Munnu Kasliwal for Gem Palace “Flower Blossoms” earrings with 34 rose cut round fire opals (approx. 24 carats TW, center fire opals are 2.30 carats each) set in 22K gold, c. 2000
Retro “Leaf” earrings set with large central rectangular citrines surrounded by orange / yellow marquise shaped citrines all set in platinum mounts, c. 1940’s
Jules & Louis Wiese Etruscan Revival brooch set with a gem quality cabochon ruby (approx. 4.32 carats by calculation) and two natural pearls (7mm each) all in an elaborate 18k gold mount with intricate twisted scrolls and a gold wire wrapped border signed: Wiese (in Gothic-style signature mark), French diamond maker’s poincon, French Eagle’s head mark for 18k gold, original burgundy leather presentation box with fancy embossed gilt initials on the cover and a vanilla silk velvet and satin interior, c.1875
Bulgari, Carlo Luca della Quercia Illario (maker) Large flattened “Tubogas” necklace or double bracelet all in 18K gold signed: BULGARI, 750 (for 18K gold), Italian touchmark of a Star, no.2337, A1 (all in a rectangle), SB in a rectangle, 750, circle with a cross through it and a Q (Birmingham Assay and Import marks), original blue leather and suede signed presentation box, c.1970’s
Art Deco “Fire Opal” necklace, frosted rock crystal round beads and four sided custom rock crystal bezels set in 18K yellow gold with 16 round–cut accent diamonds featuring five large natural fire opals (G.I.A certificate, dimension of each fire opal, 13.00 x 8.15 x 6.20mm for a TW of approx. 17.50 carats), c. 1940’s
Louis Comfort Tiffany for Tiffany & Co. “Oval Moon” brooch set with a large gem quality moonstone (approx. 43 carats) set with 23 Montana sapphires (approx. 8 carats TW), marked: 10% Irid. Plat, c. 1920
Tiffany & Co. “Prince of Wales’ Feathers” made during the reign of Edward VII (he held his title of the Prince of Wales longer than anyone before him and was King of England from 1901 to 1910) brooch pave set with 123 round-cut diamonds (approx. 2.50 carats TW) and all set in a three dimensional brooch of platinum topped gold, signed: Tiffany & Co., c.1900
Bueche Girod 18k white gold square face wrist watch with a crimson red watch face and an extremely fine woven 18k white gold band and clasp, signed, c.1970
W. Truman Ltd. / Peter Truman for The Goldsmith’s Company “Chrysanthemum” brooch in platinum and diamonds and natural Mississippi pearls, retailed by Tiffany & Co. New York, signed, c. 2000
Enrico Serafini “Pineapple” brooch, 18K yellow and white gold channel set with the pineapple body with citrines with emeralds pave set in the white gold leaves, Marked: 750, Italy, FI, c. 1950’s
Enrico Serafini (1913-1968) was born in Florence, had a workshop in Piazza Santa Felicità in that city in 1947, and quickly established a successful business creating jewelry for many celebrities of that time, including John Steinbeck and Adlai Stevenson.
Waslikoff & Sons, Inc., New York (active 1920’s to 1950, 48th Street) Art Deco bracelet set with one large oval aquamarine, 6 large emerald-cut aquamarines and 16 French cut aquamarines (approx. 30 carats TW for the 23 aquamarines) together with 60 round-cut diamonds and 6 baguette diamonds (approx. 6 carats TW for the 66 diamonds) all set in platinum, signed, c. 1930’s
Cartier, London “Star of David with Lion Rampant Brochant/Lord Nathan” lapel brooch set with calibre-cut sapphires in platinum in the shape of The Star of David with an 18k gold yellow gold crowned and finely detailed sculptural Lion Rampant Brochant overlaid on the Star of David, commissioned by Lord Nathan from Cartier London in 1946, signed: Cartier, London (script signature), original signed Cartier leather presentation box
Lord Nathan (1889-1963), Harry Louis Nathan, 1stBaron Nathan, was born in London in 1889 and was the son of Michael Henry Nathan, a fine art publisher and J.P. (Justice of Peace) He was educated at St. Paul’s School and became honorary secretary of the Brady Working Lads’ Club, the oldest and largest of the London Jewish Lads’ Clubs (J.L.G.B). Nathan served in World War I, leaving with the rank of Major. He was first elected in 1929 as M.P. (Member of Parliament) for Bethnal Green North East and was re-elected in 1931. Along with many other Anglo-Jewish communal leaders, Nathan was a founding member of the Central British Fund for German Jewry (now World Jewish Relief Fund). He was created a hereditary peer as Baron Nathan of Churt in the County of Surrey on June 28th, 1940. He continued in active politics from the House of Lords, serving as Under-Secretary of State for War (1945-1946) and Minister for Civil Aviation (October 4, 1946-May 31st, 1948). He was made a Privy Counsellor in 1946. This lapel brooch was commissioned by Lord Nathan from Cartier London in 1945/46 and descended in his family.
