Product Description
Andre Vincent Becquerel Arabian Horse bronze sculpture c. 1930

ANDRE VINCENT BECQUEREL (1893-1981) France
Arabian Horse sculpture c. 1930
Bronze with overall rich green/brown patina with intricate sculpting and details, black Belgian marble plinth base
Signed: A. Becquerel (inscribed in the bronze)
H: 12” x W: 21” x D: 6”
Price: $27,500
Andre Vincent Becquerel was born in St. Andre-Farivilliers. He studied at the l’Ecole des Beaux Arts in Paris under Hector Lemaire and Prosper Lecourtier. He specialized in fine animal sculpture and regularly exhibited at the Salon des Artistes Francais from 1914 to 1922. Becquerel worked for the Editeur Parisiens Edmond Etling in Paris and created a monumental sculpture in patinated plaster for the “Pavillon international” at the Exposition Internationale in Paris in 1937.
Andre Vincent Becquerel Arabian Horse bronze sculpture c. 1930
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African Bronze “Tree of Life” Sculpture 20th Century
Sand cast bronze with a brown black patina with golden highlights in an open work design depicting 18 figures perched on a tree form with various intricate pattern details.
***As a Primitive / Tribal sculpture this piece visually relates to some of the sculpture and painting of the renowned French artist Jean Dubuffet.
H: 18 1/2″ x D: 4″ x W: 8″
MAURICE BOUVAL (born Toulouse, died 1920) France
M. COLIN France
“Nymph Embracing a Blossom” candle holder c.1900
Silvered cast bronze in the form of a nymph on a leaf embracing a blossom
Marks: M. Bouval (script signature) and COLIN, (Foundry) written above
For other examples of Bouval’s work see: The Paris Salons 1895-1914, Vol. V: Objets d’Art & Metalware, Alastair Duncan (Woodbridge, Suffolk: Antique Collectors’ Club, 1999), p. 127; Ecole to Deco, Small Sculptures from a Private Collection, Stephen C. McGough ed. (Oberlin, Ohio: Allen Memorial Art Museum, 1979) pp. 33-4; Art Nouveau Sculpture, Alastair Duncan (New York: Rizzoli, 1978) pp. 30-1.
H: 3″ x W: 6 1/2″ x D: 4 3/4″
SALVATORE MELI (b. 1929) Italy
Important Sculpture / Ewer 1952
Glazed terra cotta, brown and dark green with white scraffito decoration, original stepped and angular wood base.
Signed: Meli 1952 Roma
For more info on Meli see: Design 1935-1965, What Modern was, ed. Martin Eidelberg (New York: Harry Abrams, 1991) p. 237.
Salvatore Meli belongs to that initial group of artists, including Guido Gambone and Lucio Fontana among others, who elevated Italian ceramics to a fine art during the post-war period. Meli conceived this vessel, first on paper, then by laboriously constructing the body in clay, coil by coil, to achieve the richly textured and dynamic form; the incised and painted decoration is in concert with the organic shape. The massive scale of this work defies function as a ewer but was created as a sculptural object. The original wooden base recalls Italian futurist sculpture forms of the early twentieth century.
H (with base): 23 1/2” x W: 13” x D: 9.5”
H (without base): 19 1/8”
Price: $27,500
RAYMOND BARGER (1906-2001) USA
Sculpture c. 1955
Polychrome contoured wood of interlocking circular forms in white, blue and pink on a bronze base.
Signed: RB (artist initials), USA, Z0I
H: 8 1/2” x L: 12 ¾” x D: 8
Price: $5,800
Raymond Granville Barger was a sculptor working in metal, plastelin, and bronze among other materials. Barger was educated at Carnegie Institute of Technology and Yale University School of Fine Art. He received a Winchester Fellowship from Yale, and a special fellowship from the American Academy in Rome. Barger moved to California, where he died in 2001.
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