Product Description
Giuseppe Napoli “Shamballa” Oil on board 1965
GIUSEPPE NAPOLI (1929-1967) Italian / American
“Shamballa” 1965
Oil on board
Signed: Napoli (scrafitto on front), Giuseppe Napoli 1965 “Shamballa”
(on back of board), Giuseppe Napoli (signed twice on stretcher)
H: 24” x W: 20”
A profoundly dynamic Abstract Expressionist painting by New York artist, Giuseppe Napoli. The painting is painted on board which is affixed to stretcher bars by staples.
Giuseppe Napoli was part of the New York School of the 1950’s and 60’s working out of a small studio in Greenwich Village. Napoli participated in numerous exhibitions but unfortunately his career was cut short by his suicide in 1967 the result of suffering from periods of depression.
Just as “Starry Night” is widely considered to have reflected the mental state of Van Gogh shortly before his death; this painting may also have reflected the mental state of Giuseppe Napoli who ended his own life only two years after creating this remarkable painting. The vigorous, heavy impasto, the ominous sun made impotent by the bold black ring that surrounds it and the jumbled landscape below, could be symbolic of the hope-against-hope, that eventually prevailed.
Giuseppe Napoli “Shamballa” Oil on board 1965
PETER CANTY (b. 1938) USA
Pacific Cove 2001
Oil on canvas
Signed: P. Canty 2001, Santa Cruz, CA 5 (in a circle on back)
Canvas size: H: 30” x L: 40”
Framed size: H: 38” x L: 48”
Peter Canty received his BA in art from the Chouniard Art Institute, Los Angeles (now California Institute of the Arts) and an MA from the University of California, Santa Cruz in 1969. Heavily influenced by the Post-Impressionist masters Van Gogh, Gauguin and Cezanne, in his own he words he describes his interest in landscapes, believing they are, “the best vehicle for motion, force, and color dynamics.” Although his work reference realistic subjects, Canty’s imagery is drawn strictly from his own imagination.
S O G A T A New York, NY
“Harlem: Concert” 1931
Watercolor and pencil on paper
Signed: SOGATA · HARLEM 1931 (in pencil, lower left corner of image); HARLEM: CONCERT. (in pencil beneath image on left)
For contextual history and similar art see: Rhapsodies in black : art of the Harlem Renaissance, (Berkeley: University of California Press, 1997); Harlem Renaissance Artists. Jordan, Denise (Chicago: Heinemann Library, 2003).
Paper H: 14 7/8″ x W: 10 7/8″
Image H: 11″ x W: 7 1/2″
Frame H: 19 1/4” x W: 16”
*This SOGATA New York Watercolor and pencil on paper has been gifted to The Wolfsonian – FIU, Miami Beach, FL.