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  Carl F. Carlman Swedish Art Deco Set of Four Covered Silver Boxes c. 1930

  CARL F. CARLMAN (1855-1955) Sweden

  Set of four covered silver boxes c. 1930

  Hand wrought and hand hammered silver with a wood lined interior, square shaped finial

  Marks: Triple Star with S (Swedish silver mark), G8, JJS (in a rectangle), oval cartouche, CARLMAN

  H: 1″ x W: 2 1/2″ x D: 2 1/2″ (each box)

  Carl F. Carlman was a silversmith to the Swedish Royal Family.

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  Victor Arnautoff, The Felt Hat, Oil on Canvas c. 1930

  VICTOR ARNAUTOFF (1896-1979) USA

  The Felt Hat c. 1930

  Oil on canvas, white gold frame

  Signed: V. Arnautoff, lower right

  Exhibited: Art Center San Francisco, 1931 (see image of the review in the San Francisco Examiner, July 12th, 1931)

  For more information see: The New Deal for Artists, Richard D. McKinzie (Princeton, NJ: Princeton University Press, 1973), Coit Tower, San Francisco : Its History and Art

  Painting: H: 26” x W: 21”
  Framed: H: 32 ½” x 27 ½”

  Price: $60,000

  Victor Arnautoff created paintings and watercolors, focusing on portraits, still lifes and rural landscapes in his early years, and moved to more socially conscious themes later in his career. Arnautoff was a native of Russia, to which he returned during the 1960s after thirty years in the United States. He came to San Francisco from Russia via China, bringing his wife and children with him, and studied at the California School of Fine Arts studying with Ralph Stackpole and Edgar Walter before going to Mexico. There he worked as an assistant to the famous Mexican muralist Diego Rivera. During the 1930s, Arnautoff worked as project director and one of the artists selected to create the famed Coit Tower murals, he played a key role in determining the political and social content of the frescoes painted in the San Francisco landmark. His own contribution, City Life, appears to be a lively, non-political melding of downtown San Francisco scenes; however, closer study reveals two leftist newspapers on the newsstand, while the city’s most mainstream daily, the San Francisco Chronicle, is strangely missing. Arnautoff also painted frescoes in the Military Chapel at San Francisco’s Presidio, in the Anne Bremer Library of the San Francisco Art Institute, and in high schools and other buildings in the Bay Area. He was a professor of art at Stanford University from 1939 until his retirement in 1963.