Giacinto Melillo (attr.) Italian Ancient Revival Medallion 18K gold pendant earrings with white and black enamel and central face motifs, hanging floral details, retailed in Paris, marked, c. 1880
Italian long chain with 18k gold hammered links and set with 9 count gem quality naturally tumbled turquoise beads, marked: 20 (maker’s assigned number, VR for Verona, 750 for 18k gold, c. 1970’s
Length: 50 inches Width of the turquoise beads: 3/8 of an inch
Italian Majolica Pair of “Rose” wall pockets c. 1885
ITALIAN MAJOLICA
Pair of “Rose” wall pockets c. 1885
Three dimensional realistically rendered pink roses with leaf and stems all in the Barbotine technique
Marks: Made in Italy
Barbotine is the French term for ceramic slip or a mixture of clay and water for molding or decorating pottery. This technique was used to create applied adornments on 19th century majolica items.
Italian classic “Curb Link” chain necklace in solid platinum, marked: Italy, 950 in a cartouche and the word, Fancy, Length: 22 an ¼ inches x Width: 11/16 inches, c. 1970’s
Italian Futurist 1950’s “Auntie Mame” Handwrought Pewter Pitcher c.1950
1950’s ITALIAN DESIGN
Futurist pitcher c. 1950
Handwrought and hand hammered pewter in an overall footed ovoid form with a traingle form spout body and an elongated arching contoured handle
Marked: PELTRO with lion, MADE ITALIA
H: 15″ x W: 9″ x D: 4″
Price: $6,000
The 1958 classic film, Auntie Mame, starring Rosalind Russell, features this sculptural pitcher on the coffee table in the surrealist interior of Mame Dennis’ penthouse on Beekman Place #3, New York City.
Salvatore Meli Important large scale Italian Sculpture / Ewer 1952
SALVATORE MELI (b. 1929) Italy
Important Sculpture / Ewer 1952
Glazed terra cotta, brown and dark green with white scraffito decoration, original stepped and angular wood base.
Signed: Meli 1952 Roma
For more info on Meli see: Design 1935-1965, What Modern was, ed. Martin Eidelberg (New York: Harry Abrams, 1991) p. 237.
Salvatore Meli belongs to that initial group of artists, including Guido Gambone and Lucio Fontana among others, who elevated Italian ceramics to a fine art during the post-war period. Meli conceived this vessel, first on paper, then by laboriously constructing the body in clay, coil by coil, to achieve the richly textured and dynamic form; the incised and painted decoration is in concert with the organic shape. The massive scale of this work defies function as a ewer but was created as a sculptural object. The original wooden base recalls Italian futurist sculpture forms of the early twentieth century.
H (with base): 23 1/2” x W: 13” x D: 9.5”
H (without base): 19 1/8”
Mazzega Murano / Italian Art Glass White opalescent tube top vase c. 1975
AV MAZZEGA MURANO (Italy)
Vase c. 1975
White opalescent blue blown glass with a bottom tube support and a flared
test tube style top
For related information see: Italian Glass Murano Milan 1930-1970, Helmut Ricke and Eva Schmitt (Munich: Prestel, 1997) illus. 66, 67; I Vetri di Fulvio Bianconi, Rossana Bossaglia (Torino: Umberto Allemandi & C., 1993) illus. 17, 21; Murano Glas 1945-1970, Marc Heiremans (Antwerpen: Galerij Novecento, 1989) illus. 181; I Vetri Venini, Franco Deboni (Torino: Umberto Allemandi & C., 1989) illus. 105.
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