Josef Hoffmann, Wiener Werkstaette, Silverplate and Crystal Cruet Set c.1922
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Josef Hoffmann, Wiener Werkstaette, Silverplate and Crystal Cruet Set c.1922
JOSEF HOFFMANN (1870-1956) Austria
WIENER WERKSTÄTTE (1903-1932) Vienna
Cruet Set c.1922
Silver plated stand with original cut crystal paneled bottles
Model illustrated: Wiener Werkstätte G.M.B.H. catalog (December 1923), kat. nr. M di 5, p. 406. (This WW catalogue is in the collection at the Rare Books Department of the New York Public Library)
Michael Powolny / Wiener Werkstaette Vienna Secession “Schneckenreiter” c. 1910
MICHAEL POWOLNY (1871-1954) Austria
BERTOLD LÖFFLER (1874-1960) Austria
VEREINIGTE WIENER UND GMUNDNER KERAMIK Vienna
Schneckenreiter c. 1910
Glazed white earthenware hand-painted with black enamel
Marks: conjoined WK (in a square), KG with flower (in a square), 81 (impressed)
***Extremely rare Powolny model in black and white.
Model illustrated: Michael Powolny: Keramik und Glas aus Wien 1900 bis 1950, Elisabeth Frottier (Vienna: Böhlau Verlag, 1990), p. 50, illus. 20, cat. no. WV43; Vienna 1900, Vienna, Scotland and the European Avant-Garde, Peter Vergo (Edinburgh, Scotland, 1983), p. 63, plate 19; “Austrian Architecture and Decoration,” The Studio Year Book of Decorative Art 1911 (London: The Studio, 1911), p. 233.
This model may also be found in the permanent collection of the Victoria & Albert Museum, London (Inventory number 604, 1966).
British “Tree Frog” brooch, silver set with green and clear paste jewels, red jewel eyes, marks c. 1895
Charles Darwin published his theory of evolution with compelling evidence in his 1859 book “On the Origin of Species” overcoming scientific rejection of earlier concepts of transmutation of specie. By the 1870s both the scientific community and much of the general public had accepted evolution as a fact and awakening the public to the diversity of life. The frog emerging from Darwin’s Pond was a symbol of the times and a favorite theme for jewelry of the era.
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