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  Alexandre Noll rare and early Art Deco mahogany and glass box c. 1930

  ALEXANDRE NOLL (1890-1970) France

  Covered box c. 1930

  Mahogany with ebony peg details and 1 ¼ inch thick Saint-Gobain glass.

  Marks: ANoll

  Provenance: Private Collection New York, Galerie de Beyrie Paris, Odile Noll (A. Noll’s daughter), Alexandre Noll Estate
  For more information see: Alexandre Noll, Olivier Jean-Elie, Pierre Passebon (Paris:Edition du Regard, 1999); Alexandre Noll: Les Matres de L’ Art Decoratif Contemporain, Collection dirigée par R. Moutard-Uldry edited by (Geneve: Pierre Cailler, 1954); Le Mobilier du Xxe Siécle: Dictionnaire des
  Créateurs, Pierre Kjellberg (Paris: Les Éditons de l’Amateur, 1994) p. 455-456.

  H: 2 1/2″ x D: 5 3/8″ x W: 8″

   

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  Hayno Focken / Modernist round covered copper box c. 1935

  HAYNO FOCKEN (1905-1968) Germany

  Round covered box c. 1935

  Hand-wrought and hand-hammered copper with brass details

  Marks under the foot: HF (conjoined monogram)

  For other works by Hayno Focken see: Metallkunst: Vom Jugendstil zur Moderne (1889-1939), ed. Karl H. Bröhan (Berlin: Bröhan Museum, 1990), illus. 177, p. 183; Avantgarde Design 1880=1930,Torsten Bröhan & Thomas Berg (Köln, Benedict Taschen, 1994) p. 116; , (Berlin 1937) S. 43f, Abb. 37, Abb. S 128, S 146, Sl 243; Die Schaulade 15 Ausg. A (1939) Abb. S. 197, S. 204, S. 213; Die Schaulade 16 Ausg. A (1940) Abb. S. 44, S. 51., S. 54, S. 71, S. 83. S. 89; Die Kunst 84 (1941) S. 136, S. 139-39; Die Schaulade 17 (1941) Abb. S. 13, S. 41, S. 82, S. 229;

  H: 4 ¼” x Dia: 4 7/8”

  Hayno Focken (1905-1968) was an eminent German metal artist. He completed his training under Professor Karl Müller (1888-1972) at the design and arts school on Giebichenstein Castle in Halle (Saale), which was strongly tied to the ideals of the Deutsche Werkbund and the Bauhaus. In 1932 he established his own workshop in Lahr/Schwarzwald and continued his work until shortly before his death. His artistic work always stood out with a strong preference for large, organic forms, a similar manner of surface design and the same adherence to the principle of handicraft. Even his artist signet was modelled on the simple, square castle mark. In the 1950s he became one of those significant artists who had a major impact on contemporary metal design. The foundation of his creative work was a masterful understanding of proportions.

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  Sweetser Co. American Arts & Crafts Sterling, Copper and Jade Cigar Box c. 1910

  The Sweetser Co. New York, New York
  (active 1900-1915)

  Covered cigar box c. 1910

  Elaborately etched sterling silver cover with a spherical jade finial and a copper box bottom, wood lined

  Marks: S & E in three separate boxes (2x), STERLING, 2158

  H: 4 3/4″ x D: 6 1/8″ x W: 7 5/8″

  The Sweetser Co. New York, NY was active 1900-1915 and were manufacturers of fancy gold and sterling wares

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  Mellerio Paris Rare French Art Deco “Gyroscope” sterling cigarette box c.1930

  MELLERIO PARIS  Italy/ France

  Gyroscope cigarette box  c.1930

  French silver (950 silver standard) in a structural form of a gyroscope with a lever for an interior lifting mechanism, gilding

  Marks: Mellerio Paris, 3776 D, head of Minerva French guarantee mark for 950/1000

  H: 5 1/4″ x Dia: 4 1/4″

  The renowned Mellerio family and their jewelry can be traced back to Lombardy, Italy as early as the 16th century.  Some family members moved to Paris and became royal jewelers for Louis XIII.  The revolutions of 1789 and 1848 interrupted their business and they moved to Madrid where they became the jewelers favored by Queen Isabel II.  Later in the 19th century they returned to Paris where once again they prospered and participated in several international expositions including  London (1862), Paris (1867, 1878 and 1900), and Vienna (1873).  In the 20th century they exhibited at the renowned Paris 1925 Exposition des Arts Décoratifs in Paris and then in New York at the 1939 World’s Fair.