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  Christian Vogt, Nude Female from the “Red Series”, Dye Transfer photograph 1976

  CHRISTIAN VOGT (b.1946) Switzerland

  Nude Female from the “Red Series” 1976

  Dye Transfer photograph
  (continuous-tone color photographic printing process).
  Matte black and gold wood frame

  Signed on back

  Photograph illustrated: Christian Vogt: Photographs, The Master Collection, Vol. 1, by Davis Sue (Geneva: Roto Vision, 1980)

  Marked: Print no. 12/33 1976
  Framed: H: 21 5/8” x W: 17 7/16”

  Price: $17,500

  Christian Vogt has exhibited internationally at venues including The Photographer’s Gallery, (London), the ICP (New York), the Kunsthaus (Zürich), the Yajima Gallery (Montreal), the Tel Aviv Museum (Isreal), the Rencontres Internationales (Arles), the Centre Pompidou (Paris), the Galerie Watari (Tokyo), the Preuss Museum (Norway), the Edwynn Houk Gallery (Chicago), the CCD Galerie (Düsseldorf) and the Kunstmuseum (Hannover) among many others.

  His photography is included in numerous important collections such as the Bibliotheque Nationale (Paris), the Swiss Foundation for Photography (Winterthur), the Musée de l’Elysee (Lausanne), the Modern Museet (Stockholm), the Tel Aviv Museum (Tel Aviv) and the Polaroid Collection (Cambridge, USA). He currently resides in Basel, Switzerland.

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  Grant Mudford, Long Beach, Gelatin Silver Print 1979

  GRANT MUDFORD (1944- ) Australia

  Long Beach   1979

  Gelatin silver print

  Signed: Long Beach 1979, LB-24/2 (in pencil on back); Grant Mudford 1980 (script in ink)

  Framed size: H: 28 ¼” x W: 32 7/16”

  Price: $29,000

  “Since he moved to Los Angeles from Australia in the late 1970s, Grant Mudford has composed photographs that crisply examine the streamlined geometries of West Coast architecture and landscape. Mudford has zeroed in on the abstract formal relationships lurking within the designs of gas stations, strip malls and apartment buildings. The geometrical arrangements highlighted in his photographs of the masterful modernist structures of Rudolf Schindler and Craig Ellwood have disclosed a link between their midcentury architecture and the contemporaneous hard-edge abstractions of L.A. painters John McLaughlin and Lorser Feitelson.” – Art in America, “Grand Mudford at Rosamund Felsen, September 2003