Boucheron “Renaissance Revival” cuff / bracelet, attributed to a design by Paul Legrand and made by Tissot, highly sculptural gold inlay, damascene steel set with an intricately agate carved cameo c. 1878
French Art Deco/Modernist diamond ring set with 26 round cut diamonds (approx. 6 carats TW) mounted in platinum and further set in an 18k gold four-tier contoured ring mounting, marked, c.1930’s
Fulco di Verdura for Paul Flato “Bow” bracelet, 18K yellow gold set with 57 cabochon rubies (approx. 55 carats TW) and 57 round diamonds (approx. 7.50 carats TW) c. 1938
Belle Epoque large cabochon Amethyst pendant brooch (approx. 100+ carats TW) set with old mine cut diamonds and 2 fine old round cut diamonds (approx. 3 carats TW) all in a silver top gold mounting, c. 1895
Rene Boivin (attr.) French Art Deco brooch set with a large rectangular aquamarine and diamonds set in a geometric platinum and matte finish 18K yellow gold, signed c. 1930’s
Lacloche Freres, Fancy 18K gold card case inset with 54 triangle cut Rubies (approx. 10 carats TW), an oval cabochon ruby for the closure button and champleve arching white enamel scallop details on the front and back, 18K gold, signed, c. 1930
Joseph Kutchinsky, London (1914-2000) “Wrapped Cloth” ring in 18K yellow gold with a platinum tapered rectangular form pave set with 37 round diamonds (approx. 8 carats TW) , signed, 1973 (London gold mark small “s” for 1973) (illustrated: Christie’s Twentieth-Century Jewelry, Sally Everitt and David Lancaster (New York: Watson-Guptill Publications, 2002) p.113.
Max Ernst “Grande tête” pendant, cast and hand wrought 23K gold, made by Pierre Hugo, signed, original wood presentation box and certificate, No. 16 out of the edition of 24, c. 1970’s
Pierre Sterlé Paris, “Hummingbird” brooch, carved natural ruby in zoisite mounted in 18K gold set with diamonds set in platinum, original suede box, signed, c. 1950’s
Tiffany & Co., New York Neo-Gothic “Vesta” case with 18k gold mountings and polychrome champleve enamel details on a “bone” covered case with hand carved foliate details on an 18k gold French “Belle Epoque” long chain, Tiffany & Co. Vesta signed: Tiffany & Co. (2x), LS in a diamond cartouche, mark for Georges Le Sache, 346 rue St.-Honore, 75001, Paris, French Eagle’s head mark for 18k gold (2x), French “Belle Epoque” long chain signed: Diamond shaped makers cartouche (2x), French Eagle’s head mark for 18k gold (3x), French Rhinoceros and Weevil 18k gold assay marks for small pieces, c. 1880
Vesta dimensions: H: 2 inches x W: 1 and ¾ inches x Depth: 5/8 inches
Paul Flato (attr.) “Dolores del Rio” cuff bracelet, 3 large rectangular citrines (approx. 200+ carats) and pave diamonds (approx. 9 carats TW) set in 18K yellow gold and platinum,(G.I.A. certificate) c. 1940
Provenance: Dolores del Rio
Illustrated: “The Impossible Collection of Jewelry” by Vivienne Becker(Assouline, 2015)
American Art Deco, cabochon emerald (approx. 14 carats TW) 18K rose gold ring with a large concave half dome surround and ring shank with two flanges on either side further set with 14 diamonds (approx. 1.50 carats TW), c. 1935
Faberge (attr.) Oval gold (18K rose gold) box with an extremely fine and intricately carved agate cameo medallion of Zeus, c. 1895
For a related oval gold and cameo medallion box in the Russian National Museum presented in the original Iosif Marschak Kiev box see: Illustration #560 “Faberge / Cartier” by Geza von Habsburg (2003)
Sigmund Zuckermandl, Vienna, “Cherry Blossom” brooch, enameled 18K gold set with diamonds and pink tourmalines further set with a large round pink tourmaline as a hanging lantern and a pearl, signed, c. 1890
American Retro “Leaf” brooches, Burma sapphires (approx. 12+ carats), cabochon rubies (approx. 12+ carats) and baguette and round diamonds all set in 18K gold and platinum, marked, c. 1950
Auger & Gueret (Alphonse Auger et Antoine Gueret) , Paris, “Grasshopper” brooch in finely detailed 18K gold, enamel and rose cut diamonds, original leather box, signed, c. 1895
Giacinto Melillo (1846-1915) Naples “Etruscan / Archaeological Revival” Campana bracelet in 18k gold with extremely delicate and elaborate granulation gold work, delicate applied gold wire-work and gold beading further accented with polychrome enamel details, two cabochon bead emeralds and a pearl on 7 hinged square panels and two semi-circular panels, signed: G. Melillo touch mark on top of the end screw clasp and Triunfo (triumph) in a cartouche on the back of one of the arcing panels, c.1870
Dimensions: Length: 7 and 5/8 inches x Width: 1 inch
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