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  Sèvres / Genevieve Rault Rare French Art Nouveau grand vase 1907

  MLLE GENEVIÈVE RAULT (décor  1907)  France
  MANUFACTURE NATIONALE DE SÈVRES  France

  Andromeda branches grand vase   1907

  Glazed porcelain with pâte-sur-pâte applications. The multicolored “Andromeda” foliage and branches in shades of pink, salmon, green and taupe on a cream background.

  Marks: underglaze green S and 1907 (in triangular cipher), MANUFACTURE RF NATIONALE surrounding DÉCORÉ A SÈVRES 1907, underglaze blue GR (conjoined monogram).

  H: 16″ x Dia: 7 1/2″

  This example from the Sèvres Manufacture is a tour-de-force of early 20th century porcelain. The graphic Art Nouveau design of the pastel foliage and white blossoms of the Andromeda vase is brought to life thanks to the fine detailing of every individual blossom made with hand-applied pâte-sur-pâte or paste porcelain.

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  Mathilde Augé / Ely Vial Limoges French Art Nouveau Eucalyptus vase c. 1900

  MATHILDE AUGÉ France

  ELY VIAL  France

  Eucalyptus vase   c. 1900

  Colored enamels on copper with foil-backing depicting eucalyptus berries and leaves, gilt details

  Signed: MA (artist’s monogram)

  For more information see:  The Paris Salons 1895-1914 Jewellery, Vol. I: Alastair Duncan (Woodbridge, Suffolk: Antique Collectors’ Club, 1994), p. 44; The Paris Salons 1895-1914, Objets d’Art et Metalwork, Vol. 5, Alastair Duncan (Woodbridge, Suffolk: Antique Collectors’ Club, 1994) p. 58; 1900, Philippe Thiébaut et al., exhib. cat. (Paris: Réunion des musées nationaux, 2000), p. 256.

  H: 10 1/2″ x Dia: 4 1/2″

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  Rozenburg Pottery Holland, W.P. Hartgring Art Nouveau Mantle Clock, 1904

  W. P. HARTGRING
  ROZENBURG POTTERY  The Hague, The Netherlands

  Blackbird mantle clock   1904

  Handpainted earthenware with exotic foliage and a bird, porcelain face, gilt bronze surround, original clock mechanism.

  Marks: H (artist’s monogram) 534, Rozenburg den Haag trademark, date mark symbol for 1904

  For more information see: Art et Décoration, vol. 8 (1900) 193, illus. p. 189 (A. Sandier, La ceramique à l’Exposition); Kunst und Kunsthandwerk, vol. 3. (1900) 395, illus. p. 392; Art et Décoration, vol. 9 (1901) 56 Abb. S. 54 (A. Sandier, La Ceramique à l’Exposition II); Der Moderne Stil, Julius Hoffmann, Vol. 3, (1901) Taf. 53.; La Kunstgewerbeblatt Neue Folge, Vol. 12. (1901) p. 95, Abb. S. 82,89; “The International Exhibition of Modern Decorative Art at Turin – The Dutch Section,” Enrico Thovez in The Studio, vol. 26 (1902), pp. 204-6; Kunst und Kunsthandwerk, Vol. 7 (1904), p. 568, Abb. S. 574-5, (K. Ruge, Kunst und Kunstgewerbe auf der Weltausstellung zu St. Louis); Art et Décoration, vol. 17 (1905) p.86 Abb. S. 77, 88 (G. Mourey, L’Art Decoratif Hollandais); Sprechsaal, Vol. 38, (1905) p. 517 (W.H. Zimmer, Die Weltausstellung in St. Louis; Rozenburg, Monographie einer Manufaktur 1883-1917, Marjan Boot et al. (Munich: Verlag Künst & Antiquitäten, 1984); Sammlung Bröhan: Kunsthandwerk 1-Jugendstil, Werkbund, Art Deco, Glas, Holz, Keramik, (Berlin: Karl H. Brohan, 1976) p. 367-380.

  H: 15″ x W: 10″ x D: 5 1/8″

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  Sophie Burger-Hartmann bronze Art Nouveau Sculptural Vide Poche c. 1900

  SOPHIE BURGER-HARTMANN (1868-1940) Munich, Germany

  Vide Poche c. 1900

  Richly patinated dark brown bronze Vide Poche modeled as a swirling Art Nouveau nymph holding a stylized shell form low tray.

  Marks: VW (Vereinigte Werkstätten für Kunst im Handwerk Munich)

  H: 6 1/2″ D: 7″ x W: 8″