Product Description
Walter Nichols Chinese Art Deco rug c. 1935

WALTER NICHOLS China
Chinese Art Deco stripe & chevron rug c. 1935
36″ x 54″
Walter Abner Burns Nichols was one of the most colorful of the American adventurer/entrepreneurs in 1920s China. The Nichols name has come to be used almost synonymously with the ‘Chinese deco’ rugs manufactured in Tientsin, China in the 1920s and 1930s. Nichols did not originate the Chinese deco style, but he did a great deal to popularize it and to maintain its high standards of manufacture.
Nichols began in his youth as a first-class wool grader who went to Tientsin around 1920 to work for the Elbrook family of wool merchants. Nichols started his own business a couple of years later. In a brochure he produced in the late ’20s, with the assistance of Pande-Cameron, he announced: “In 1924 W.A.B. Nichols of Tientsin, North China, introduced the Super Chinese Rug which has become world famous. It is known in every market as the most durable and beautiful product of the modern Chinese weavers art and adorns the homes of people all over the earth.”
Walter Nichols Chinese Art Deco rug c. 1935
LUC LANEL (1893-1965) France
ORFÈVRERIE CHRISTOFLE Paris
Ovoid form with a foot and flared lip design with a polished copper body with an overall stepped rectangular and square motif geometric design
Marks: CHRISTOFLE (large script with wave lines below), B 173, G
For more information see: Mobilier et Décoration d’Interieur ( 1924-25), p. 10; Les Arts Décoratifs Modernes (France), Gaston Quènioux (Paris: Librairie Larousse, 1925), p. 176; 150 Ans d’Ofèvrerie Christofle, Henri Bouilhet ([Paris]: Chêne/Hachette: 1981), pp. 241 and 230.
H: 8 5/8″ x Dia: 5″
BAUHAUS Germany (1919-1933).
Gebrüder Thonet, Vienna.
Nesting tables, circa 1930.
Tubular chrome base with exotic wood and burl, glass inset half tops.
For more information see: Deutsche Stahlrohr Möbel, Alexander von Vegesack (München: Bangert Verlag, 1986), Bauhaus Furniture: A Legend Reviewed, exhibit. cat., Bauhaus-Archiv Museum für Gestaltung, Berlin, 2002.
Smaller table: 22″ H x 17″ D x 26 1/4″ W.
Larger table: 24 1/2″ H x 17 1/2″ D x 29 3/4″ W.
Price: $11,750
SEVARD France (active 1920’s/1930’s)
Dinanderie vase with fish fins c. 1925
Hand wrought and hand hammered copper with a rich chocolate-brown
patination and bronze fin-like handles, gilt detailing
Marks: Sevard (inscribed signature), “France”
H: 7 7/8” x W: 8 3/4”
FRITZ AUGUST BREUHAUS DE GROOT (1883-1960) Germany
WMF [WÜRTTEMBERGISCHE METALLWARENFABRIK] Geislingen
“Pokal” Covered footed cup ( model no. Br 6 )1928
Silverplated brass, model no. Br 6
Marks: WMF insignia (touchmark), x/o
Illustrated: Goldschmiedekunst 49, (1928) m. Abb; Deutsche Kunst und Dekoration 63, (1928/29) Abb S 353; Metallkunst: Kunst vom Jugendstil zur Moderne (1889-1939), Karl H. Bröhan, Band IV (Berlin: Bröhan-Museum, 1990) n. 610, p. 571; WMF Ikora Metall / Metalwork, Carlo Burschel and Heinz Scheiffele (Stuttgart, Germany: ARNOLDSCHE, 2006) pp.12,19,34.
H: 13 ¼” D base: 5 ¼” x D top: 5 ½”