Product Description
Christopher Dresser / Hukin & Heath Aesthetic Movement “Adjustable” Toast or Letter Rack 1881

CHRISTOPHER DRESSER (1834-1904) UK
HUKIN & HEATH Birmingham, England
Adjustable toast or letter rack 1881
Silver-plate (articulated model)
Marks: H&H, 2555, stylized fleur-de-lis touch mark
Illustrated: Truth, Beauty, Power: Dr. Christopher Dresser 1834-1904, exhibition catalogue Historical Design, Inc. (New York, 1998) p. 21.
H: 5″ x W: 6 1/2″ x D: 4″
There is another model of this toast /letter rack in the collection of the British Museum, London, as well as the Metropolitan Museum of Art, New York.
Christopher Dresser / Hukin & Heath Aesthetic Movement “Adjustable” Toast or Letter Rack 1881
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CHRISTOPHER DRESSER (1834-1904) UK
HUKIN & HEATH Birmingham, England
Spoon warmer c. 1881
Silver-plate with ebony handle
Made by Hukin & Heath, Birmingham
Marks: H&H, 2693
Illustrated: Truth, Beauty, Power: Dr. Christopher Dresser 1834-1904, exhib. cat. Historical Design, Inc. (New York, 1998) p. 57.
H: 5 1/4” x W: 6 1/2”
Very rare model.
CHRISTOPHER DRESSER (1834-1904) UK
JAMES DIXON & SONS Sheffield, England
“Gothic Arch” toast rack c.1881
Silver-plate
Marks: JD&S (stamped), EP, #72, “D”
Drawing illustrated: Christopher Dresser’s 1881 design and account book
For more information see: Truth, Beauty, Power: Dr. Christopher Dresser 1834-1904, exhib. cat. Historical Design, Inc. (New York, 1998); Charles Handley-Read, “High Victorian Design: An Illustrated Commentary” in ‘Design 1860-1960’ sixth conference report of the Victorian Society (London, 1968); Victorian and Edwardian Decorative Art: The Handley-Read Collection, ed. Simon Jervis (London: Diploma Galleries,1972); Christopher Dresser: pottery, glass, metalwork, (London: The Fine Arts Society Ltd., 1972); Isabelle Anscombe & Charlotte Gere, Arts & Crafts in Britain and America (New York: Rizzoli International Publications, Inc., 1978); Truth, Beauty and Design, Victorian, Edwardian and later Decorative Art (London: Fischer Fine Art Limited),; A Thing of Beauty: Art Nouveau, Art Deco, Arts & Crafts Movement and Aesthetic Movement Objects in Atlanta Collections (Atlanta, GA: The High Museum of Art, 1980), cat. no. M2; Widar Halén, Christopher Dresser (Oxford: Phaidon, 1990),; Judy Rudoe, Decorative Arts 1850-1950: A Catalogue of the British Museum Collection (London: Trustees of the British Museum, 1991),; Gerda Breuer, Von Morris bis Mackintosh – Reformbewegung zwischen Kunstgewerbe und Sozialutopie, Arts and Crafts (Darmstadt: Institut Mathildenhöhe, 1994/95); “The Silver Designs of Dr. Christopher Dresser,” Shirley Bury, Apollo (December, 1962)
H: 6″ x D: 4 1/8″ x W: 4 5/8″
CHRISTOPHER DRESSER (1834-1904) UK
HEATH & MIDDLETON Birmingham, England
Petite claret jug 1887
Sterling silver mounts with hinged covers to both top and spout, glass, ebony handle
Marks: JTH & JHM in a four-lobed cartouche, London assay marks for 1887 (“M” in a shield), Vienna import mark (conjoined AV in a 6-sided cartouche)
Illustrated: Industrial Design Unikate Serienerzeugnisse, Die Neue Sammlung ein neuer Museumstyp des 20. Jahrhunderts, Hans Wichmann (Munich: Prestel-Verlag, 1985), p. 131; Christopher Dresser, ein Viktorianischer Designer, 1834-1904 (Cologne: Kunstgewerbemuseum der Stadt Köln, 1981), p. 73, ill. 86, cat. no. 23; Industrial Design, John Heskett (New York and Toronto: Oxford University Press, 1980), p. 24, illus. 9; Christopher Dresser 1834-1904, Michael Collins (London: Camden Arts Centre, 1979), p. 171, cat.no.12.
H: 6” x Dia: 4”
CHRISTOPHER DRESSER (1834-1904) UK
HUKIN & HEATH Birmingham, England
“Crow’s foot” spoon warmer 1878
Silver-plate
Marks: H&H, 2362
Two other examples are recorded but with complex Victorican engraving.
Illustrated: Christopher Dresser and Japan, exh. cat. ed. by Koriyami City Museum of Art, Brain Trust Inc. (Koriyami 2002), cat. no. 114, p. 138; Christopher Dresser, ein Viktorianischer Designer, 1834-1904, (Cologne: Kunstgewerbemuseum der Stadt Köln, 1981) cat. no. 15; Truth, Beauty, Power: Dr. Christopher Dresser 1834-1904, exhib. cat. Historical Design, Inc. (New York, 1998) p. 33.
H: 4 3/4” x W: 7”
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