Product Description
Archibald Knox / Liberty & Co. Crumb tray c. 1902-05

ARCHIBALD KNOX (1864-1933) UK
LIBERTY & CO. London
Crumb tray c. 1902-05
Pewter with abstract Celtic design in bas-relief
Marks: 3, ENGLISH PEWTER 0532
Illustrated: Archibald Knox, ed. by Stephen A. Martin (London: Academy Editions, 1995) ; Liberty Design 1874-1914, Barbara Morris (London: Pyramid Books, 1989) p. ; The Designs of Archibald Knox for Liberty & Co., A.J. Tilbrook (London: Ornament Press Ltd., 1976)
L: 9 1/2 “ x 4 1/2″
Archibald Knox / Liberty & Co. Crumb tray c. 1902-05
ARCHIBALD KNOX (1864-1933) UK
LIBERTY & CO. London
Tri-footed vase c.1902-05
Pewter with blue enamel
Marks: Liberty & Co., ENGLISH PEWTER, 0927
Model illustrated: Liberty’s 1875-1975, An Exhibition to mark the Firm’s Centenary (London: Victoria & Albert Museum, 1975) p. 76; The Liberty Style, introduction by Victor Arwas (NY: Rizzoli, 1979) cat. no. 36
H: 11 3/4”
ARCHIBALD KNOX (1864-1933) UK
LIBERTY & CO. London
Double inkwell stand c. 1902-05
Pewter with abstract Celtic design in bas-relief
Condition: excellent, no repairs or damage
Marks: 3, ENGLISH PEWTER 00715
Illustrated: Archibald Knox, ed. by Stephen A. Martin (London: Academy Editions, 1995) p 113; Liberty Design 1874-1914, Barbara Morris (London: Pyramid Books, 1989) p. 86; The Designs of Archibald Knox for Liberty & Co., A.J. Tilbrook (London: Ornament Press Ltd., 1976) p. 158.
H: 2 ¾” x W: 9 ¼” x D: 4”
This early British inkwell stand demonstrates the profound influence of Celtic ornament upon Knox and his highly individual and sophisticated use of these ancient graphic devices of interlocking loops and tendrils.
ARCHIBALD KNOX (1864-1933) UK
LIBERTY & CO. London
Tudric charger c. 1902-05
Pewter with abstract Celtic design in bas-relief
Marks: TUDRIC, 0163, Made in England
Illustrated: Archibald Knox, ed. Stephen A. Martin (London: Artmedia Press, 2001) p 203
Drawing illustrated: Archibald Knox, ed. by Stephen A. Martin (London: Academy Editions, 1995) p 137;
D: 9 9/10”
This British avant-garde charger demonstrates the profound influence of Celtic ornament upon Knox and his highly individual and sophisticated use of these ancient graphic devices of interlocking loops and tendrils.