HENRI MATISSE (1869-1954) France
“Verve” Vol. IX No. 35 & 36 1958
Revue artistique et littéraire paraissant quatre fois par an
Created and editioned at the Mourlot Studio, Paris.
Published by E. Tériade, Paris 1958.
Dimensions:
Book: H 14 1/2” x W: 10 11/16”
Custom leather box: H: 15 13/16” x W: 11 5/8” x D: 2 1/16”
Custom linen case: H: 16 3/4” x 12 5/16” x D: 2 5/8”
ART OF THE SIXTIES, “Die Kunst der sechziger Jahre im Wallraf – Richarts Museum Köln” 1969
ART OF THE SIXTIES
“Die Kunst der sechziger Jahre im Wallraf – Richarts Museum Köln” 1969
Published by Gert von der Osten und Horst Keller.
Designed by Wolf Vostell.
First edition.
Dimensions:
Book: H: 12” x W: 10”
Custom leather box: H: 14” x W: 11 1/2” x D: 3 1/2”
Custom linen slipcase: H: 15” x W: 12 1/8” x D: 4”
This famous and striking exhibition catalogue is a work of art. Wolf Vostell designed the catalogue for the Ludwig collection of contemporary art, given as a permanent loan to the Wallraf-Richartz Museum in Cologne. The work of 92 artists is represented, including objects by Dine, Dubuffet, Hockney, Jasper Johns, Lichtenstein, Oldenburg, Picasso, Rauschenberg, Vostell, Warhol, and Wols.
French Art Deco Emerald ring set with a very fine cabochon emerald (approx. 3 carats TW) and two old European cushion cut diamonds (3 carats TW) and further set with 12 round cut diamonds all set in 18K gold, signed, c.1920’s
HENRI MATISSE (1869-1954) France
“Pasiphae” 1944
Limited edition No. 48/250.
Published by Martin Fabiani, Paris.
Dimensions:
Book: H: 13 3/16” x W: 10 3/8”
Custom leather box: H: 15 1/4” x W: 11 11/16” x D: 2 5/8”
Custom cloth slipcase: H: 16 1/8” x W: 12 3/16” x D: 3”
Signed by Matisse on the justification page.
Matisse’s Pasiphae is a singularly thrilling work and the plates were destroyed after the printing of this edition.
“A Contemporary retelling of the story of Parisphae and the Minoan bull was the impetus for one of Matisse’s most intensive printmaking experiences. Working with linoleum, a fairly easy material to use, Matisse cut many blocks of each image to achieve the perfect flow of line and relationship of forms. Intent on matching the spirit and ambience of the classical tale, Matisse took as his model ancient Greek playground vase painting”.
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