Product Description
Marianne Brandt / Metallwarenfabrik Ruppelwerk / Bauhaus Napkin holder 1930-32

MARIANNE BRANDT (1893-1983) Germany
METALLWARENFABRIK RUPPELWERK Gotha, Germany
Napkin holder 1930-32
Salmon enameled metal napkin holder in a triangular form
Marks: RUPPEL (in a circle) mehrfach geschützt
Illustrated: Avantgarde Design 1880-1930, Torsten Bröhan, Thomas Berg (Cologne: Benedikt Taschen, 1994) p. 105.
For other works by Brandt for Metallwarenfabrik Ruppelwerk see: Die Metall Werkstatt am Bauhaus, (Berlin: Bauhaus-Archiv, Museum für Gestaltung, 1992) pp. 180-183; Die Metall Werkstatt am Bauhaus, (Berlin: Bauhaus-Archiv, Museum für Gestaltung, 1992) pp. 181-3;
H: 5 1/8” x W: 8 3/8” x Base D: 3 3/8”
Marianne Brandt / Metallwarenfabrik Ruppelwerk / Bauhaus Napkin holder 1930-32
FRITZ AUGUST BREUHAUS DE GROOT (1883-1960) Germany
WMF [WÜRTTEMBERGISCHE METALLWARENFABRIK] Geislingen
“Pokal” Covered footed cup ( model no. Br 6 )1928
Silverplated brass, model no. Br 6
Marks: WMF insignia (touchmark), x/o
Illustrated: Goldschmiedekunst 49, (1928) m. Abb; Deutsche Kunst und Dekoration 63, (1928/29) Abb S 353; Metallkunst: Kunst vom Jugendstil zur Moderne (1889-1939), Karl H. Bröhan, Band IV (Berlin: Bröhan-Museum, 1990) n. 610, p. 571; WMF Ikora Metall / Metalwork, Carlo Burschel and Heinz Scheiffele (Stuttgart, Germany: ARNOLDSCHE, 2006) pp.12,19,34.
H: 13 ¼” D base: 5 ¼” x D top: 5 ½”
WOLFGANG KREIDL (1906-1972) Dresden, Germany
MAX ROESLER FEINSTEINGUTFABRIK A.G. Germany
“Darmstadt” charger c. 1930
Brown, orange and cream glazed earthenware with a triangle and circle airbrush design, on stand
Marks: Max Roesler Rodach (shield mark), 9, 2925, 6239 1 (under the glaze)
Model illustrated: Keramiken der Neuen Sammlung im Internationalen Keramik-Museum Weiden, Hans Wichmann, (Munich: Staatliches Museum für angewandte Kunst, 1990), cover image and p. 65; Design Contra Art Déco: 1927-1932 Jahrfünft der Wende, Hans Wichman (Munich: Prestel Verlag, 1993), p. 101.
For more information about Wolfgang Kreidel and other models with matching air brush design see: Max Roesler, Keramik zwischen Jugendstil und Art Deco, Rolf Peters (Darmstadt: Museum Künstlerkolonie Darmstadt, 1998), p. 98-102.
Dia: 12 5/8”
PAUL HAUSTEIN (1880-1944) Germany
HERMANN BEHRND (b. 1849) SILBERWARENFABRIK (silver) Dresden, Germany
JAKAB RAPOPORT (enamelist) Budapest, Hungary
Inkwell c. 1900
Multicolored burgundy, purple, blue and green enamel with silver mounts, glass insert
Marks: Moon, crown, 800, HB (Hermann Behrnd mark)
Same model with variant mount illustrated: Deutsche Goldschmiede-Zeitung, n.d. (circa 1903-05), p. 23
For related works and more information see: Art Nouveau in Munich: Masters of Jugendstil, ed. Kathryn Bloom Hiesinger (Philadelphia: Philadelphia Museum of Art, 1988) pp. 67-69; Jugendstil in Dresden, Aufbruch in die Moderne, Gisela Haase et al., exh. cat. (Dresden: Staatliche Kunstsammlungen Dresden; Wolfratshausen: Edition Minerva, 1999).
Dia: 7 1/4″ x H: 4 1/2″
FRITZ AUGUST BREUHAUS DE GROOT (1883-1960) Germany
WMF [WÜRTTEMBERGISCHE METALLWARENFABRIK] Geislingen, Germany
Pair of candlesticks c. 1930
Chrome and bakelite spheres
Marks: WMF mark, VERCHROMT
Related designs illustrated: Metallkunst: Kunst vom Jugendstil zur Moderne (1889-1939), Karl H. Bröhan, Band IV (Berlin: Bröhan-Museum, 1990) n. 608 p. 570; Modernist Design 1880-1940, Alastair Duncan, The Norwest Collection (Woodbridge, Suffolk: The Antique Collectors’ Club, 1998), p. 173; WMF Ikora Metall / Metalwork, Carlo Burschel and Heinz Scheiffele (Stuttgart, Germany: ARNOLDSCHE, 2006) p. 192
H: 12 3/4″
Price: $4,200