Seaman Schepps, New York “Maltese Cross” brooch, one large round cut central citrine (approx. 45 carats) set with 4 large square step-cut citrines (approx. 108 carats TW) and further set with four extra long baguette citrines (approx. 13 carats TW) in a radiating pattern set in 14k yellow gold (total citrine carat weight of 166 carats), signed: Seaman Schepps, 14k, c. 1940’s
An immigrant’s son, who grew up in the tenements of New York’s Lower East Side, Seaman Schepps rose to prominence in the 1930s with jewelry designs that challenged the status quo and defined a new style for the American woman. With his chunky brooches, “barbaric” bracelets and “bubble” earrings, Schepps pioneered a unique style of jewelry whose sense of splendor offered a new perspective to the world of fine jewelry.
Witty, over-the-top and flattering, Schepps’ jewelry embodied style and originality and was featured on the covers of Vogue, Harper’s Bazaar, Look and other magazines. It appealed to a myriad of clients from Katherine Hepburn to Andy Warhol to the Duchess of Windsor and greatly influenced his contemporaries. Today, some 50 years after his death, he continues to inspire modern jewelers.
Through the 1930s, and into the 40s and 50s, new clients flocked to him at his store on Madison Avenue. Often clients wanted a one-of-a-kind bauble and commissioned Schepps to incorporate their old jewelry into a fresh new design. Frequently this led to landmark decisions that helped distinguish Schepps as an extraordinary talent. His client list included Coco Chanel, Elsa Schiaparelli, the Duchess of Windsor, and members of the Du Pont, Mellon and Rockefeller families. By serving these most powerful and influential individuals, Schepps became known as “America’s Court Jeweler”.
Charlton & Co. (attr.) American Art Deco “Dendrite Agate” jewel cufflinks in an overall hexagonal form further set with caliber cut onyx in platinum topped 18k yellow gold, c. 1920’s
Uno A Erre, Arezzo, Italy, basket weave textured 18k gold in the form of a pill box, marked: 1AR (in a hexagon), Uno A.R. (in an oval), 750 (in a hexagon), c. 1970’s
Enrico Serafini, (1913-1968) Italy “Cupid Orchestra” charm bracelet, 18k gold finely detailed cupid figures playing a variety of musical instruments in platinum all on a solid 18k gold link bracelet, touchmark,c.1950
Max Cartier, Paris (born 1935, Film Director, Sculptor) 18K yellow and white gold signature “wrapped” bass or cello sculptural brooch. Signed: Max Cartier (script signature) on lower front right, French maker’s mark with an A L in a diamond poincon, French mark with a M C in a diamond poincon for Max Cartier (2x), French Eagle’s head touch mark for 18k gold (2x), c.1980
Edwardian Era elaborate pendant necklace with a large fancy round-cut natural gem Madeira citrine (approx. 30 carats TW dimensions 20mm x 20mm x 16mm, GIA certificate) in a fine milligrain platinum mount with stylized leaves and flower blossoms and a bow all set with 83 old European round-cut diamonds (approx. 4.65 carats TW) suspended from the matching and period platinum chain, c.1900
Van Cleef & Arpels circular stylized clip brooch in 18K gold with a ribbed motif, signed: VCA, Or, 750, copyright 88, VCA French touchmark in a diamond, no. B3378R5, c. 1980’s
Italian classic “Curb Link” chain necklace in solid platinum, marked: Italy, 950 in a cartouche and the word, Fancy, Length: 22 an ¼ inches x Width: 11/16 inches, c. 1970’s
Enrico Serafini, Pair of “Water Sprites”, 18K Yellow and White gold set with 22 round diamonds, approx.2 ½ carats TW, Signed: E. Serafini, 750 (both signed), c. 1950’s
George Marcus / Marcus & Co., New York “Snake” lapel pin, finely hand chased and chiseled 18k gold snake wrapping around a large polished cabochon natural emerald bead (approx. 7 carats) and further set with a diamond in the head of the snake, signed: M. & Co. and #15413, c. 1900
Giacinto Melillo (attr.) Etruscan / Egyptian Revival bracelet, finely woven three strand 18K gold braclelet set with very delicate floral rosettes throughout with fine wire work and gold granulation and further set with 5 round cabochons of gem quality lapis lazuli, c.1875
Jaipur Enameled and Gem Set Rare Solid Gold Cup and Saucer c. mid-19th Century
JAIPUR, MUGHAL INDIA
Enameled and gem set gold Cup and Saucer c. mid-19th Century
High carat yellow gold (22-24 carat) cup and saucer set with a fine emerald, ruby and diamonds, the cup with a high foot with rounded sides and handle formed of two snakes intersecting at three points and biting the rim. The exterior is decorated with red, green, blue and white enamels with roundels containing combatant animals on a ground of floral sprays, the saucer with gently rounded sides decorated with lobed cartouches containing warriors combating tigers and birds, the underside with a series of oval panels containing peacocks and hummingbirds.
Provenance: a gift from a European diplomat in the 1930’s-40’s, and thence by descent.
Saucer: Dia: 5 1/4;
Cup: H: 2 3/4″ (with handle) x Dia: 2 5/8″
Similar animal decoration can be found in an epaulette attributed to Rajesthan, probably Jaipur, in the Khalili Collection (Pedro Moura Carvalho, Gems and Jewels of Mughal India, London, 2010, p. 225, no. 120. A related cup and saucer with similar animal depictions was sold at Christie’s (Islamic Art, Indian Miniatures, Rugs and Carpets, London, 21st October 1993, lot 350.
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