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  Maurice Bouval French Art Nouveau Nymph Silvered Bronze Candleholder c. 1900

  MAURICE BOUVAL  (born  Toulouse, died 1920)  France

  M. COLIN  France

  “Nymph Embracing a Blossom” candle holder  c.1900

  Silvered cast bronze in the form of a nymph on a leaf embracing a blossom

  Marks: M. Bouval (script signature) and COLIN, (Foundry) written above

  For other examples of Bouval’s work see: The Paris Salons 1895-1914, Vol. V: Objets d’Art & Metalware, Alastair Duncan (Woodbridge, Suffolk: Antique Collectors’ Club, 1999), p. 127; Ecole to Deco, Small Sculptures from a Private Collection, Stephen C. McGough ed. (Oberlin, Ohio: Allen Memorial Art Museum, 1979) pp. 33-4; Art Nouveau Sculpture, Alastair Duncan (New York: Rizzoli, 1978) pp. 30-1.

  H: 3″ x W: 6 1/2″ x D: 4 3/4″

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  Edmond Lachenal French Art Nouveau Green glazed pitcher / vase form c. 1900

  EDMOND LACHENAL (1855-1930) Paris, France

  Green glazed pitcher / vase form c. 1900

  Marks: E LACHENAL (impressed and glazed in a rectangle on base)

  For information on Edmond Lachenal see:”Edmond Lachenal”, Fritz Minkus, Kunst und Kunsthandwerk, IV (1901) pp.390-98; La Céramique Art Nouveau, Edgar Pelichet and Michèle Duperrex (Lausanne: Les Éditions du Grand-Pont, Switzerland, 1976) pp. 66,71,74,78,83,112,115; “l’Atelier Lachenal à la galerie Georges Petit “ in Les Echoes d’Art” (1933), p. Vll; Art Nouveau: Belgium & France, exh. cat. Yvonne Brunhammer et al. (Houston, TX: Institute for the the Arts, Rice University, 1976), p. 48; Le Japonisme (Paris: Éditions de la Réunion des Musées Nationaux, 1988) cat no. 377, p. 321; Japonisme: the Japanese influence on western art in the 19th and 20th Centuries, Siegfried Wichmann (Parklane: New York, 1980) pp. 339, 349; cat. no. 920.

  H: 9″ x W: 6 3/4″

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  Karl Berghof / Kayserzinn Extremely Rare German Jugendstil Art Nouveau Pewter Vase 1904

  KARL BERGHOF  Germany
  J. P. KAYSER SOHN  Krefeld, Germany

  Vase  1904

  Pewter squared vase with round flange top, open work details

  Marks: Kayserzinn 4541  7 (in a raised oval)

  Illustrated: Zinn des Jugendstils, Eckard Wagner (Cologne: Rheinland-Verlag, 1978), p. 63, cat. no. 148; J. P. Kayser Sohn Krefeld: Fabrik kunstgewerblicher Metallgegenstände, Musterbuch 1907 (Munich: Verlag Dry, 1982) p. 46.

  ***This is an extremely rare, other worldly Kayserzinn form.

  H: 7” x Top W: 4 ¾” x  Base: 4 x 4 square

   

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  Amedee de Caranza Art Nouveau Rare Iridescent Art Glass vase 1903-1906

  AMÉDÉE DE CARANZA  (active 1875-1914)  (b. Turkey / active France)
  COPILLET ET CIE  Noyon

  Nasturtium vase   1903-1906

  Blown glass with floral & foliate luster decoration handpainted on a muted iridescent ground.

  Signed: A. de CARANZA (on the side near base)

  Marks: Copillet et Cie, Noyon, 842 (twice)

  For more information and related illustrations: European Art Glass  (New York: Ray & Lee Grover, Charles E. Tuttle Publishers, Inc., 1970) pp. 69, 94-96; L’Art Du Verre En France 1860-1914, Janine Bloch-Dermant (Edita Denoel, 1974) pp. 36-37; Glass: Art Nouveau to Art Deco, Victor Arwas (New York: Abrams, 1987) pp. 56-58;  L’Europe de L’Art Verrier, des Precurseurs de l’Art Nouveau a l’Art Actuel 1850-1990, Giuseppe Cappa (Liège: Mardaga, 1991) pp. 72-74.

  H: 10″

  Copillet, H.A. Thomas Henri Alfred Copillet was originally a printer, and produced a local newspaper in Paris. When he moved his works to 13 Fauburg de Paris he acquired a kiln in the process, and thus in 1903 was began a new glass works. His designers were Amedee de Caranza and Edouard de Neuville. They produced a whole range of Art Nouveau glassware, many with a dark iridescent finish. They also produced opaline glass, and glass panels for use in church windows. The company went bankrupt in 1906, although the new management (Lefevre and Lhomme) kept a little of the production going for a while, the factory was destroyed during the First World War.