illustration: Design for Cigarette Case No. 5804, No. 1019, 249, stamped Tiffany & Co. New York, February 26, 1880
  Model and Archive illustration: Bejewelled by Tiffany 1837-1987 Clare Phillips (New Haven and London: Yale University Press, 2006)
  For more information see: Tiffany Silver, Charles H. Carpenter, Jr. (New York: Dodd, Mead & Company, 1978); The Silver of Tiffany & Co., 1850-1987, Charles H. Carpenter, Jr. and Janet Zapata (Boston: Museum of Fine Arts, 1987).

  Marks: Tiffany & Co., 5804, M, 2540, Sterling-Silver, 1019

  H: 3/4” x W: 2 7/8” x D: 2 1/8”

  The Frog and the Dragonfly
  from The Lost Lagoon
  by Reg Down, 2010

  Once upon a time a dragonfly lived beside a lake high in the mountains. He flitted from bulrush to bulrush – and zipped after mosquitoes. He snapped them out of the air so quickly that no one could ever quite see what he was doing.
  One day, as he was flying across the water, his beautiful wings glistening like rainbows, he came across a frog.
  “Ribbit!” said the frog. “Come here, Mr. Dragonfly. I would like to have a better look at you.”
  But the dragonfly was clever. In fact, he was so clever that his eyes were made up of hundreds of eyes all put together on the top of his head. And each one of those eyes said to him: “That frog wants to eat me!”
  So he landed on top of a bulrush where the frog could not get him, and said, “Yes, Mr. Frog, I am close enough for you. What do you want?”
  “Ribbit! Ribbit!” croaked the frog, “I think you should come closer because my eyes are not very good.”
  So the dragonfly came a little closer. He flitted to a flower floating on the water—but still not close enough for the frog to grab him with his mouth.
  “Yes, Mr. Frog, what do you want?” he asked.
  “Oh, Mr. Dragonfly,” said the frog, “I have an itch on the end of my nose and my legs aren”t long enough to reach it. But your legs are scratchy—they will be able to scratch my itchiness much better that I ever could.”
  The dragonfly found this quite funny. He thought, “That frog wants to eat me! I am sure that frog wants to eat me!” So he flew behind the frog and landed on his back.
  The frog could feel the dragonfly crawling on his back, but he could not turn around to grab him. “Oh, Mr. Dragonfly,” he said, “you have to come closer to my nose. In fact, my lips are getting very itchy—please come closer.”
  So the dragonfly went and sat between the frog”s eyes. Now the frog”s eyes were looking into the dragonfly”s eyes, and the frog saw that the dragonfly had far, far more eyes than he had. So he said, “Oh, Mr. Dragonfly, you are surely much, much more wise than I am. You have so many eyes that you can see the whole world!”
  And the dragonfly replied, “Of course I can see the whole world! I have so many eyes that I am the wisest of all flies!”
  “Well,” said the frog, “I have a little tickle in the bottom of my throat—what is happening there?”
  And the dragonfly looked, and looked, and looked…….and Snap! the frog ate him up.