Alfred Meyer-Bernburg, Bacchus, Oil on board, 1924 More Information
Alfred Meyer-Bernburg, Bacchus, Oil on board, 1924
ALFRED MEYER-BERNBURG (1872-?) Berlin & Munich, Germany
Bacchus 1924
Oil on board
Signed: Alfred Meyer-Bernburg MCNN 1924 (lower right on the canvas)
Image: H: 16” x W: 11”
Framed: H: 23 1/4” x W: 18 3/8”
Price: $39,000
Alfred Meyer-Bernburg was born in Bernburg, Germany on July 27th, 1872. He studied at the Akademie in Berlin from 1891-92 and later at the Akademie der Bildenden Kuenste in Munich from 1897-1904. Meyer-Bernburg was a member of the Münchner Künstlergruppe (MKG).
Alan Durman “Adam and Eve in the Garden of Eden” c. 1945
ALAN DURMAN (1905-1963) UK
Adam and Eve in the Garden of Eden c. 1945
Oil on aluminum panel on a wood structure, elaborately carved gilt wood frame
Painting: H: 23 1/4” x W: 30 3/16”
Framed: H: 28 3/4” x W: 35 9/16”
Alan Durman was born in Saltford, England and worked as a local muralist where his most important work is on display at the Saltford Community Hall. The largest mural of the three celebrates the community and shows the indigenous landscape as a backdrop to dancing and frolicking locals. The other two paintings show a view across Kelston village to Kelston Round Hill, a significant local landmark and in the other a verdant view featuring an ancient forest across to the River Avon. In the late 1930’s and 40’s Durman directed his talent as an illustrator and designed many posters. He created travel related posters for British Railways (BR) and the British Transport Commission (BTC) which featured stylish and active young families at sea side resorts.
Christian Dell / Bauhaus “Tee-Ei” Tea infusers (Rare set of eight) 1924
CHRISTIAN DELL (1893-1974) Germany
BAUHAUS (1919-1933) Germany
“Tee-Ei” (tea ball) 1924 (rare set of 8)
Silvered brass.
***These are all in fine original, untouched condition.
Illustrated: Christian Dell: Silberschmied und Leuchtengestalter im 20. Jahrhundert, Beate Alice Hofmann, Museum Hanau (Hanau: Heller Druck,1996) illus. 15, p.56; Modernist Design 1880-1940, Alastair Duncan, The Norwest Collection (Woodbridge, Suffolk: The Antique Collectors’ Club, 1998), p. 173; Decorative Arts 1850-1950, Judy Rudoe, (London: British Museum Press, 1991) cover, p. 276; Die Metall Werkstatt am Bauhaus, (Berlin: Bauhaus-Archiv, Museum für Gestaltung, 1992) pp. 140-141 Silver of a New Era, (Rotterdam: Museum Boymans-van Beuningen, 1992) p. 157; cat. no. 140.
Length: 5 1/4″
Price: $9,600
Christian Dell, metal artist and industrial designer, played a formative role in shaping the Bauhaus style. Dell was the master of the metal workshop at the Bauhaus, 1922-25, in Weimar, working closely with László Moholy-Nagy.
Born the son of a locksmith in Offenbach in 1893, he had a great impact as a teacher on the curriculum of the Weimar metal workshop. He had done an apprenticeship as a silversmith in Hanau before and had also attended the drawing academy, followed by a stay at the Weimar School of Applied Art. Henry van de Velde, director of this institution, coined Christian Dell’s early works with his organic-flowing use of forms, a feature that can also be observed on Dell’s later works.
Metal workshop at the Bauhaus in Weimar:
From 1922, the former goldsmith, silversmith and coppersmith workshops of the Weimar phase became a laboratory for design where metal vessels and lamps were made. This is also where the designs for industry, as well as metal furniture, were ultimately created. In 1922, the silversmith Christian Dell took over as master of works. Following Itten’s departure in 1923, the workshop developed in a new direction with the Hungarian Constructivist László Moholy-Nagy. Instead of individual pieces, prototypes were now made for mass production. In order to manufacture the individual models, a production line was established.
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