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  Breuhaus de Groot / WMF Ikora Germany Art Deco Rare “Pokal” Covered Footed Cup 1928

  FRITZ AUGUST BREUHAUS DE GROOT  (1883-1960)  Germany
  WMF [WÜRTTEMBERGISCHE METALLWARENFABRIK]  Geislingen

  “Pokal” Covered footed cup ( model no. Br 6 )1928

  Silverplated brass, model no. Br 6

  Marks: WMF insignia (touchmark), x/o

  Illustrated: Goldschmiedekunst 49, (1928) m. Abb; Deutsche Kunst und Dekoration 63, (1928/29) Abb S 353; Metallkunst: Kunst vom Jugendstil zur Moderne (1889-1939), Karl H. Bröhan, Band IV (Berlin: Bröhan-Museum, 1990) n. 610, p. 571; WMF Ikora Metall / Metalwork, Carlo Burschel and Heinz Scheiffele (Stuttgart, Germany: ARNOLDSCHE, 2006) pp.12,19,34.

  H: 13 ¼” D base: 5 ¼” x D top: 5 ½”

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  Cellini-Craft / American Art Deco Grand handcrafted “Argental” Center piece / bowl c. 1934

  CELLINI-CRAFT Evanston, Ill

  Grand “Argental” center piece bowl c. 1934

  Hand wrought and hand hammered aluminum in a curvacious ovoid form with applied curlique handles.

  Marks: ARGENTAL, XXX, HANDWROUGHT

  H: 3 1/4″ x D: 13 3/4″ x L: 21″

  CELLINI CRAFT was founded by Walter Gerlach & Hans Gregg in 1914.
  The company created jewelry and tableware and was noted for their use of aluminum alloy “Argental.” In 1957 Cellini Craft was purchased by Julius Randahl. In 1965 the patterns and rights to “Argental” were sold to Reed & Barton.

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  Mellerio Paris Rare French Art Deco “Gyroscope” sterling cigarette box c.1930

  MELLERIO PARIS  Italy/ France

  Gyroscope cigarette box  c.1930

  French silver (950 silver standard) in a structural form of a gyroscope with a lever for an interior lifting mechanism, gilding

  Marks: Mellerio Paris, 3776 D, head of Minerva French guarantee mark for 950/1000

  H: 5 1/4″ x Dia: 4 1/4″

  The renowned Mellerio family and their jewelry can be traced back to Lombardy, Italy as early as the 16th century.  Some family members moved to Paris and became royal jewelers for Louis XIII.  The revolutions of 1789 and 1848 interrupted their business and they moved to Madrid where they became the jewelers favored by Queen Isabel II.  Later in the 19th century they returned to Paris where once again they prospered and participated in several international expositions including  London (1862), Paris (1867, 1878 and 1900), and Vienna (1873).  In the 20th century they exhibited at the renowned Paris 1925 Exposition des Arts Décoratifs in Paris and then in New York at the 1939 World’s Fair.

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  American Art Deco Reed & Barton Sterling candlesticks 1928

  REED & BARTON  (active 1824 – present) Taunton, MA

  Candlesticks  1928

  Sterling silver with Hoffmann-like fluted base and bobêches with undulating stem and palm leaf like terminating detail.

  Marks: eagle R (in a shield) lion, Sterling, 1000, cement reinforced, eagle (date mark for 1928).

  Model illustrated: Vanity Fair (Dec. 1928, Vol. 31), p. 120., Reed & Barton Vintage Catalog, p. 10, plate number 1000.

  For more information on Reed & Barton see: Encyclopedia of American Silver Manufacturers, Dorothy T. Rainwater (West Chester, PA: Schiffer Publishing Ltd., 1986), p. 156-160.

  These candlesticks retailed for $19 in 1928.

  H: 10″ x Dia: 4 1/2″