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  American Art Deco Reed & Barton Sterling candlesticks 1928

  REED & BARTON  (active 1824 – present) Taunton, MA

  Candlesticks  1928

  Sterling silver with Hoffmann-like fluted base and bobêches with undulating stem and palm leaf like terminating detail.

  Marks: eagle R (in a shield) lion, Sterling, 1000, cement reinforced, eagle (date mark for 1928).

  Model illustrated: Vanity Fair (Dec. 1928, Vol. 31), p. 120., Reed & Barton Vintage Catalog, p. 10, plate number 1000.

  For more information on Reed & Barton see: Encyclopedia of American Silver Manufacturers, Dorothy T. Rainwater (West Chester, PA: Schiffer Publishing Ltd., 1986), p. 156-160.

  These candlesticks retailed for $19 in 1928.

  H: 10″ x Dia: 4 1/2″

   

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  Wilhelm Kage / Gustavsberg “Nude” Farsta Studio Bowl c. 1940

  WILHELM KÅGE (1889-1960) Sweden

  GUSTAVSBERG Gustavsberg, Sweden

  “Nude” Farsta bowl c. 1940

  Glazed stoneware with hand inscribed sgraffito decoration of a nude

  Marks: Kage, Studio Gustavsberg; FARSTA

  Dia: 8″

  Originally a painter, Wilhelm Kåge was employed by Gustavsberg as an art director to rejuvenate the pottery´s production. He was faithful to the company for 32 years. In 1942 he started the legendary Gustavsberg Studio with the mission to create unique artistic pieces. His lively imagination brought forth a great variety of forms. Kåge was an artist of contradictions. In the 1940´s and 50´s he designed several geometrical, almost cubist, vessels in the “Surrea” series which stands in striking contrast to his soft formed, organic shaped tableware from the same period. Kåge designed more than 30 different dinner services, of particular importance was the inexpensive “workers” service, intended for a wider audience. Kåge´s pride, however, was the Farsta series of unique vessels made of heavy stoneware with carved surfaces and earth coloured decorative glazes. The clay for which was taken from the Farsta bay area very near the Gustavsberg pottery. He began experimenting with the Farsta line of studio ceramics already in the 1920´s. Art historians and collectors today consider the Farsta pieces the culmination of Wilhelm Kåge´s artistic production.