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  Louis Majorelle French Art Nouveau “Fiddleback Fern” bowl c. 1900

  LOUIS MAJORELLE    (1859-1926)  France
  MOUGIN FRÈRES  Nancy, France

  Fiddleback Fern trefoil bowl    c. 1900

  A rare stoneware example of Majorelle and the L’Ecole de Nancy with a mauve and sea-green glaze, crystalline formations in interior in a trefoil loped form with fiddleback ferns at each interval.

  Marks:  Majorelle. de (impressed facsimile signature)  MOUGIN NANCY, 10.K , L

  Illustrated:  Majorelle: Une Aventure Moderne, Roselyne Bouvier (Paris:
  La Bibliothèque des Arts/Editions Serpenoise, 1991) p. 34, illus. 32.

  H: 3 1/4″ x W: 6 3/4″

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  Mathilde Augé / Ely Vial Limoges French Art Nouveau Eucalyptus vase c. 1900

  MATHILDE AUGÉ France

  ELY VIAL  France

  Eucalyptus vase   c. 1900

  Colored enamels on copper with foil-backing depicting eucalyptus berries and leaves, gilt details

  Signed: MA (artist’s monogram)

  For more information see:  The Paris Salons 1895-1914 Jewellery, Vol. I: Alastair Duncan (Woodbridge, Suffolk: Antique Collectors’ Club, 1994), p. 44; The Paris Salons 1895-1914, Objets d’Art et Metalwork, Vol. 5, Alastair Duncan (Woodbridge, Suffolk: Antique Collectors’ Club, 1994) p. 58; 1900, Philippe Thiébaut et al., exhib. cat. (Paris: Réunion des musées nationaux, 2000), p. 256.

  H: 10 1/2″ x Dia: 4 1/2″

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  Friedrich Gornik Bronze “Pelican” Art Nouveau Vide Poche c.1910

  Friedrich Gornik  (1877-1943)  Austria.

  “Pelicans”  vide poche   c. 1910.

  Bronze with a natural gold patina of two pelicans on a rock, one seated and the other eating fish.

  Marks: F Gornik and monogram.

  For more information on Friedrich Gornik see: Der Österreichische Werkbund, Astrid Gmeiner & Gottfried Pirhofer (Salzburg & Wien: Residenz  Verlag,1985) p. 228; Österreichische Keramik des Jugendstils,  Waltraud Neuwirth  (Munich: Prestel-Verlag, 1974)  p. 156.

  H: 9″ x W: 6 1/2″ x D: 6″

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  Charles Greber French Art Nouveau “Chameleons” vase c. 1905

  CHARLES GREBER  France

  “Chameleons” vase   c. 1905

  Stoneware with crystalline-structure glaze in creamy white beige and blue tones with floral motifs and three full scale chameleons perched on the edge.

  Marks: C. Greber (incised script)

  H: 6 1/4″ x Dia: 7 1/2″

  The potter-sculptor has awakened Darwin’s theory of evolution with this vase and has furthermore humanized these reptiles with an amusing sense of cameraderie.