Related Products

• 

  Details

  Werner Rohde, Self-portrait, Silver gelatin print 1926

  WERNER ROHDE (1906-1990) Germany

  Self-portrait 1926

  Silver gelatin print, ebonized wood frame

  Signed: Werner Rohde 1926 (pencil signature and date on back on photo); inv. 3RMG 1081.27

  Photo: H: 6 13/16” x W: 4 15/16”
  Framed: H: 16 5/16” x W: 14 3/8”

  Price: $38,000

  Werner Rohde’s visual play with the animate and inanimate draws him close to the aesthetics of the surrealists while maintaining a strong alignment with Germany’s new-vision avant-garde. Rohde experimented widely with double exposures, photomontage, perspective and dramatic lighting that reflected his interest in filmic effects. The son of a glass painter (a medium he would turn to later in life), Rohde took up photography during his studies at the Arts and Craft School in Halle. Like Kesting, Willy Zielke and Kretschmer, he participated in the 1929 ‘Film und foto’ exhibition in Stuttgart that remains one of the historical focal points for Germany’s new photographic vision. Despite this early recognition of his work, Rohde fell into obscurity after the war until the rediscovery of his photographs in the mid 1970s.

  Rohde’s fascination with the play between life and lifeless, animate and inanimate, has strong reverberations with surrealism. Masks, mannequins and paper models were used in his photographs to illuminate the uncanny. They were also employed in his self-portraiture in which he mimicked his idol Charlie Chaplin. These techniques of visual illusion provided a mnemonic tool for the images of his wife in which she is posed and photographed to resemble a doll or mannequin. In the act of art imitating life, ‘Wachspuppenkopf’ is uncanny in its mimicry of the human form with realistic teeth, eyes, skin and even the unusual detail of small wrinkles under the eyes. The downward angle, lighting and odd doubling of the neckline utilizes standard surrealist methods to infer life and movement.

• 

  Details

  Tim Gidal, Self Portrait, Gelatin Silver Print 1930

  TIM GIDAL (Ignaz Nachum Gidalewitsch) (1909-1996) USA

  Self-portrait   1930

  Signed: Tim Gidal, self portrait 1930, photograph printed by photographer TG (script in ink on back)

  H: 17 7/8” x W: 12 1/16” (framed)

  German-born Israeli photojournalist and writer. Gidal studied law, history and art history in Munich and Berlin, and started photography as a Zionist student. His first published pictures appeared in the Münchener illustrierte Presse in 1929. After emigrating in 1933 he lived in Switzerland (where he wrote a doctoral dissertation on photojournalism), the Middle East, and India, contributing to numerous publications. Between 1938 and 1940 he worked for Picture Post, and 1942-5 for the British army magazine Parade. After moving to the USA in 1947 he was an editorial consultant for Life. He later held academic posts in America and Israel. His many books include Modern Photojournalism: Origin and Evolution 1910-1933 (1973).

• 

  Details

  Edward Weston, Elbow, Gelatin Silver Print 1935

  EDWARD WESTON (1886-1958) USA

  Elbow   1935

  Gelatin silver print

  Signed: 12-40. Edward Weston 1935 (pencil below photo)

  Framed H: 17” x W: 14 9/16”

   

  Edward Henry Weston was an American photographer, and co-founder of Group f/64. Most of his work was done using an 8 by 10 inch view camera. Weston was renowned as one of the masters of 20th century photography. His legacy includes several thousand carefully composed, superbly printed photographs that have influenced photographers around the world for 60 years. Photographing natural landscapes and forms such as artichoke, shells, and rocks, using large-format cameras and available light. The subtle use of tones and the sculptural formal design of his works have become the standards by which much later photographic practice has been judged.

  Ansel Adams has written: “Weston is, in the real sense, one of the few creative artists of today. He has recreated the matter-forms and forces of nature; he has made these forms eloquent of the fundamental unity of the world. His work illuminates man’s inner journey toward perfection of the spirit.”

   

• 

  Details

  Christian Vogt, Nude Female from the “Red Series”, Dye Transfer photograph 1976

  CHRISTIAN VOGT (b.1946) Switzerland

  Nude Female from the “Red Series” 1976

  Dye Transfer photograph
  (continuous-tone color photographic printing process).
  Matte black and gold wood frame

  Signed on back

  Photograph illustrated: Christian Vogt: Photographs, The Master Collection, Vol. 1, by Davis Sue (Geneva: Roto Vision, 1980)

  Marked: Print no. 12/33 1976
  Framed: H: 21 5/8” x W: 17 7/16”

  Price: $17,500

  Christian Vogt has exhibited internationally at venues including The Photographer’s Gallery, (London), the ICP (New York), the Kunsthaus (Zürich), the Yajima Gallery (Montreal), the Tel Aviv Museum (Isreal), the Rencontres Internationales (Arles), the Centre Pompidou (Paris), the Galerie Watari (Tokyo), the Preuss Museum (Norway), the Edwynn Houk Gallery (Chicago), the CCD Galerie (Düsseldorf) and the Kunstmuseum (Hannover) among many others.

  His photography is included in numerous important collections such as the Bibliotheque Nationale (Paris), the Swiss Foundation for Photography (Winterthur), the Musée de l’Elysee (Lausanne), the Modern Museet (Stockholm), the Tel Aviv Museum (Tel Aviv) and the Polaroid Collection (Cambridge, USA). He currently resides in Basel, Switzerland.