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  Mathilde Augé / Ely Vial Limoges French Art Nouveau Eucalyptus vase c. 1900

  MATHILDE AUGÉ France

  ELY VIAL  France

  Eucalyptus vase   c. 1900

  Colored enamels on copper with foil-backing depicting eucalyptus berries and leaves, gilt details

  Signed: MA (artist’s monogram)

  For more information see:  The Paris Salons 1895-1914 Jewellery, Vol. I: Alastair Duncan (Woodbridge, Suffolk: Antique Collectors’ Club, 1994), p. 44; The Paris Salons 1895-1914, Objets d’Art et Metalwork, Vol. 5, Alastair Duncan (Woodbridge, Suffolk: Antique Collectors’ Club, 1994) p. 58; 1900, Philippe Thiébaut et al., exhib. cat. (Paris: Réunion des musées nationaux, 2000), p. 256.

  H: 10 1/2″ x Dia: 4 1/2″

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  Rozenburg Pottery Holland, W.P. Hartgring Art Nouveau Mantle Clock, 1904

  W. P. HARTGRING
  ROZENBURG POTTERY  The Hague, The Netherlands

  Blackbird mantle clock   1904

  Handpainted earthenware with exotic foliage and a bird, porcelain face, gilt bronze surround, original clock mechanism.

  Marks: H (artist’s monogram) 534, Rozenburg den Haag trademark, date mark symbol for 1904

  For more information see: Art et Décoration, vol. 8 (1900) 193, illus. p. 189 (A. Sandier, La ceramique à l’Exposition); Kunst und Kunsthandwerk, vol. 3. (1900) 395, illus. p. 392; Art et Décoration, vol. 9 (1901) 56 Abb. S. 54 (A. Sandier, La Ceramique à l’Exposition II); Der Moderne Stil, Julius Hoffmann, Vol. 3, (1901) Taf. 53.; La Kunstgewerbeblatt Neue Folge, Vol. 12. (1901) p. 95, Abb. S. 82,89; “The International Exhibition of Modern Decorative Art at Turin – The Dutch Section,” Enrico Thovez in The Studio, vol. 26 (1902), pp. 204-6; Kunst und Kunsthandwerk, Vol. 7 (1904), p. 568, Abb. S. 574-5, (K. Ruge, Kunst und Kunstgewerbe auf der Weltausstellung zu St. Louis); Art et Décoration, vol. 17 (1905) p.86 Abb. S. 77, 88 (G. Mourey, L’Art Decoratif Hollandais); Sprechsaal, Vol. 38, (1905) p. 517 (W.H. Zimmer, Die Weltausstellung in St. Louis; Rozenburg, Monographie einer Manufaktur 1883-1917, Marjan Boot et al. (Munich: Verlag Künst & Antiquitäten, 1984); Sammlung Bröhan: Kunsthandwerk 1-Jugendstil, Werkbund, Art Deco, Glas, Holz, Keramik, (Berlin: Karl H. Brohan, 1976) p. 367-380.

  H: 15″ x W: 10″ x D: 5 1/8″

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  Louis Majorelle French Art Nouveau “Fiddleback Fern” bowl c. 1900

  LOUIS MAJORELLE    (1859-1926)  France
  MOUGIN FRÈRES  Nancy, France

  Fiddleback Fern trefoil bowl    c. 1900

  A rare stoneware example of Majorelle and the L’Ecole de Nancy with a mauve and sea-green glaze, crystalline formations in interior in a trefoil loped form with fiddleback ferns at each interval.

  Marks:  Majorelle. de (impressed facsimile signature)  MOUGIN NANCY, 10.K , L

  Illustrated:  Majorelle: Une Aventure Moderne, Roselyne Bouvier (Paris:
  La Bibliothèque des Arts/Editions Serpenoise, 1991) p. 34, illus. 32.

  H: 3 1/4″ x W: 6 3/4″

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  Charles Greber French Art Nouveau “Chameleons” vase c. 1905

  CHARLES GREBER  France

  “Chameleons” vase   c. 1905

  Stoneware with crystalline-structure glaze in creamy white beige and blue tones with floral motifs and three full scale chameleons perched on the edge.

  Marks: C. Greber (incised script)

  H: 6 1/4″ x Dia: 7 1/2″

  The potter-sculptor has awakened Darwin’s theory of evolution with this vase and has furthermore humanized these reptiles with an amusing sense of cameraderie.