Michael Powolny / Wiener Werkstaette Vienna Secession "Schneckenreiter" c. 1910
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Michael Powolny / Wiener Werkstaette Vienna Secession “Schneckenreiter” c. 1910
MICHAEL POWOLNY (1871-1954) Austria
BERTOLD LÖFFLER (1874-1960) Austria
VEREINIGTE WIENER UND GMUNDNER KERAMIK Vienna
Schneckenreiter c. 1910
Glazed white earthenware hand-painted with black enamel
Marks: conjoined WK (in a square), KG with flower (in a square), 81 (impressed)
***Extremely rare Powolny model in black and white.
Model illustrated: Michael Powolny: Keramik und Glas aus Wien 1900 bis 1950, Elisabeth Frottier (Vienna: Böhlau Verlag, 1990), p. 50, illus. 20, cat. no. WV43; Vienna 1900, Vienna, Scotland and the European Avant-Garde, Peter Vergo (Edinburgh, Scotland, 1983), p. 63, plate 19; “Austrian Architecture and Decoration,” The Studio Year Book of Decorative Art 1911 (London: The Studio, 1911), p. 233.
This model may also be found in the permanent collection of the Victoria & Albert Museum, London (Inventory number 604, 1966).
Michael Powolny / Lötz Witwe Glaswerks Jugendstil Set of Three “Tango” Glass Vases c. 1920
PROF. MICHAEL POWOLNY (1871-1954) Austria
LÖTZ WITWE GLASWERKS Klostermuhle
Set of three “Tango” glass vases c. 1920
Blown tall yellow glass with applied black handles, blown orange glass with applied cobalt blue handles, blown red glass with applied black handle-form feet
Marks: Cecho. Slovakia (acid etched in an oval) (red vase)
Yellow and black vase H: 6 1/2” x Dia: 6″
Orange and cobalt blue vase H: 5 1/2” x Dia: 6″
Red and black vase H: 3 1/2” x Dia: 6″
For more information see: Lötz: Böhmisches Glas 1880-1940, Band 1, Helmut Ricke and Ernst Ploil, (Munich: Prestel-Verlag, 1989) ; Glass of the Avant-Garde, From Vienna Secession to Bauhaus, The Torsten Bröhan Collection from the Museo Nacional de Artes Decorativas, Madrid, Torsten Bröhan, Martin Eidelberg (Munich, London, New York: Prestel Verlag, 2001).
Other Powolny works: Jugendstil Art Nouveau: floral und functional forms, Siegfried Wichmann (New York / Boston: Graphic Society, Little, Brown and Co., 1984), p. 226; Vienna 1900-1930: Art in the Home, Historical Design exhibition catalogue (New York: Historical Design, Inc., 1996), p. 45; Modernism:Modernist Design 1880-1940, The Norwest Collection, Norwest Corporation, Minneapolis, Alastair Duncan (Woodbridge, Suffolk, England: The Antique Collector’s Club, 1998).
Reinhold Klaus / Carl Geyling Atelier Vienna “Cubist Man with top hat and flowers” stained glass window c. 1930
REINHOLD KLAUS (1881-1963) Vienna, Austria
CARL GEYLING ATELIER (founded 1841) Vienna, Austria
Man with tophat and flowers c. 1930
Window of stained and hand-painted leaded glass
Provenance: Estate of Carl Geyling (1814-1880), Vienna
H: 17 3/4″ x W: 14 1/2″
Reinhold Klaus studied from 1898-1902 with Alfred Roller at the Kaiserlich-Königliche Kunstgewerbeschule in Vienna. In 1914 Klaus married into the Carl Geyling family and became extensively involved with with stained glass painting. As early as 1918 Klaus worked on a stained glass window for the Siegestempel am Bisamberg in Vienna. In 1934 he became a professor of stained glass painting at the Kunstgewerbeschule, as well as creative director of the C. Geylings Erben glass painting company. Reinhold Klaus, a member of the Künstlerhaus since 1924 received many prizes and honors. He worked on commissions for the St. Veits cathedral in Prague, the St. Stephan cathedral in Vienna and many others.
Oswald Haerdtl / J. C. Klinkosch Vienna Hand mirror c. 1940
OSWALD HAERDTL (1899-1959) Austria
J.C. KLINKOSCH Vienna
Hand mirror c. 1940
Handwrought and hand hammered silver in a contoured organic form, the top inset panel is turquoise and peach colored champleve enamel with silver cloisons in the form of a meandering branches.
Marks: J.C.K. (maker’s monogram), Klinkosch touch marks, 800 and toucan mark (Vienna silver standard marks)
For more information and other works see: Oswald Haerdtl 1899-1959, introd. Johannes Spalt (Vienna: Hochschule für angewandte Kunst, 1978); Oswald Haerdtl, Architekt und Designer (1899-1959), Adolphe Stiller (Salzburg: Verlag Anton Pustet, 2000); Art Nouveau and Art Deco Silver, Annelies Krekel-Aalberse (New York: Harry N. Abrams, 1989).
L: 10 1/2″
Price: $4,200
Haerdtl shared an architectural practice with Josef Hoffmann in the early 1930s, was later honored by the Austrian government to design the Austrian pavilion at the 1937 International Exhibition in Paris.
Scandinavian Art Nouveau “Wisteria” bronze photo frame c.1910
SCANDINAVIAN ART NOUVEAU
“Wisteria” bronze photo frame c.1910
Elaborately detailed, acid etched and multi-patinated bronze table top photo frame with gilt details of a cascade of wisteria blossoms, leaves and vines.
Overall Frame: H: 12” x W: 7 ½”
Oval photo window opening H: 5 ½” x W: 4”
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