Product Description
Max Läuger Germany Unique Jugendstil footed bowl inlaid with gold mosaic 1906

PROF. MAX LÄUGER (1864-1952) Karlsruhe, Germany
Unique Jugendstil ceramic footed bowl inlaid with gold mosaic 1906
Light and dark green glazed earthenware inlaid with mosaic gold glass squares on four cylindrical feet.
Marks: ML, K (monogram)338 (incised), 4., MUSTER B.., GESCHTZ
For other mosaic inlaid works by Max Läuger see: Max Laeuger (1864-1952): sein graphisches, kunsthandwerkliches und keramisches Oeuvre, Elisabeth Kessler-Slotta (Saarbrücken: Saarbrücker Druckerei und Verlag, 1985) pp. 178/179; Europäisches Kunstgewerbe 1927, Stadtisches Kunstgewerbe-Museum zu Leipzig, (Leipzig: E.A. Seeman, 1928) p. 86; Deutsche Kunst und Dekoration vol. XII “Professor Max Laeuger Karlsruhe”, pp. 221-237; Modernism: Modernist Design 1880-1940 (The Norwest Collection, Norwest Corporation, Minneapolis), Alastair Duncan (Woodbridge, Suffolk, England: The Antique Collector’s Club, 1998), p. 86.
H: 5 3/4″ x Dia: 7 1/4″
Max Laeuger (or Läuger) was born in Lörrach on September 30, 1864. Laeuger was a self taught ceramicist, studied at the Karlsruhe Polytechnic a hundred miles to the north-west of Lörrach (now Karlsruhe University) and eventually became a professor at the university. In 1895 after travelling throughout Europe visiting the major cultural centers to study art he was appointed director of the art pottery department of Tonwerke Kanderne close to his home town. He stayed there until 1913 and later took up a similar position at Majolika-Manufaktur in Karlsruhe.
From 1921 he had his own workshop on the premises formerly owned by the company and produced designs there. The work produced fell into three categories, slip decorated wares designed by Laeuger but produced entirely by the factory, pieces made at the factory but decorated and glazed by Laeuger and one-off pieces by the professor made from beginning to end in his own workshop. All were marketed by Majolika-Manufaktur. Laeuger’s one-off pieces had the brushed initials ‘ML’ and the other works were marked ‘LAEUGER’ or ‘PROF. MAX LAEUGER’
Through the thirties and into the Second World War he worked on his own, but after his workshop was destroyed in 1944 he returned to Lörrach where he died on December 12, 1952. Laeuger was a major figure in German ceramics. His designs and his glazes had ‘organic’ characteristics that are his signature design and his work is much sought-after by collectors. Examples of Laeuger pieces are on display at the Badisches Landesmuseum in Karlsruhe.
Max Läuger Germany Unique Jugendstil footed bowl inlaid with gold mosaic 1906
You must be logged in to post a comment.
ROYCROFT COPPER SHOP East Aurora, N.Y.
Pair of candlesticks c. 1915.
Hand wrought and textured copper, silver-plated.
Marks: impressed R, in orb with cross, ROYCROFT
For more information see: The American Arts & Crafts Movement in Western New York 1900-1928, Bruce A. Austin (Rochester Institute of Technology, 1992); Arts & Crafts Movement in New York State 1890’s – 1920’s, Coy Ludwig (Hamilton, N.Y.: Gallery Association of New York, 1983).
H: 6″ x W: 6 7/8″ x D: 2 5/8″
HUBERT SCHMALIX (1952-) Austria
Mount Washington 2005/06
Oil on canvas
Signed and dated on back: Schmalix 05 06
Provenance: Hubert Schmalix Vienna
For related works by Hubert Schmalix see: Hubert Schmalix, Lóránd Hegyi exhibition catalog (Museum moderner Kunst Stiftung Ludwig Wien) November 19, 1994 – January 1995.
H: 69” x W: 51”
Hubert Schmalix was born in Graz, Austria, on December 17, 1952 and studied at the Vienna Art Academy from 1971 to 1976. By 1979 Schmalix was showing work at the forward-looking exhibition ‘Europa 79 – Kunst der 80er Jahre’ in Stuttgart. In 1983 the London Tate Gallery invited Schmalix to present work at ‘New Art’, an important survey of contemporary art. Schmalix has become well-known world-wide as an exponent of ‘New Art’, working with a retrospective glance at both classical art history and modern art. Schmalix focuses on the world of things and the human figure. Although the expressive gesture was the dominant feature of his 1980s work, it yielded early in the 1990s to stringent tectonic composition. In 1984 Hubert Schmalix went to the Philippines and on to the US, moving to Los Angeles in 1987. In 1986-87 Schmalix taught at the Academy for the Decorative and Applied Arts in Vienna and from 1997 he has been a professor at the Vienna Art Academy. Schmalix is a visiting professor at the University of California Los Angeles (UCLA). In 1993 his work was featured at the Venice Biennale and in 1998 he was awarded the Fine Art Prize of the City of Vienna. Schmalix has done several large fresco cycles in Salzburg and his work has been shown extensively at numerous international solo and group shows and most recently at Art Basel 2006.
Reviews
There are no reviews yet, would you like to submit yours?