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  House of Koch (attr.), Art Deco diamond, onyx and platinum “Zig Zag” ring, original box, c. 1920’s

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  Pedro de Lemos / Art Deco Orange glazed American Pottery Clydesdale Horse Sculpture c. 1930

  PEDRO DE LEMOS (1882-1945) Bay Area, California

  Clydesdale horse sculpture c. 1930

  Hand modeled orange glazed terra cotta.

  Marks: De Lemos Palo Alto (sticker on the bottom), various pencil notations on the foot bottom

  H: 9 1/8″ x D: 3 1/2″ x W: 9 1/2″

  Pedro Joseph de Lemos (25 May 1882 Austin, Nevada – 5 December 1945) was an American painter, printmaker, architect, illustrator, writer, lecturer and museum director. He started his art career in the Bay Area. He studied under Arthur Frank Mathews at the Mark Hopkins Institute of Art in 1900, later was a student of George Bridgman at the Art Students League in New York and of Arthur Wesley Dow at Columbia University Teachers College. The influence of traditional Japanese woodcuts is clearly seen in his work.

  Pedro’s father Francisco, a cobbler, emigrated from the Azores in 1872, and settled in Oakland, California where Pedro was educated. Pedro and his brothers Frank and John all followed careers in art. Pedro was employed by Pacific Press Publishing Company between 1900 and 1906, afterwards starting the Lemos Illustrating Company with his brothers in 1907. Later this became known as the Lemos Brothers Art and Photography Studio, which offered art classes in copper, leather and landscaping as well as the traditional media of drypoint, etching and illustrating.

  Lemos worked from a studio overlooking Lake Merritt and taught art at the University of California, Berkeley, working at the same time as illustrator and designer and giving classes in decorative design and etching at the San Francisco Institute of Art, where he had earlier studied when it was the Mark Hopkins Institute. He helped found the California Society of Etchers and an aqua print of his was acclaimed at the 1915 Panama-Pacific International Exposition, for which he helped organise the California print exhibition. He filled the position of Professor of Design at Stanford University and became director of the Stanford University Museum of Art in 1919. Besides being the first president of the Carmel Art Association, he was an affiliate member of several art organisations such as the California Society of Etchers, the California Print Makers, the Palo Alto Art Association, the Chicago Society of Etchers and the Bohemian Club. In 1943 he was elected a Fellow of the Royal Society of Arts in London.

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  Bauhaus / Thonet / Modernist Art Deco Nesting Tables, c. 1930

  BAUHAUS Germany (1919-1933).
  Gebrüder Thonet, Vienna.

  Nesting tables, circa 1930.

  Tubular chrome base with exotic wood and burl, glass inset half tops.

  For more information see: Deutsche Stahlrohr Möbel, Alexander von Vegesack (München: Bangert Verlag, 1986), Bauhaus Furniture: A Legend Reviewed, exhibit. cat., Bauhaus-Archiv Museum für Gestaltung, Berlin, 2002.

  Smaller table: 22″ H x 17″ D x 26 1/4″ W.
  Larger table: 24 1/2″ H x 17 1/2″ D x 29 3/4″ W.

  Price: $11,750

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  WMF Ikora Germany Art Deco Dinanderie Vase c. 1930

  WMF  (Württembergische Metallwarenfabrik)  Geislingen, Germany

  Dinanderie vase  c. 1930

  Silver-plated copper with with red patinated squares and rectangles on a black-patinated textured background

  Marks: WMF castle mark, IKORA

  Illustrated: WMF Ikora Metall / Metalwork, Carlo Burschel and Heinz Scheiffele (Stuttgart, Germany: ARNOLDSCHE, 2006), p. 142, 90/585.

  For more information see: WMF Glas Keramik Metall 1925-1950,  Jörg Schwandt, (Berlin: Kunstgewerbemuseum, Staatliche Museum  Preussischer Kulturbesitz, 1981). Metallkunst, Band IV (Berlin: Bröhan-Museum, 1981) pp. 546-579.

  H: 3″ x Dia: 4″

  SOLD