Louis C. Tiffany / Tiffany Studios Rare Kettle-on-Stand c. 1902
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Louis C. Tiffany / Tiffany Studios Rare Kettle-on-Stand c. 1902
LOUIS C. TIFFANY (1848-1933) USA
TIFFANY STUDIOS New York
Kettle-on-Stand c.1902
Silver on copper with carved teak wood handles and finial in an organic-form and hexagonal shaped kettle-on-stand with burner
Marks: Tiffany Studios, New York (on all three pieces)
Illustrated: The Art of Louis Comfort Tiffany, Donald L. Stover (The Fine Arts Museums of San Francisco, 1981), p. 88, illus. 189 (description on p. 96); Tiffany at Auction, Alastair Duncan (New York: Rizzoli International Publications, 1981) p. 50, pl. 137.
A rare example of a subtle organic-form and hexagonal shaped kettle-on-stand emulating pooling water in a Japanese influenced design by Louis Comfort Tiffany and made by Tiffany Studios
Alexandre Noll rare and early Art Deco mahogany and glass box c. 1930
ALEXANDRE NOLL (1890-1970) France
Covered box c. 1930
Mahogany with ebony peg details and 1 ¼ inch thick Saint-Gobain glass.
Marks: ANoll
Provenance: Private Collection New York, Galerie de Beyrie Paris, Odile Noll (A. Noll’s daughter), Alexandre Noll Estate
For more information see: Alexandre Noll, Olivier Jean-Elie, Pierre Passebon (Paris:Edition du Regard, 1999); Alexandre Noll: Les Matres de L’ Art Decoratif Contemporain, Collection dirigée par R. Moutard-Uldry edited by (Geneve: Pierre Cailler, 1954); Le Mobilier du Xxe Siécle: Dictionnaire des
Créateurs, Pierre Kjellberg (Paris: Les Éditons de l’Amateur, 1994) p. 455-456.
Andre Thuret French Art Deco Rare Handblown Art Glass Vase c. 1930
ANDRÉ THURET (1898-1965) France
“Organic” vase/bowl c. 1930
Handblown and formed clear glass with bubble technique encapsulating a frosty white oxide.
Signed: ANDRÉ THURET
H: 2 3/8″ x D: 4″ x W: 6 1/4″
Andre Thuret was one of the first modern French studio glass artists and a contemporary of Maurice Marinot. He was born on November 3, 1898 in Paris. It is by science that Andre Thuret came to art. It is in Thuret the engineer and the chemist who serve Thuret the vase artist. The scientist places at the disposal of the creator of forms, rates/rhythms and colors the fluid and transparent beauty of glass and the reactions of metallic oxides. He worked in a traditional glass blowing technique at a temperature often exceeding 1,000 degrees. Thuret exhibited at the Salon d’Automne in 1928 and 1932 and obtained his first plate of the Company of Encouragement to Art. He was invited to exhibit in the United States in 1929-1930. Andre Thuret received his Chevalier of the Legion of Honor in 1947.
George Jakob Hunzinger New York 19th Century Rare Painted Chair 1876
GEORGE JAKOB HUNZINGER (1835-1898) Germany/ USA
Chair 1876
Yellow and blue painted elaborately turned wood, blue thread woven covered metal band mesh seat (original condition)
Marks: George Hunzinger Patent 1876
Illustrated: The Furniture of George Hunzinger, Invention and Innovation in Nineteenth-Century America, Barry R. Harwood (Brooklyn: Brooklyn Museum of Art, 1997) p.103.
H: 32″ x D: 17″ x W: 20″
GEORGE JAKOB HUNZINGER (1835-18989) USA
George Hunzinger emigrated in the 1850s from the Black Forest region of Germany where his family had worked as cabinetmakers since the 17th century. Settling in New York, he joined a community of 3,000 German furniture makers but soon distinguished himself as a maker of patent furniture and “fancy chairs”. Hunzinger’s innovative designs are often associated with the development of the Aesthetic Movement in America. By the 1870s, his chairs were sought after by many Americans as accent pieces for their parlors. The woven mesh or upholstery of these innovative chairs follows the original intention of the maker and the turned frame has an avant-garde, colorful and rather contemporary feeling painted in a combination of a rich ochre yellow and cobalt blue, a color combo that was highly prized for it’s eccentricity in Victorian America.
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