Product Description
Leo-Victor Gardey (1879-1942) “Oak Leaves” ring, carved 18K gold set with a Heraldic amethyst jewel (approx. 14 carats TW), signed, c. 1900

Leo-Victor Gardey (1879-1942) “Oak Leaves” ring, carved 18K gold set with a Heraldic amethyst jewel (approx. 14 carats TW), signed, c. 1900
PAUL HAUSTEIN (1880-1944) Germany
HERMANN BEHRND (b. 1849) SILBERWARENFABRIK (silver) Dresden, Germany
JAKAB RAPOPORT (enamelist) Budapest, Hungary
Inkwell c. 1900
Multicolored burgundy, purple, blue and green enamel with silver mounts, glass insert
Marks: Moon, crown, 800, HB (Hermann Behrnd mark)
Same model with variant mount illustrated: Deutsche Goldschmiede-Zeitung, n.d. (circa 1903-05), p. 23
For related works and more information see: Art Nouveau in Munich: Masters of Jugendstil, ed. Kathryn Bloom Hiesinger (Philadelphia: Philadelphia Museum of Art, 1988) pp. 67-69; Jugendstil in Dresden, Aufbruch in die Moderne, Gisela Haase et al., exh. cat. (Dresden: Staatliche Kunstsammlungen Dresden; Wolfratshausen: Edition Minerva, 1999).
Dia: 7 1/4″ x H: 4 1/2″
ALEXANDRE NOLL (1890-1970) France
Covered box c. 1930
Mahogany with ebony peg details and 1 ¼ inch thick Saint-Gobain glass.
Marks: ANoll
Provenance: Private Collection New York, Galerie de Beyrie Paris, Odile Noll (A. Noll’s daughter), Alexandre Noll Estate
For more information see: Alexandre Noll, Olivier Jean-Elie, Pierre Passebon (Paris:Edition du Regard, 1999); Alexandre Noll: Les Matres de L’ Art Decoratif Contemporain, Collection dirigée par R. Moutard-Uldry edited by (Geneve: Pierre Cailler, 1954); Le Mobilier du Xxe Siécle: Dictionnaire des
Créateurs, Pierre Kjellberg (Paris: Les Éditons de l’Amateur, 1994) p. 455-456.
H: 2 1/2″ x D: 5 3/8″ x W: 8″
PROF. MICHAEL POWOLNY (1871-1954) Austria
JOH. LÖTZ WITWE GLASWERKS Klostermϋhle, Bohemia
Tall bud vase c. 1914
“Opal mit streifen” opaline blown glass with applied blue glass canes and blue knob above opaline base
Exhibited: 1914 Werkbundausstellung, Cologne (Lötz period photograph, vase for the 1914 Cologne Werkbund Exhibition) Lötz: Böhmisches Glas 1880-1940: Werkmonographie, Band 1, Helmut Ricke and Ernst Ploil (Munich: Prestal-Verlag, 1989), p. 267; Wiener Werkstätte Design in Vienna 1903-1932, Christian Brandstätter (New York:Verlag Harry Abrams, 2003) p. 247.
Form illustrated: Lötz: Böhmisches Glas 1880-1940: Werkmonographie, Band 1, Helmut Ricke and Ernst Ploil (Munich: Prestal-Verlag, 1989), p. 267
Same ”opal mit streifen” technique illustrated: Glaskunst der Moderne: von Josef Hoffmann bis Wilhelm Wagenfeld, Torsten Bröhan (Munich: Klinkhardt & Biermann, 1992), cat. no. 19, pp. 74-77.
H: 11″ x Dia: 3 1/2″
Price: $10,500
FRITZ AUGUST BREUHAUS DE GROOT (1883-1960) Germany
WMF [WÜRTTEMBERGISCHE METALLWARENFABRIK] Geislingen
“Pokal” Covered footed cup ( model no. Br 6 )1928
Silverplated brass, model no. Br 6
Marks: WMF insignia (touchmark), x/o
Illustrated: Goldschmiedekunst 49, (1928) m. Abb; Deutsche Kunst und Dekoration 63, (1928/29) Abb S 353; Metallkunst: Kunst vom Jugendstil zur Moderne (1889-1939), Karl H. Bröhan, Band IV (Berlin: Bröhan-Museum, 1990) n. 610, p. 571; WMF Ikora Metall / Metalwork, Carlo Burschel and Heinz Scheiffele (Stuttgart, Germany: ARNOLDSCHE, 2006) pp.12,19,34.
H: 13 ¼” D base: 5 ¼” x D top: 5 ½”