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  African Bronze “Tree of Life” Sculpture 20th Century

  African Bronze “Tree of Life” Sculpture 20th Century

  Sand cast bronze with a brown black patina with golden highlights in an open work design depicting 18 figures perched on a tree form with various intricate pattern details.

  ***As a Primitive / Tribal sculpture this piece visually relates to some of the sculpture and painting of the renowned French artist Jean Dubuffet.

  H: 18 1/2″ x D: 4″ x W: 8″

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  Raymond Barger Post-War Polychrome wood Sculpture c. 1955

  RAYMOND BARGER (1906-2001) USA

  Sculpture c. 1955

  Polychrome contoured wood of interlocking circular forms in white, blue and pink on a bronze base.

  Signed: RB (artist initials), USA, Z0I

  H: 8 1/2” x L: 12 ¾” x D: 8

  Price: $5,800

  Raymond Granville Barger was a sculptor working in metal, plastelin, and bronze among other materials. Barger was educated at Carnegie Institute of Technology and Yale University School of Fine Art. He received a Winchester Fellowship from Yale, and a special fellowship from the American Academy in Rome. Barger moved to California, where he died in 2001.

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  Walter Paul Suter, American Art Deco glazed pottery sculpture 1929

  WALTER PAUL SUTER USA

  AMERICAN ENCAUSTING TILING CO. New York, NY

  Art Deco Seated Female Figure with Draped Skirt and Holding an Art Deco Vase 1929

  Hand-modeled and molded cream glazed earthenware figure with gold and silver details on a separate, but matching black glazed earthenware base.

  Signed: SUTER ‘29 (under glaze on back right hand corner)

  H: 13″ x D: 7 1/2″ x W: 9″

  Price: $14,500

  Walter Paul Suter was born in Basel, Switzerland in 1902 and studied there at the School of Fine and Applied Arts. He moved to the United States in 1924 and settled in New York. He was a member of the American Ceramic Society, as well as the Society of Swiss Painters, Sculptors & Architects. In 1932 Suter won first prize in the Robineau Member Exhibition in Syracuse.   He was a member of the American Encaustic Tiling Company in NYC.

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  Aztec AD 1325-1475 Important stone carved sculpture of a coiled serpent

  AZTEC AD 1325-1475 Mexico.

  Important stone carved sculpture of a coiled serpent, AD 1325-1475 Mexico.

  ***Two scientific authentication reports are available with this sculpture.

  H: 10″ x D: 8″

  The serpent played a very important role in Aztec religion and was represented in a variety of forms. The majority of the serpents represented in Aztec sculpture are rattlesnakes.

  Mexican mythology indicates the snake is a symbol of veneration, worship and honor.  Often a symbol of great power, resurrection and rebirth, the snake continues to be a powerful emblem of renewal and transition.
  Further, the snake is recognized as a symbol of humanity as a whole.  Interestingly, the Mexican perspective provides hope for mankind to aspire to great heights as it correlates the shedding of the serpent’s skin to man’s ability to change his own circumstances and overcome adversity.

  The Aztecs build an impressive empire in the valley of Mexico. This thriving area, known as Tenochitlan, was the cultural, religious and trading center of Mesoamerica. Aztecs were the Native American people who dominated northern Mexico at the time of the Spanish conquest led by Hernan Cortez in the early 16th century. According to their own legends, they originated from a place called Aztlan, somewhere in north or northwest Mexico. At that time the Aztecs (who referred to themselves as the Mexica, or Tenochca) were a small, nomadic, Nahuatl-speaking aggregation of tribal peoples living on the margins of civilized Mesoamerica. Sometime in the 12th century they embarked on a period of wandering and in the 13th century settled in the central basin of México. Continually dislodged by the small city-states that fought one another in shifting alliances, the Aztecs finally found refuge on small islands in Lake Texcoco where, in 1325, they founded the town of Tenochtitlan (modern-day Mexico City). The term Aztec, originally associated with the migrant Mexica, is today a collective term, applied to all the peoples linked by trade, custom, religion, and language to these founders. Warriors and pragmatic builders, the Aztecs created an empire during the 15th century that was surpassed in size in the Americas only by that of the Incas in Peru. As early texts and modern archaeology continue to reveal, beyond their conquests and many of their religious practices, the Aztecs had many positive achievements: the formation of a highly specialized and stratified society and an imperial administration, the expansion of a trading network as well as a tribute system, the development and maintenance of a sophisticated agricultural economy (which was carefully adjusted to the land) and the cultivation of an intellectual and religious outlook that held society to be an integral part of the cosmos.