Signed: Henri Matisse (in pencil on back); May 30, 1933, XXIII c:10 (in red ink on back); PHOTOGRAPH BY CARL VAN VECHTEN, CANNOT BE REPRODUCED WITHOUT PERMISSION (blue ink stamp on back)
Signed: Roy Atkins (in black ink on back); Roy Atkins (in pencil on back); Jan. 19. 1934, I u ji12 (in red ink on back); PHOTOGRAPH BY CARL VAN VECHTEN, CANNOT BE REPRODUCED WITHOUT PERMISSION (ink stamp on back)
Marcus & Co. Art Nouveau brooch, “Tibula” shaped 18k yellow gold brooch set with three natural pearls, the natural center button pearl approx. 10 mm in diameter (G.I.A. certificate, 3 natural freshwater pearls, weight 24.90 grams, measurement range from 5.46 to 12.26mm), 16 sugarloaf cabochon sapphires, the two large and high dome middle sapphires with a purple hue, 20 pave set round diamonds all surrounded with clear plique-a-jour further trapped with platinum flakes, signed c. 1897
Edmund F. Ward “The Swimming Hole” Oil on canvas c. 1930
EDMUND F. WARD (b. 1892 – 1991) USA
“The Swimming Hole” c. 1930
Oil on canvas
Marks: signed Edm. F. Ward (lower right); partial labels verso:Westchester Arts and Crafts Guild; 4 Edmund F. Ward
For more information on the artist see: Who Was Who in American Art,Peter Hastings Falk, ed. (Madison, Conn.: Sound View Press, 1985), p. 658.
Canvas H: 18” x W: 24”
Framed H: 27 9/16” x W: 33 9/16”
Price: $14,000
Ward studied at the Arts Student’s League with Edward Dufner, George Bridgeman, and Thomas Fogarty. He was an illustrator for several national magazines and books. In 1925, Ward exhibited an award winning work at the Art Institute of Chicago. He is perhaps best known for his WPA mural in the Federal Building, White Plains, New York.
Signed: Cab Calloway, XIX b.28 (in ink on back); PHOTOGRAPH BY CARL VAN VECHTEN, 101 CENTRAL PARK WEST, CANNOT BE REPRODUCED WITHOUT PERMISSION (ink stamp on back)
Size: H: 9 15/16” x W: 8”
Cabell “Cab” Calloway III (1907-1994) was a famous African American jazz singer and bandleader. Calloway was a master of energetic scat singing and led one of the United States’ most popular African American big bands from the start of the 1930s through the late 1940s.
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