Josef Hoffmann, Wiener Werkstaette, Silverplate and Crystal Cruet Set c.1922
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Josef Hoffmann, Wiener Werkstaette, Silverplate and Crystal Cruet Set c.1922
JOSEF HOFFMANN (1870-1956) Austria
WIENER WERKSTÄTTE (1903-1932) Vienna
Cruet Set c.1922
Silver plated stand with original cut crystal paneled bottles
Model illustrated: Wiener Werkstätte G.M.B.H. catalog (December 1923), kat. nr. M di 5, p. 406. (This WW catalogue is in the collection at the Rare Books Department of the New York Public Library)
Josef Hoffmann / Wiener Werkstätte / Loetz globe Vienna Secession sonce c.1915
JOSEF HOFFMANN (1870 – 1956) Austria
JOH. LÖTZ WITWE Klostermühle, Bohemia
WIENER WERKSTÄTTE (1903-1931) Vienna
Wall sconce with Loetz globe c. 1915
Polished brass, wall arm in the form of volute with pearl ribbon, handblown Lötz glass, cobalt Phänomen Gre
Marks: JH, WIENER WERKSTÄTTE
For more information see: Wiener Werkstätte: 1903-1932 Gabriele Fahr-Becker (Cologne: Taschen, 1994); Wiener Werkstätte Design in Vienna 1903-1932, Werner J. Schweiger (New York,1984); Josef Hoffmann Designs, ed. Peter Noever, MAK and Prestel-Verlag: Munich, 1992); Wiener Werkstätte by Gabriele Fahr-Becker.
Extension from the wall forward: 11 ½”
H top of arch to bottom of globe: 11 ¼”
Diameter of globe: 6 1/2”
Josef Hoffmann Table for J & J Kohn, Vienna Secession c.1915
JOSEF HOFFMANN (1870-1956) Austria
JACOB & JOSEF KOHN Vienna, Austria
Oval occasional table c.1915
Model no. 960/4
Ebony stained beech
Marked: original Jacob & Josef Kohn paper label
Illustrated: Jacob & Josef Kohn: Bentwood Furniture, der Katalog von 1916 (München: Verlag Dry, 1985), p. 69;
Against the Grain: Bentwood Furniture from the Collection of Fern and Manfred Steinfeld, Ghenete Zelleke, Eva B. Ottilinger and Nina Stritzler (Chicago: The Art Institute of Chicago, 1993) p. 88.
British “Tree Frog” brooch, silver set with green and clear paste jewels, red jewel eyes, marks c. 1895
Charles Darwin published his theory of evolution with compelling evidence in his 1859 book “On the Origin of Species” overcoming scientific rejection of earlier concepts of transmutation of specie. By the 1870s both the scientific community and much of the general public had accepted evolution as a fact and awakening the public to the diversity of life. The frog emerging from Darwin’s Pond was a symbol of the times and a favorite theme for jewelry of the era.
Josef Hoffmann / Wilhelm and Johann Jonasch / Vienna Secession Game table c. 1913
JOSEF HOFFMANN (1870-1956) Austria
WILHELM AND JOHANN JONASCH Austria
Game table with four drawers c. 1913
Oak, leather top with gold tooled detail
Made by Johann Jonasch (Kunsttischler)
Illustrated: Vienna 1900-1930, Art in the Home,
exhib. cat. Historical Design, Inc. (New York, 1996), p. 60-1.
Matching dining table illustrated in: Österreichische Werkkultur,
Max Eisler (Wien: Kunstverlag Anton Schroll & Co., 1916) p. 97.
Related tables by Hoffmann illustrated: Deutsche Kunst und Dekoration, April-September 1914, p. 140-4; Deutsche Kunst und Dekoration, April September 1916, pp. 199-200; Deutsche Kunst und Dekoration, Oct.-March 1917, p. 207-8; Möbel des Jugendstils: Sammlung des Österreichischen Museums für angewandte Kunst, Vera J. Behal (Munich: Prestel-Verlag, 1981), pp. 143-5; Josef Hoffmann e la Wiener Werkstätte, Daniele Baroni and Antonio D’Auria (Milan: Electa Editrice, 1981). pp 124-125.
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