Belle Epoque large cabochon Amethyst pendant brooch (approx. 100+ carats TW) set with old mine cut diamonds and 2 fine old round cut diamonds (approx. 3 carats TW) all in a silver top gold mounting, c. 1895
Boucheron (attr.) large and impressive “Peacock Feather” cuff/bracelet in 18k gold and set with numerous heart shaped cabochon opals as the eyes of the peacock feathers, marked, c.1895
Faberge (attr.) Oval gold (18K rose gold) box with an extremely fine and intricately carved agate cameo medallion of Zeus, c. 1895
For a related oval gold and cameo medallion box in the Russian National Museum presented in the original Iosif Marschak Kiev box see: Illustration #560 “Faberge / Cartier” by Geza von Habsburg (2003)
Auger & Gueret (Alphonse Auger et Antoine Gueret) , Paris, “Grasshopper” brooch in finely detailed 18K gold, enamel and rose cut diamonds, original leather box, signed, c. 1895
Christopher Dresser / James Couper & Sons Aventurine blown glass “Clutha” pitcher c. 1895
CHRISTOPHER DRESSER (1834-1904) UK
JAMES COUPER & SONS Glasgow, Scotland
“Clutha” pitcher c. 1895
Aventurine blown glass with iridescent gold streaks and internal bubbles
Illustrated: “Liberty & Co.” Yuletide Gifts catalogue, 1895, “Clutha” Glass; Truth, Beauty, Power: Dr. Christopher Dresser 1834-1904, exhib. cat. Historical Design, Inc. (New York, 1998) p. 72
Christopher Dresser / James Couper & Sons Aventurine blown glass Clutha vase c. 1895
CHRISTOPHER DRESSER (1834-1904) UK
JAMES COUPER & SONS Glasgow
Clutha vase c. 1895
Aventurine blown glass with iridescent gold streaks and internal bubbles
Illustration: Christopher Dresser, Widar Halen (Oxford: Phaidon, Christies Limited, 1990) p. 196, illust. 228.
For more information: Liberty Style: the classic years, 1898-1910, Mervyn Levy (New York: Rizzoli International Publications, Inc., 1986); Christopher Dresser: the power of design, Christopher Wilk (New York: Zurland – Zabar, 1993).
Silver-plate highly stylized classical ewer with various etched and applied floral details and an elegantly modeled double arch handle form
Marks: Heraldic Coat-of-Arms
H: 11″ x W: 8″ x D: 5″
This is a Rococo Revival inspired wine ewer that shows the design transition of the last quarter of the 19th Century and leading up to the curvaceous designs of the Art Nouveau Era. The classical form of this ewer has an ancient precedent as well.
British “Tree Frog” brooch, silver set with green and clear paste jewels, red jewel eyes, marks c. 1895
Charles Darwin published his theory of evolution with compelling evidence in his 1859 book “On the Origin of Species” overcoming scientific rejection of earlier concepts of transmutation of specie. By the 1870s both the scientific community and much of the general public had accepted evolution as a fact and awakening the public to the diversity of life. The frog emerging from Darwin’s Pond was a symbol of the times and a favorite theme for jewelry of the era.
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